Netflix | 87 Titles
The Boy and the Heron (2023)
Directed by | Hayao Miyazaki | Cinematography by | Atsushi Okui | Editing by | Rie Matsubara, Takeshi Seyama, Akane Shiraishi
Bardo: False Chronicle of a Handful of Truths (2022)
Directed by | Alejandro G. Iñárritu | Cinematography by | Darius Khondji | Editing by | Alejandro G. Iñárritu, Monica Salazar
Cameras | ARRI ALEXA 65 Camera
Lenses | Panavision Sphero 65 Series Lenses
Guillermo del Toro’s Pinocchio (2022)
Directed by | Guillermo del Toro, Mark Gustafson | Cinematography by | Frank Passingham | Editing by | Holly Klein, Ken Schretzmann
Cameras | Canon EOS-1D Mark IV Camera
The Sea Beast (2022)
Living (2022)
Directed by | Oliver Hermanus | Cinematography by | Jamie Ramsay | Editing by | Chris Wyatt
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Supreme Prime Series Lenses
Glass Onion (2022)
Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay
Cameras | ARRI ALEXA Mini LF Camera
Lenses | Zeiss Supreme Prime Series Lenses
Puss in Boots: The Last Wish (2022)
Directed by | Joel Crawford, Januel Mercado | Cinematography by | Chris Stover | Editing by | James Ryan
Maestro (2023)
Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Michelle Tesoro
Lenses | Panavision PVintage Prime Lenses
El Conde (2023)
Directed by | Pablo Larraín | Cinematography by | Edward Lachman | Editing by | Sofía Subercaseaux
Cameras | ARRI ALEXA Mini LF Monochrome Camera
Lenses | Zero Optik Baltar Series Lenses
May December (2023)
Directed by | Todd Haynes | Cinematography by | Christopher Blauvelt | Editing by | Affonso Gonçalves
Cameras | ARRI Alexa 35 Camera
Lenses | Kowa Cine Prominar Spherical Lenses
Nimona (2023)
All Quiet on the Western Front (2022)
Directed by | Edward Berger | Cinematography by | James Friend | Editing by | Sven Budelmann
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera, Red Monstro 8K Camera, Sony CineAlta VENICE Camera
Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Tribe7 Blackwing7 Lenses, Zeiss Compact Prime CP.3 Lenses
American Symphony (2023)
Directed by | Matthew Heineman | Cinematography by | Tony Hardmon, Matthew Heineman, Clair Popkin, Thorsten Thielow | Editing by | Sammy Dane, Matthew Heineman, Jim Hession, Fernando Villegas
Spider-Man: Across the Spider-Verse (2023)
Nyad (2023)
Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Claudio Miranda | Editing by | Christopher Tellefsen
Lenses | Fujinon Lenses, Zeiss Master Prime Lenses
Photocopier (2021)
Directed by | Wregas Bhanuteja | Cinematography by | Gunnar Nimpuno | Editing by | Ahmad Hasan Yuniardi
Cameras | Red Monstro 8K Camera
Rustin (2023)
Directed by | George C. Wolfe | Cinematography by | Tobias A. Schliessler | Editing by | Andrew Mondshein
Cameras | ARRI ALEXA Mini LF Camera
Lenses | ARRI Rental DNA LF Lenses
Courage & Stupidity (2005)
Directed by | Darin Beckstead | Cinematography by | Brian Sullivan | Editing by | Nick Kougioulis
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
A Christmas Prince (2017)
Directed by | Alex Zamm | Cinematography by | Viorel Sergovici | Editing by | Marshall Harvey
Cameras | Red Helium (Weapon) 8K
Lenses | Zeiss Ultra Prime Lenses
Mank (2020)
Directed by | David Fincher | Cinematography by | Erik Messerschmidt | Editing by | Kirk Baxter
Cameras | Red Digital Cinema Cameras
Lenses | Leitz Summilux-C Series Lenses
