Technicolor  |  826 Titles

Technicolor 3.00/5 1 Vote

Attack the Block   (2011)

  |    |  Color  |    |  88 Minutes

The Burning Plain   (2008)

  |    |  Color  |    |  107 Minutes
Directed by | Guillermo Arriaga | Cinematography by | Robert Elswit | Editing by | Craig Wood
Cameras |

All the Boys Love Mandy Lane   (2006)

  |    |    |    |  90 Minutes

Dead Men Don’t Wear Plaid   (1982)

  |    |  Black and White  |    |  88 Minutes
Directed by | Carl Reiner | Cinematography by | Michael Chapman | Editing by | Bud Molin
Cameras |

He Said, She Said   (1991)

  |    |  Color  |    |  115 Minutes
Directed by | Ken Kwapis, Marisa Silver | Cinematography by | Stephen H. Burum | Editing by | Sidney Levin
Cameras |

Seven Years in Tibet   (1997)

  |    |  Color  |    |  136 Minutes

Cruising   (1980)

  |    |    |    |    |  102 Minutes

Must Love Dogs   (2005)

  |    |  Color  |    |  98 Minutes

In America   (2002)

  |    |    |    |  105 Minutes

It’s Alive   (1974)

  |    |  Color  |    |  91 Minutes
Directed by | Larry Cohen | Cinematography by | Fenton Hamilton | Editing by | Peter Honess
Cameras |

The French Lieutenant’s Woman   (1981)

  |    |  Color  |    |  124 Minutes
Directed by | Karel Reisz | Cinematography by | Freddie Francis | Editing by | John Bloom
Cameras |

A Man for All Seasons   (1988)

  |    |  Color  |    |  150 Minutes

The Chase   (1966)

  |    |  Color  |    |  134 Minutes
Directed by | Arthur Penn | Cinematography by | Joseph LaShelle | Editing by | Gene Milford
Cameras |

V.I. Warshawski   (1991)

  |    |  Color  |    |  89 Minutes

25th Hour   (2002)

  |    |  Color  |    |  135 Minutes

High Risk   (1981)

  |    |    |  94 Minutes
Directed by | Stewart Raffill | Cinematography by | Álex Phillips Jr. | Editing by | Tom Walls
Cameras |

Men in Black   (1997)

  |    |    |    |  98 Minutes

Deliverance   (1972)

  |    |  Color  |  ,   |  109 Minutes
Directed by | John Boorman | Cinematography by | Vilmos Zsigmond | Editing by | Tom Priestley
Cameras |

New Jack City   (1991)

  |    |  Color  |  ,   |  97 Minutes
Directed by | Mario Van Peebles | Cinematography by | Francis Kenny | Editing by | Steven Kemper
Cameras |

Tuck Everlasting   (2002)

  |    |  Color  |    |  90 Minutes