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FotoKem Laboratory, Burbank : 165

FotoKem | 228 Titles

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Blade Runner (1982)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 117 Minutes

Directed by | Ridley Scott | Cinematography by | Jordan Cronenweth | Editing by | Marsha Nakashima, Terry Rawlings

Starring | Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos

Cameras | Mitchell FC 65mm Camera, Panavision Panaflex Gold Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Super Panavision 70 Series Lenses, Panavision Super Speed Lenses

Longlegs (2024)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 101 Minutes

Directed by | Osgood Perkins | Cinematography by | Andres Arochi | Editing by | Graham Fortin, Greg Ng

Starring | Maika Monroe, Nicolas Cage, Blair Underwood

Cameras | ARRI ALEXA Mini LF Camera, ARRICAM Lite (LT) Camera

Lenses | ARRI Signature Prime Lenses, Cooke S4/i Lenses

Trap (2024)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 105 Minutes

Directed by | M. Night Shyamalan | Cinematography by | Sayombhu Mukdeeprom | Editing by | Noemi Katharina Preiswerk

Starring | Josh Hartnett, Ariel Donoghue, Saleka Shyamalan

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke Panchro/i Classic Lenses, Zeiss Super Speed Lenses

Kinds of Kindness (2024)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 164 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis

Starring | Emma Stone, Jesse Plemons, Willem Dafoe

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Interstellar (2014)

Motion Picture | 2D | Film Project | Color | 1.44:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 169 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Matthew McConaughey, Anne Hathaway, Jessica Chastain

Cameras | Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Tenet (2020)

Motion Picture | 2D | Film Project | Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 150 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame

Starring | John David Washington, Robert Pattinson, Elizabeth Debicki

Cameras | ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera

Lenses | Hasselblad Lenses, Panavision Sphero 65 Series Lenses

Dunkirk (2017)

Motion Picture | 2D | 4K Project | Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 106 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Fionn Whitehead, Barry Keoghan, Mark Rylance, Tom Hardy

Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Oppenheimer (2023)

Motion Picture | 2D | Film Project | Black & White, Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.35:1, 2.76:1 | 180 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame

Starring | Cillian Murphy, Emily Blunt, Matt Damon

Cameras | ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

Following (1998)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 69 Minutes

Directed by | Christopher Nolan | Cinematography by | Christopher Nolan | Editing by | Gareth Heal, Christopher Nolan

Starring | Jeremy Theobald, Alex Haw, Lucy Russell

Cameras | ARRIFLEX 16BL Camera

Killers of the Flower Moon (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 206 Minutes

Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Robert De Niro, Lily Gladstone

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses

John Wick: Chapter 4 (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 169 Minutes

Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Nathan Orloff

Starring | Keanu Reeves, Laurence Fishburne, George Georgiou

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses

Memento (2000)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 113 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Dody Dorn

Starring | Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Boone Junior

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

The Batman (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 176 Minutes

Directed by | Matt Reeves | Cinematography by | Greig Fraser | Editing by | William Hoy, Tyler Nelson

Starring | Robert Pattinson, Zoë Kravitz, Jeffrey Wright

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA Plus 4:3 Camera

Lenses | ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses

Once Upon a Time… in Hollywood (2019)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1, 2.39:1 | 161 Minutes

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin

Starring | Leonardo DiCaprio, Brad Pitt, Margot Robbie

Cameras | Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Love Witch (2016)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 120 Minutes

Directed by | Anna Biller | Cinematography by | M. David Mullen | Editing by | Anna Biller

Starring | Samantha Robinson, Jeffrey Vincent Parise, Laura Waddell, Gian Keys

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Ad Astra (2019)

Motion Picture | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | James Gray | Cinematography by | Hoyte Van Hoytema | Editing by | John Axelrad, Lee Haugen

Starring | Brad Pitt, Tommy Lee Jones, Ruth Negga, Donald Sutherland

Cameras | Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses | CamTec Astra Master Prime Series Lenses, Zeiss Master Prime Lenses

Only the Brave (2017)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 134 Minutes

Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Billy Fox

Starring | Josh Brolin, Miles Teller, Jeff Bridges

Cameras | Sony CineAlta F65 Camera

Lenses | Fujinon Premier Lenses, Zeiss Master Prime Lenses

The Accountant (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Gavin O'Connor | Cinematography by | Seamus McGarvey | Editing by | Richard Pearson

Starring | Ben Affleck, Anna Kendrick, J.K. Simmons

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Beguiled (2017)

Motion Picture | 2D | 2K Project | Color | 1.66:1 | 93 Minutes

Directed by | Sofia Coppola | Cinematography by | Philippe Le Sourd | Editing by | Sarah Flack

Starring | Nicole Kidman, Kirsten Dunst, Elle Fanning

Cameras | ARRICAM Lite (LT) Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

Murder on the Orient Express (2017)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 114 Minutes

Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Mick Audsley

Starring | Kenneth Branagh, Penélope Cruz, Willem Dafoe

Cameras | ARRI ALEXA 65 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision System 65 Camera

Lenses | Panavision Sphero 65 Series Lenses

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