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Technicolor Digital Intermediates : 37Technicolor, Burbank : 1Technicolor, Culver City : 2Technicolor, Hollywood : 347Technicolor, London : 83Technicolor, Los Angeles : 16Technicolor, Mirabel : 2Technicolor, Montreal : 4Technicolor, New York : 70Technicolor, Rome : 12Technicolor, Toronto : 5Technicolor, Vancouver : 12

Technicolor | 826 Titles

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Road to Perdition (2002)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Jill Bilcock

Starring | Tom Hanks, Tyler Hoechlin, Rob Maxey, Liam Aiken

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

Julia (1977)

Motion Picture | 2D | Color | 1.85:1 | 117 Minutes

Julia | ShotOnWhat?

Directed by | Fred Zinnemann | Cinematography by | Douglas Slocombe | Editing by | Marcel Durham, Walter Murch

Starring | Jane Fonda, Vanessa Redgrave, Jason Robards, Maximilian Schell

Cameras | Panavision Cameras

Loggerheads (2005)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Loggerheads | ShotOnWhat?

Directed by | Tim Kirkman | Cinematography by | Oliver Bokelberg | Editing by | Caitlin Dixon

Starring | Kip Pardue, Michael Kelly, Tess Harper, Adrian Lee

Cameras | ARRI Cameras

Hope Floats (1998)

Motion Picture | 2D | Color | 1.85:1 | 114 Minutes

Hope Floats | ShotOnWhat?

Directed by | Forest Whitaker | Cinematography by | Caleb Deschanel | Editing by | Richard Chew

Starring | Sandra Bullock, Harry Connick Jr., Gena Rowlands, Mae Whitman

Cameras | Panavision Cameras

The Game Plan (2007)

Motion Picture | 2D | Color | 2.35:1 | 110 Minutes

The Game Plan | ShotOnWhat?

Directed by | Andy Fickman | Cinematography by | Greg Gardiner | Editing by | Michael Jablow

Starring | Dwayne Johnson, Kyra Sedgwick, Madison Pettis, Roselyn Sanchez

Cameras | Panavision Cameras

White Sands (1992)

Motion Picture | 2D | Color | 2.35:1 | 101 Minutes

White Sands | ShotOnWhat?

Directed by | Roger Donaldson | Cinematography by | Peter Menzies Jr. | Editing by | Nicholas Beauman

Starring | Willem Dafoe, Mary Elizabeth Mastrantonio, Mickey Rourke, Samuel L. Jackson

Cameras | Panavision Cameras

The Legend of Zorro (2005)

Motion Picture | 2D | Color | 2.35:1 | 129 Minutes

The Legend of Zorro | ShotOnWhat?

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird

Starring | Antonio Banderas, Catherine Zeta-Jones, Rufus Sewell, Alberto Reyes

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

One on One (1977)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

One on One | ShotOnWhat?

Directed by | Lamont Johnson | Cinematography by | Donald M. Morgan | Editing by | Robbe Roberts

Starring | Robby Benson, Annette O'Toole, G.D. Spradlin, Gail Strickland

Cameras | Panavision Cameras

The Holcroft Covenant (1985)

Motion Picture | 2D | Color | 1.85:1 | 112 Minutes

The Holcroft Covenant | ShotOnWhat?

Directed by | John Frankenheimer | Cinematography by | Gerry Fisher | Editing by | Ralph Sheldon

Starring | Michael Caine, Anthony Andrews, Victoria Tennant, Lilli Palmer

Cameras | Panavision Cameras

Purple Violets (2007)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Purple Violets | ShotOnWhat?

Directed by | Edward Burns | Cinematography by | William Rexer | Editing by | Thom Zimny

Starring | Annette Arnold, Max Baker, Selma Blair, James Biberi

Cameras | ARRI Cameras

The Firm (1993)

Motion Picture | 2D | Color | 1.85:1 | 154 Minutes

The Firm | ShotOnWhat?

Directed by | Sydney Pollack | Cinematography by | John Seale | Editing by | Fredric Steinkamp, William Steinkamp

Starring | Tom Cruise, Jeanne Tripplehorn, Gene Hackman, Hal Holbrook

Cameras | Panavision Cameras

The Frisco Kid (1979)

Motion Picture | 2D | Color | 1.85:1 | 119 Minutes

The Frisco Kid | ShotOnWhat?

Directed by | Robert Aldrich | Cinematography by | Robert B. Hauser | Editing by | Jack Horger, Irving Rosenblum, Maury Winetrobe

Starring | Gene Wilder, Harrison Ford, Ramon Bieri, Val Bisoglio

Cameras | ARRI Cameras

Wide Awake (1998)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Wide Awake | ShotOnWhat?

Directed by | M. Night Shyamalan | Cinematography by | Adam Holender | Editing by | Andrew Mondshein

Starring | Joseph Cross, Timothy Reifsnyder, Dana Delany, Denis Leary

Cameras | Panavision Cameras

Something Borrowed (2011)

Motion Picture | 2D | Color | 1.85:1 | 112 Minutes

Something Borrowed | ShotOnWhat?

Directed by | Luke Greenfield | Cinematography by | Charles Minsky | Editing by | John Axelrad

Starring | Ginnifer Goodwin, Kate Hudson, Colin Egglesfield, John Krasinski

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Duel (1971)

Television Movie | 2D | Color | 1.33:1 (4x3), 1.85:1 | 90 Minutes

Duel | ShotOnWhat?

Directed by | Steven Spielberg | Cinematography by | Jack A. Marta | Editing by | Frank Morriss

Starring | Dennis Weaver, Jacqueline Scott, Eddie Firestone, Lou Frizzell

Cameras | ARRI Cameras, Panavision Cameras

The Long Riders (1980)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

The Long Riders | ShotOnWhat?

Directed by | Walter Hill | Cinematography by | Ric Waite | Editing by | Freeman A. Davies, David Holden

Starring | David Carradine, Stacy Keach, Dennis Quaid, Keith Carradine

Cameras | Panavision Cameras

El padrino (2004)

Motion Picture | 2D | Color | 1.85:1 | 128 Minutes

El padrino | ShotOnWhat?

Directed by | Damian Chapa | Cinematography by | Pierre Chemaly | Editing by | Glenn Garland

Starring | Damian Chapa, Sal Lopez, Emilio Rivera, Jennifer Tilly

Cameras | ARRI Cameras

To Kill a King (2003)

Motion Picture | 2D | Color | 2.35:1 | 102 Minutes

To Kill a King | ShotOnWhat?

Directed by | Mike Barker | Cinematography by | Eigil Bryld | Editing by | Guy Bensley

Starring | Tim Roth, Dougray Scott, Olivia Williams, James Bolam

Cameras | Panavision Cameras

Io sono l’amore (2009)

Motion Picture | 2D | Color | 1.85:1 | 120 Minutes

Directed by | Luca Guadagnino | Cinematography by | Yorick Le Saux | Editing by | Walter Fasano

Starring | Tilda Swinton, Flavio Parenti, Edoardo Gabbriellini, Alba Rohrwacher

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Zeiss ARRI Macro Lenses

Back to the Beach (1987)

Motion Picture | 2D | Color | 1.85:1 | 92 Minutes

Back to the Beach | ShotOnWhat?

Directed by | Lyndall Hobbs | Cinematography by | Bruce Surtees | Editing by | David Finfer

Starring | Frankie Avalon, Annette Funicello, Lori Loughlin, Tommy Hinkley

Cameras | Panavision Cameras

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