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Technicolor, Hollywood | 317 Titles

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A Time to Kill (1996)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 149 Minutes

Directed by | Joel Schumacher | Cinematography by | Peter Menzies Jr. | Editing by | William Steinkamp

Starring | Matthew McConaughey, Sandra Bullock, Samuel L. Jackson, Kevin Spacey

Cameras | Panavision Panaflex Platinum Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Just Like Heaven (2005)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Mark Waters | Cinematography by | Daryn Okada | Editing by | Bruce Green

Starring | Reese Witherspoon, Mark Ruffalo, Donal Logue, Dina Spybey-Waters

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Friday the 13th Part VIII: Jason Takes Manhattan (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 100 Minutes

Directed by | Rob Hedden | Cinematography by | Bryan England | Editing by | Steve Mirkovich, Ted Pryor

Starring | Jensen Daggett, Kane Hodder, Todd Caldecott, Tiffany Paulsen

Cameras | Panavision Panaflex Camera

Lenses | Panavision Primo Classic Spherical Lenses

Titus (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 162 Minutes

Directed by | Julie Taymor | Cinematography by | Luciano Tovoli | Editing by | Françoise Bonnot

Starring | Anthony Hopkins, Jessica Lange, Osheen Jones, Dario D'Ambrosi

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Lenses

Natural Born Killers (1994)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 118 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Brian Berdan, Hank Corwin

Starring | Woody Harrelson, Juliette Lewis, Tom Sizemore, Rodney Dangerfield

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Blade Runner (1982)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Ridley Scott | Cinematography by | Jordan Cronenweth | Editing by | Marsha Nakashima, Terry Rawlings

Starring | Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Super Speed Lenses

The People vs. Larry Flynt (1996)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | Milos Forman | Cinematography by | Philippe Rousselot | Editing by | Christopher Tellefsen

Starring | Woody Harrelson, Courtney Love, Edward Norton, Brett Harrelson

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Fantasia (1940)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 125 Minutes

Directed by | James Algar, Samuel Armstrong, Ford Beebe Jr., Norman Ferguson, David Hand, Jim Handley, T. Hee, Wilfred Jackson, Hamilton Luske, Bill Roberts, Paul Satterfield, Ben Sharpsteen | Cinematography by | James Wong Howe

Starring | Leopold Stokowski, Deems Taylor, Corey Burton, Walt Disney

Cameras | Bell & Howell 2709 Camera

Beloved (1998)

Motion Picture | 2D | Color | 1.85:1 | 172 Minutes

Directed by | Jonathan Demme | Cinematography by | Tak Fujimoto | Editing by | Andy Keir, Carol Littleton

Starring | Oprah Winfrey, Danny Glover, Yada Beener, Emil Pinnock

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Dinosaur (2000)

Motion Picture | 2D | Color | 1.85:1 | 82 Minutes

Directed by | Eric Leighton, Ralph Zondag | Cinematography by | David R. Hardberger, Steven Douglas Smith | Editing by | H. Lee Peterson

Starring | D.B. Sweeney, Julianna Margulies, Samuel E. Wright, Alfre Woodard

Cameras | VistaVision Cameras

High Plains Drifter (1973)

Motion Picture | 2D | Color | 105 Minutes

Directed by | Clint Eastwood | Cinematography by | Bruce Surtees | Editing by | Ferris Webster

Starring | Clint Eastwood, Verna Bloom, Marianna Hill, Mitchell Ryan

Cameras | Panavision Cameras

The Perfect Storm (2000)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Wolfgang Petersen | Cinematography by | John Seale | Editing by | Richard Francis-Bruce

Starring | George Clooney, Mark Wahlberg, John C. Reilly, Diane Lane

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ALZ3 270-840 mm T4.5 Lens

The Rock (1996)

Motion Picture | 2D | Color | 136 Minutes

Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Richard Francis-Bruce

Starring | Sean Connery, Nicolas Cage, Ed Harris, John Spencer

Cameras | Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Project X (2012)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Nima Nourizadeh | Cinematography by | Ken Seng | Editing by | Jeff Groth

Starring | Thomas Mann, Oliver Cooper, Jonathan Daniel Brown, Dax Flame

Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F23 Camera, Sony PMW-EX3 Camera

Lenses | Canon Lenses

Gladiator (2000)

Motion Picture | 2D | Color | 2.39:1 | 155 Minutes

Directed by | Ridley Scott | Cinematography by | John Mathieson | Editing by | Pietro Scalia

Starring | Russell Crowe, Joaquin Phoenix, Connie Nielsen, Oliver Reed

Cameras | Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Arthur (2011)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Jason Winer | Cinematography by | Uta Briesewitz | Editing by | Brent White

Starring | Russell Brand, Helen Mirren, Jennifer Garner, Greta Gerwig

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Scandal (2012)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 43 Minutes

| Cinematography by | Oliver Bokelberg, Michael G. Wojciechowski, Daryn Okada, Steven G. Fracol, Andrew Lemon | Editing by | Gregory T. Evans, Matthew Ramsey, Christal Khatib, Kyle Bond, Matthew Pevic, Joe Mitacek, Karen Castañeda, Julia Grove, Dino DeLorenzo, Jonathan Pledger, David Greenspan, Jamin Bricker, Kurt Courtland

Starring | Kerry Washington, Darby Stanchfield, Katie Lowes, Guillermo Diaz

Cameras | ARRI ALEXA Camera, Digital Bolex D16

Lenses | Angenieux Optimo Zoom Lenses

When We Were Kings (1996)

Documentary | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Leon Gast | Cinematography by | Maryse Alberti, Paul Goldsmith, Kevin Keating, Albert Maysles, Roderick Young | Editing by | Leon Gast, Taylor Hackford, Jeffrey Kusama-Hinte, Keith Robinson

Starring | Muhammad Ali, George Foreman, Don King, James Brown

Four Days in September (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 110 Minutes

Directed by | Bruno Barreto | Cinematography by | Félix Monti | Editing by | Isabelle Rathery

Starring | Alan Arkin, Pedro Cardoso, Fernanda Torres, Luiz Fernando Guimarães

Cameras | ARRIFLEX 535 B Camera

The Jungle Book (2016)

Motion Picture | 3D | 2K Project | Color | 1.85:1 | 106 Minutes

Directed by | Jon Favreau | Cinematography by | Bill Pope | Editing by | Adam Gerstel, Mark Livolsi

Starring | Neel Sethi, Bill Murray, Ben Kingsley, Idris Elba

Cameras | ARRI ALEXA XT M Camera

Lenses | Panavision Primo Primes Spherical Lenses

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