Deluxe | 792 Titles
Good Morning, Vietnam (1987)
Directed by | Barry Levinson | Cinematography by | Peter Sova | Editing by | Stu Linder
Cameras | Panavision Cameras
21 Grams (2003)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione
Cameras | Moviecam Superlight Camera
Lenses | Zeiss Ultra Prime Lenses
Opal Dream (2006)
Directed by | Peter Cattaneo | Cinematography by | Robert Humphreys | Editing by | Jim Clark, Nicolas Gaster
Thank You for Smoking (2005)
Directed by | Jason Reitman | Cinematography by | Jim Whitaker | Editing by | Dana E. Glauberman
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony Betacam (Unknown) Camera, Sony DSC-T1 Camera
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E40 40 mm T2.0 Lens, Panavision Primo Anamorphic Lenses
The Man with One Red Shoe (1985)
Directed by | Stan Dragoti | Cinematography by | Richard H. Kline | Editing by | O. Nicholas Brown, Bud Molin
Cameras | Panavision Cameras
Meet the Parents (2000)
Directed by | Jay Roach | Cinematography by | Peter James | Editing by | Greg Hayden, Jon Poll
Cameras | Panavision Panaflex Platinum Camera
The Money Pit (1986)
Directed by | Richard Benjamin | Cinematography by | Gordon Willis | Editing by | Jacqueline Cambas
Cameras | Panavision Cameras
Formula 51 (2001)
Directed by | Ronny Yu | Cinematography by | Hang-Sang Poon | Editing by | David Wu
Cameras | Moviecam Cameras
Don Juan DeMarco (1994)
Directed by | Jeremy Leven | Cinematography by | Ralf D. Bode | Editing by | Antony Gibbs
Cameras | Panavision Cameras
Death Defying Acts (2007)
Directed by | Gillian Armstrong | Cinematography by | Haris Zambarloukos | Editing by | Nicholas Beauman
Cameras | Panavision Panaflex Millennium XL Camera
Vampire in Brooklyn (1995)
Directed by | Wes Craven | Cinematography by | Mark Irwin | Editing by | Patrick Lussier
Cameras | Moviecam Compact Camera
Fort Apache the Bronx (1981)
Directed by | Daniel Petrie | Cinematography by | John Alcott | Editing by | Rita Roland
Cameras | ARRI Cameras
Pay It Forward (2000)
Directed by | Mimi Leder | Cinematography by | Oliver Stapleton | Editing by | David Rosenbloom
Cameras | Panavision Cameras
Valentino (1977)
Directed by | Ken Russell | Cinematography by | Peter Suschitzky | Editing by | Stuart Baird
Cameras | Panavision Cameras
Return (2011)
Directed by | Liza Johnson | Cinematography by | Anne Etheridge | Editing by | Paul Zucker
Cameras | ARRIFLEX 416 Camera
Lenses | Cooke S4 Lenses
One Night at McCool’s (2001)
Directed by | Harald Zwart | Cinematography by | Karl Walter Lindenlaub | Editing by | Bruce Cannon
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Last Waltz (1978)
Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Jan Roblee, Yeu-Bun Yee
Cameras | Panavision Cameras
Think Like a Man (2012)
Directed by | Tim Story | Cinematography by | Larry Blanford | Editing by | Peter S. Elliot
Cameras | Red Epic Camera
Blow (2001)
Directed by | Ted Demme | Cinematography by | Ellen Kuras | Editing by | Kevin Tent
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Rush Hour 2 (2001)
Directed by | Brett Ratner | Cinematography by | Matthew F. Leonetti | Editing by | Mark Helfrich, Robert K. Lambert
Cameras | Panavision Panaflex Millennium Camera