Deluxe | 792 Titles
King of the Hill (1993)
Directed by | Steven Soderbergh | Cinematography by | Elliot Davis | Editing by | Steven Soderbergh
Cameras | Panavision Cameras
Tears of the Sun (2003)
Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | Conrad Buff IV, Christopher Holmes
Cameras | Panavision Cameras
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Pathfinder (2007)
Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Jay Friedkin, Glen Scantlebury
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Rounders (1998)
Directed by | John Dahl | Cinematography by | Jean-Yves Escoffier | Editing by | Scott Chestnut
Lenses | Panavision Primo Anamorphic Lenses
Miami Blues (1990)
Directed by | George Armitage | Cinematography by | Tak Fujimoto | Editing by | Craig McKay
Cameras | ARRI Cameras
Morvern Callar (2002)
Directed by | Lynne Ramsay | Cinematography by | Alwin H. Küchler | Editing by | Lucia Zucchetti
Cameras | Moviecam Compact Camera
The Longshot (1986)
Directed by | Paul Bartel | Cinematography by | Robby Müller | Editing by | Alan Toomayan
Cameras | ARRI Cameras
Secretariat (2010)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera
Lenses | Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Nine to Five (1980)
Directed by | Colin Higgins | Cinematography by | Reynaldo Villalobos | Editing by | Pembroke J. Herring
Cameras | Panavision Cameras
Friends with Benefits (2011)
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Tia Nolan
Cameras | Sony CineAlta F35 Camera, Sony Other Camera
Lenses | Panavision Primo Anamorphic Lenses
The 4th Life (2006)
Directed by | François Miron | Cinematography by | Gilles Blais | Editing by | François Miron
Cameras | ARRI Cameras
Anna and the King (1999)
Directed by | Andy Tennant | Cinematography by | Caleb Deschanel | Editing by | Roger Bondelli
Cameras | Panavision Cameras
Fresh (1994)
Directed by | Boaz Yakin | Cinematography by | Adam Holender | Editing by | Dorian Harris
Lenses | Panavision Primo Anamorphic Lenses
Daddy and Them (2001)
Directed by | Billy Bob Thornton | Cinematography by | Barry Markowitz | Editing by | Sally Menke
Cameras | Panavision Cameras
In the Loop (2009)
Directed by | Armando Iannucci | Cinematography by | Jamie Cairney | Editing by | Anthony Boys, Billy Sneddon
Cameras | Sony HDW-F900 Camera
Lenses | Zeiss DigiPrime Lenses
Alice (1990)
Directed by | Woody Allen | Cinematography by | Carlo Di Palma | Editing by | Susan E. Morse
Cameras | Panavision Cameras
Skinwalkers (2006)
Directed by | James Isaac | Cinematography by | David A. Armstrong, Adam Kane | Editing by | Allan Lee
Cameras | Panavision Cameras
Indiana Jones and the Temple of Doom (1984)
Directed by | Steven Spielberg | Cinematography by | Douglas Slocombe | Editing by | Michael Kahn, George Lucas
Cameras | Panavision Panaflex Gold Camera
Butch Cassidy and the Sundance Kid (1969)
Directed by | George Roy Hill | Cinematography by | Conrad L. Hall | Editing by | John C. Howard, Richard C. Meyer
Cameras | Panavision Silent Reflex PSR Camera
They Live (1988)
Directed by | John Carpenter | Cinematography by | Gary B. Kibbe | Editing by | Gib Jaffe, Frank E. Jimenez
Cameras | Panavision Panaflex Gold Camera
