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You Were Never Really Here (2017)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 89 Minutes

Directed by | Lynne Ramsay | Cinematography by | Thomas Townend | Editing by | Joe Bini

Starring | Joaquin Phoenix, Judith Roberts, Ekaterina Samsonov

Cameras | ARRI ALEXA XT Series Cameras

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Life Itself (2018)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Dan Fogelman | Cinematography by | Brett Pawlak | Editing by | Julie Monroe

Starring | Oscar Isaac, Olivia Wilde, Annette Bening

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Cooke Panchro/i Classic Lenses

La jungle est mon jardin (2022)

Motion Picture | 2D | 4K Project | Color | 2.76:1 | 78 Minutes

Directed by | Enrico Alexander Giordano

Starring | Elodie Atsadé, Sidiki Bakaba, Daniel Jenny

Cameras | Canon EOS-1D C Camera

Lenses | Cineovision Lenses, Leica R Series Lenses

The Lost City of Z (2016)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 141 Minutes

Directed by | James Gray | Cinematography by | Darius Khondji | Editing by | John Axelrad, Lee Haugen

Starring | Charlie Hunnam, Robert Pattinson, Sienna Miller

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Advanced Camera

Lenses | Angenieux HR Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Anamorphic Flare Lenses, Panavision E Series Anamorphic Lenses

Haunted State (2019)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) |

| Cinematography by | Angela Olson | Editing by | Michael Brown

Starring | Michael Brown, Anne Benson, Todd Dehring, Angela Olson

Cameras | Panasonic HC-VX870K, Panasonic Lumix DMC-GH5s Camera

Lenses | Panasonic Lumix G X Vario 12-35mm f2.8 Lens

Suspiria (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 152 Minutes

Directed by | Luca Guadagnino | Cinematography by | Sayombhu Mukdeeprom | Editing by | Walter Fasano

Starring | Chloë Grace Moretz, Tilda Swinton, Doris Hick

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Brad’s Status (2017)

Motion Picture | 3D | Color | 2.0:1 | 102 Minutes

Directed by | Mike White | Cinematography by | Xavier Grobet | Editing by | Heather Persons

Starring | Ben Stiller, Austin Abrams, Jenna Fischer

Cameras | ARRI ALEXA Series Cameras

American Fiction (2023)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Cord Jefferson | Cinematography by | Cristina Dunlap | Editing by | Hilda Rasula

Starring | Jeffrey Wright, Tracee Ellis Ross, John Ortiz

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Tribe7 Blackwing7 Lenses

The Color Purple (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 141 Minutes

Directed by | Blitz Bazawule | Cinematography by | Dan Laustsen | Editing by | Jon Poll

Starring | Fantasia Barrino, Taraji P. Henson, Danielle Brooks

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

A Blood Throne (2020)

Short Film | 2D | 4K Project | Color | 2.39:1 | 40 Minutes

Directed by | Xavier Garcia | Cinematography by | Jonathan Garcia | Editing by | Xavier Garcia

Starring | Pierre Rumpf, Arissa Page, Danny Irizarry

Cameras | Panasonic Lumix DMC-GH5 Camera

Lenses | SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens

Workaholics (2011)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Grant Smith | Editing by | Christian Hoffman, Cortney Carrillo, Dane R. Naimy, David L. Bertman, Kenneth LaMere, Lane Farnham, Adam Lichtenstein, Richard LaBrie, Adam Burr, Evan Ahlgren

Starring | Blake Anderson, Adam Devine, Anders Holm

Cameras | Canon EOS-C300 Camera

Cosmos (2019)

Motion Picture | 2D | HD Project | Color | 2.39:1 | 128 Minutes

Directed by | Elliot Weaver, Zander Weaver | Cinematography by | Elliot Weaver, Zander Weaver | Editing by | Elliot Weaver, Zander Weaver

Starring | Tom England, Joshua Ford, Arjun Singh Panam, Ben Vardy

Cameras | Blackmagic Pocket Cinema Camera

Smart Guys (2016)

Web Series | 2D | Color | 1.78:1 (16x9) | 80 Minutes

| Cinematography by | Gino Varisano, Ian Mosley-Duffy | Editing by | Nick Murphy, Paul Ritchey

Starring | Paul Ritchey, Nick Murphy, Josh Henderson, Corey Regensburg

Cameras | Canon EOS-7D Camera, Red One Camera

The Father (2020)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 97 Minutes

Directed by | Florian Zeller | Cinematography by | Ben Smithard | Editing by | Yorgos Lamprinos

Starring | Anthony Hopkins, Olivia Colman, Mark Gatiss

Cameras | Sony CineAlta VENICE Camera

Lenses | Zeiss Cinema Zoom Series Lenses, Zeiss Supreme Prime Series Lenses

The Talk (2017)

Short Film | 2D | HD Project | Color | 12 Minutes

Directed by | Tyler Boyco | Cinematography by | Eilish McBrearty | Editing by | Tyler Boyco

Starring | Sarah Slywchuk, Laura Afelskie, Mark MacRae

Cameras | Canon EOS-C300 Camera

The Lord of the Rings: The Rings of Power (2022)

Television Series | 2D | 4K Project | Color | 2.39:1 |

Directed by | Wayne Yip, J.A. Bayona, Charlotte Brändström | Cinematography by | Aaron Morton, Alex Disenhof, Oscar Faura | Editing by | Jochen FitzHerbert, Jaume Martí, Bernat Vilaplana, Stefan Grube, Cheryl Potter

Starring | Morfydd Clark, Lenny Henry, Markella Kavenagh

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

The Aeronauts (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 100 Minutes

Directed by | Tom Harper | Cinematography by | George Steel | Editing by | Mark Eckersley

Starring | Felicity Jones, Eddie Redmayne, Himesh Patel, Vincent Perez

Cameras | Red Monstro 8K Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses

Seberg (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 102 Minutes

Directed by | Benedict Andrews | Cinematography by | Rachel Morrison | Editing by | Pamela Martin

Starring | Kristen Stewart, Yvan Attal, Gabriel Sky, Jack O'Connell

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses

Church of Fears (2018)

Direct to Video | 2D | HD Project | Color | 1.78:1 (16x9) | 115 Minutes

Directed by | Jaime Kepner | Cinematography by | Paul Kepner | Editing by | Paul Kepner

Starring | David Eaton, Annabeth Furlow, Michael W. Green, Deborah Kay Hooker

Cameras | Blackmagic Cinema Camera, Sony NEX-FS100 Camera

Lenses | Canon FD 100 mm f2.8 SSC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens

A Star Is Born (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 136 Minutes

Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Jay Cassidy

Starring | Lady Gaga, Bradley Cooper, Sam Elliott, Greg Grunberg

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses

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