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Space Cowboys (2000)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 130 Minutes

Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox

Starring | Clint Eastwood, Tommy Lee Jones, Donald Sutherland, James Garner

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Match Point (2005)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Directed by | Woody Allen | Cinematography by | Remi Adefarasin | Editing by | Alisa Lepselter

Starring | Scarlett Johansson, Jonathan Rhys Meyers, Emily Mortimer, Matthew Goode

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

In the Valley of Elah (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 121 Minutes

Directed by | Paul Haggis | Cinematography by | Roger Deakins | Editing by | Jo Francis

Starring | Tommy Lee Jones, Charlize Theron, Jonathan Tucker, Jason Patric

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

The Last Reef 3D (2012)

Motion Picture | 3D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 40 Minutes

The Last Reef 3D | ShotOnWhat?

Directed by | Luke Cresswell, Steve McNicholas | Cinematography by | D.J. Roller | Editing by | Luke Cresswell, Steve McNicholas

Cameras | IMAX Cameras, Red Digital Cinema Cameras, Spacecam Aerial Cameras

Point Break (1991)

Motion Picture | 2D | Color | 122 Minutes

Directed by | Kathryn Bigelow | Cinematography by | Donald Peterman | Editing by | Howard E. Smith

Starring | Patrick Swayze, Keanu Reeves, Gary Busey, Lori Petty

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Breaking the Waves (1996)

Motion Picture | 2D | Color | 2.39:1 | 159 Minutes

Directed by | Lars von Trier | Cinematography by | Robby Müller | Editing by | Anders Refn

Starring | Emily Watson, Stellan Skarsgård, Katrin Cartlidge, Jean-Marc Barr

Cameras | Moviecam Compact Camera

Lenses | Zeiss Lenses

The Innkeepers (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | Ti West | Cinematography by | Eliot Rockett | Editing by | Ti West

Starring | Sara Paxton, Pat Healy, Kelly McGillis, Alison Bartlett

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

American Son (2008)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Neil Abramson | Cinematography by | Kris Kachikis | Editing by | Karen Schmeer

Starring | Nick Cannon, Matt Sigloch, Dotan Baer, Justin Diedolf

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Three Fugitives (1989)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Francis Veber | Cinematography by | Haskell Wexler | Editing by | Bruce Green

Starring | Nick Nolte, Martin Short, Sarah Rowland Doroff, James Earl Jones

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux HP Zoom Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

The Hangover (2009)

Motion Picture | 2D | Color | 2.35:1 | 100 Minutes

The Hangover | ShotOnWhat?

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Debra Neil-Fisher

Starring | Zach Galifianakis, Bradley Cooper, Justin Bartha, Ed Helms

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Anamorphic Lenses

A Slipping-Down Life (1999)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Toni Kalem | Cinematography by | Michael F. Barrow | Editing by | Hughes Winborne

Starring | Lili Taylor, Guy Pearce, Irma P. Hall, Tom Bower

Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera

Monster’s Ball (2001)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Billy Bob Thornton, Halle Berry, Taylor Simpson, Gabrielle Witcher

Cameras | ARRIFLEX 35 IIIC Camera, ARRIFLEX 535 Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Standard Speed Prime Lenses

Charlie and the Chocolate Factory (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 115 Minutes

Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon

Starring | Johnny Depp, Freddie Highmore, David Kelly, Helena Bonham Carter

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Painted Veil (2006)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

Directed by | John Curran | Cinematography by | Stuart Dryburgh | Editing by | Alexandre de Franceschi

Starring | Naomi Watts, Edward Norton, Liev Schreiber, Catherine An

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Drag Me to Hell (2009)

Motion Picture | 2D | Color | 2.35:1 | 99 Minutes

Drag Me to Hell | ShotOnWhat?

Directed by | Sam Raimi | Cinematography by | Peter Deming | Editing by | Bob Murawski

Starring | Alison Lohman, Justin Long, Ruth Livier, Lorna Raver

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Ridicule (1996)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Patrice Leconte | Cinematography by | Thierry Arbogast | Editing by | Joëlle Hache

Starring | Charles Berling, Jean Rochefort, Fanny Ardant, Judith Godrèche

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Far North (2007)

Motion Picture | 2D | Color | 2.39:1 | 89 Minutes

Far North | ShotOnWhat?

Directed by | Asif Kapadia | Cinematography by | Roman Osin | Editing by | Ewa J. Lind

Starring | Michelle Yeoh, Michelle Krusiec, Sean Bean, Gary Pillai

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Clink of Ice (2010)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Bertrand Blier | Cinematography by | François Catonné | Editing by | Marion Monestier

Starring | Jean Dujardin, Albert Dupontel, Anne Alvaro, Myriam Boyer

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Autoreiji (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Takeshi Kitano | Cinematography by | Katsumi Yanagijima | Editing by | Yoshinori Ohta, Takeshi Kitano

Starring | Takeshi Kitano, Kippei Shîna, Ryo Kase, Fumiyo Kohinata

Cameras | ARRIFLEX 535 B Camera

Lenses | Angenieux HR Zoom Lenses, Kowa Cine Prominar Spherical Lenses

Jodhaa Akbar (2008)

Motion Picture | 2D | Color | 2.39:1 | 213 Minutes

Directed by | Ashutosh Gowariker | Cinematography by | Kiran Deohans | Editing by | Ballu Saluja

Starring | Hrithik Roshan, Aishwarya Rai Bachchan, Sonu Sood, Poonam Sinha

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses

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