Technicolor | 826 Titles
Fool’s Gold (2008)
Directed by | Andy Tennant | Cinematography by | Don Burgess | Editing by | Troy Takaki, Tracey Wadmore-Smith
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Promised Land (2012)
Directed by | Gus Van Sant | Cinematography by | Linus Sandgren | Editing by | Billy Rich
Lenses | Hawk V-Lite Lenses
Boardwalk Empire (2010)
| Cinematography by | William Coleman, David Franco, Jonathan Freeman, Kramer Morgenthau, Stuart Dryburgh, Eric Moynier | Editing by | Kate Sanford, Tim Streeto, Eric Lorenz, Sidney Wolinsky, Perri B. Frank
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
She’s Out of My League (2010)
Django Unchained (2012)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Step Up (2006)
Directed by | Anne Fletcher | Cinematography by | Michael Seresin | Editing by | Nancy Richardson
Cameras | ARRICAM Studio (ST) Camera
Jack Reacher (2012)
Directed by | Christopher McQuarrie | Cinematography by | Caleb Deschanel | Editing by | Kevin Stitt
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Lincoln (2012)
Oblivion (2013)
Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Richard Francis-Bruce
Cameras | Red Epic Camera, Sony CineAlta F65 Camera
Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
The Hobbit: An Unexpected Journey (2012)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Madagascar 3: Europe’s Most Wanted (2012)
The Twilight Saga: Eclipse (2010)
Directed by | David Slade | Cinematography by | Javier Aguirresarobe | Editing by | Art Jones, Nancy Richardson
Cameras | Panavision Cameras
The Phantom of the Opera (2004)
Ray (2004)
Happy Feet (2006)
Directed by | George Miller, Warren Coleman, Judy Morris | Cinematography by | David Peers | Editing by | Christian Gazal, Margaret Sixel
Poltergeist III (1988)
Directed by | Gary Sherman | Cinematography by | Alex Nepomniaschy | Editing by | Ross Albert
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
Stardust Memories (1980)
Directed by | Woody Allen | Cinematography by | Gordon Willis | Editing by | Susan E. Morse
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Easy Money (1983)
Directed by | James Signorelli | Cinematography by | Fred Schuler | Editing by | Robert M. Reitano, Ronald Roose, Rick Shaine
Cameras | ARRIFLEX Camera
Lenses | ARRI / Zeiss Lenses
Step Brothers (2008)
Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White
Cameras | Panavision Cameras
Resurrection (1980)
Directed by | Daniel Petrie | Cinematography by | Mario Tosi | Editing by | Rita Roland
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
