Netflix | 48 Titles
Lupin (2021)
| Cinematography by | Christophe Nuyens, Maxime Cointe, Nicolas Massart, Martial Schmeltz | Editing by | Jean-Daniel Fernandez Qundez, Audrey Simonaud, Romain Rioult, Richard Marizy, Matthilde Carlier, Vincent Tabaillon
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera
Lenses | P+S Technik TECHNOVISION 1.5x 100 mm T2.5 Lens, P+S Technik TECHNOVISION 1.5x 135 mm T2.5 Lens, P+S Technik TECHNOVISION 1.5x 40 mm T2.2 Lens, P+S Technik TECHNOVISION 1.5x 40-70 mm T3.2 Lens, P+S Technik TECHNOVISION 1.5x 50 mm T2.2 Lens, P+S Technik TECHNOVISION 1.5x 75 mm T2.5 Lens
Guillermo del Toro’s Pinocchio (2022)
Directed by | Guillermo del Toro, Mark Gustafson | Cinematography by | Frank Passingham | Editing by | Holly Klein, Ken Schretzmann
Cameras | Canon EOS-1D Mark IV Camera
The Sea Beast (2022)
Living (2022)
Directed by | Oliver Hermanus | Cinematography by | Jamie Ramsay | Editing by | Chris Wyatt
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Supreme Prime Series Lenses
Glass Onion (2022)
Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay
Cameras | ARRI ALEXA Mini LF Camera
Lenses | Zeiss Supreme Prime Series Lenses
Puss in Boots: The Last Wish (2022)
Directed by | Joel Crawford, Januel Mercado | Cinematography by | Chris Stover | Editing by | James Ryan
Maestro (2023)
Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Michelle Tesoro
Lenses | Panavision PVintage Prime Lenses
El Conde (2023)
Directed by | Pablo Larraín | Cinematography by | Edward Lachman | Editing by | Sofía Subercaseaux
Cameras | ARRI ALEXA Mini LF Monochrome Camera
Lenses | Zero Optik Baltar Series Lenses
May December (2023)
Directed by | Todd Haynes | Cinematography by | Christopher Blauvelt | Editing by | Affonso Gonçalves
Cameras | ARRI Alexa 35 Camera
Lenses | Kowa Cine Prominar Spherical Lenses
Nimona (2023)
All Quiet on the Western Front (2022)
Directed by | Edward Berger | Cinematography by | James Friend | Editing by | Sven Budelmann
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera, Red Monstro 8K Camera, Sony CineAlta VENICE Camera
Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Tribe7 Blackwing7 Lenses, Zeiss Compact Prime CP.3 Lenses
American Symphony (2023)
Directed by | Matthew Heineman | Cinematography by | Tony Hardmon, Matthew Heineman, Clair Popkin, Thorsten Thielow | Editing by | Sammy Dane, Matthew Heineman, Jim Hession, Fernando Villegas
Society of the Snow (2023)
Directed by | J.A. Bayona | Cinematography by | Pedro Luque | Editing by | Andrés Gil, Jaume Martí
Cameras | ARRI ALEXA Mini LF Camera
Lenses | ARRI Signature Prime Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
Spider-Man: Across the Spider-Verse (2023)
Nyad (2023)
Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Claudio Miranda | Editing by | Christopher Tellefsen
Lenses | Fujinon Lenses, Zeiss Master Prime Lenses
Photocopier (2021)
Directed by | Wregas Bhanuteja | Cinematography by | Gunnar Nimpuno | Editing by | Ahmad Hasan Yuniardi
Cameras | Red Monstro 8K Camera
Rustin (2023)
Directed by | George C. Wolfe | Cinematography by | Tobias A. Schliessler | Editing by | Andrew Mondshein
Cameras | ARRI ALEXA Mini LF Camera
Lenses | ARRI Rental DNA LF Lenses
Courage & Stupidity (2005)
Directed by | Darin Beckstead | Cinematography by | Brian Sullivan | Editing by | Nick Kougioulis
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
A Christmas Prince (2017)
Directed by | Alex Zamm | Cinematography by | Viorel Sergovici | Editing by | Marshall Harvey
Cameras | Red Helium (Weapon) 8K
Lenses | Zeiss Ultra Prime Lenses
Mank (2020)
Directed by | David Fincher | Cinematography by | Erik Messerschmidt | Editing by | Kirk Baxter
Cameras | Red Digital Cinema Cameras
Lenses | Leitz Summilux-C Series Lenses
