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Rules of Engagement (2000)

Motion Picture | 2D | Color | 2.39:1 | 128 Minutes

Rules of Engagement | ShotOnWhat?

Directed by | William Friedkin | Cinematography by | William A. Fraker, Nicola Pecorini | Editing by | Augie Hess

Starring | Tommy Lee Jones, Samuel L. Jackson, Guy Pearce, Ben Kingsley

Cameras | Panavision Panaflex Gold II Camera, Technovision Cameras

Lenses | Panavision E Series Anamorphic Lenses

Assassins (1995)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 132 Minutes

Directed by | Richard Donner | Cinematography by | Vilmos Zsigmond | Editing by | Lawrence Jordan, Richard Marks

Starring | Sylvester Stallone, Antonio Banderas, Julianne Moore, Anatoli Davydov

Cameras | Panavision Panaflex Gold II Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

Disturbia (2007)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Disturbia | ShotOnWhat?

Directed by | D.J. Caruso | Cinematography by | Rogier Stoffers | Editing by | Jim Page

Starring | Shia LaBeouf, David Morse, Carrie-Anne Moss, Sarah Roemer

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Hannibal (1959)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 103 Minutes

Directed by | Carlo Ludovico Bragaglia, Edgar G. Ulmer | Cinematography by | Raffaele Masciocchi | Editing by | Renato Cinquini

Starring | Victor Mature, Gabriele Ferzetti, Rita Gam, Milly Vitale

Qi ji (1989)

Motion Picture | 2D | Color | 2.39:1 | 139 Minutes

Directed by | Jackie Chan | Cinematography by | Arthur Wong | Editing by | Peter Cheung

Starring | Jackie Chan, Anita Mui, Ah-Lei Gua, Chun-Hsiung Ko

Cameras | ARRIFLEX 35 III Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Loverboy (2005)

Motion Picture | 2D | Color | 1.85:1 | 84 Minutes

Directed by | Kevin Bacon | Cinematography by | Nancy Schreiber | Editing by | David Ray

Starring | Kyra Sedgwick, Dominic Scott Kay, Campbell Scott, Kevin Bacon

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Mr. Bean’s Holiday (2007)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Steve Bendelack | Cinematography by | Baz Irvine | Editing by | Tony Cranstoun

Starring | Rowan Atkinson, Willem Dafoe, Steve Pemberton, Lily Atkinson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

I Now Pronounce You Chuck & Larry (2007)

Motion Picture | 2D | Color | 1.85:1 | 115 Minutes

I Now Pronounce You Chuck & Larry | ShotOnWhat?

Directed by | Dennis Dugan | Cinematography by | Dean Semler | Editing by | Jeff Gourson

Starring | Adam Sandler, Kevin James, Jessica Biel, Dan Aykroyd

Cameras | Panavision Genesis Camera

29th Street (1991)

Motion Picture | 2D | Color | 1.85:1 | 101 Minutes

Directed by | George Gallo | Cinematography by | Steven Fierberg | Editing by | Kaja Fehr

Starring | Anthony LaPaglia, Danny Aiello, Lainie Kazan, Frank Pesce

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Memoirs of a Geisha (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 145 Minutes

Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Pietro Scalia

Starring | Ziyi Zhang, Ken Watanabe, Michelle Yeoh, Suzuka Ohgo

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Blood Beach (1980)

Motion Picture | 2D | Color | 1.85:1 | 92 Minutes

Directed by | Jeffrey Bloom | Cinematography by | Steven Poster | Editing by | Gary Griffin

Starring | David Huffman, Marianna Hill, Burt Young, Otis Young

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Sweet Hereafter (1997)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton

Starring | Ian Holm, Sarah Polley, Caerthan Banks, Tom McCamus

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

Northfork (2003)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Michael Polish | Cinematography by | M. David Mullen | Editing by | Leo Trombetta

Starring | Duel Farnes, Nick Nolte, Anthony Edwards, James Woods

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Wyatt Earp (1994)

Motion Picture | 2D | Color | 2.39:1 | 191 Minutes

Wyatt Earp | ShotOnWhat?

Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Carol Littleton

Starring | Kevin Costner, Dennis Quaid, Gene Hackman, David Andrews

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Cooke Lenses, Panavision Primo Anamorphic Lenses

The Fly (1986)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | David Cronenberg | Cinematography by | Mark Irwin | Editing by | Ronald Sanders

Starring | Jeff Goldblum, Geena Davis, John Getz, Joy Boushel

Cameras | ARRIFLEX Camera

Bride Wars (2009)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Bride Wars | ShotOnWhat?

Directed by | Gary Winick | Cinematography by | Frederick Elmes | Editing by | Susan Littenberg

Starring | Kate Hudson, Anne Hathaway, Candice Bergen, Bryan Greenberg

Cameras | ARRI Cameras

Roseanna’s Grave (1997)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Paul Weiland | Cinematography by | Henry Braham | Editing by | Martin Walsh

Starring | Jean Reno, Mercedes Ruehl, Polly Walker, Mark Frankel

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

We Were Soldiers (2002)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | William Hoy

Starring | Mel Gibson, Madeleine Stowe, Greg Kinnear, Sam Elliott

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

28 Weeks Later (2007)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Juan Carlos Fresnadillo | Cinematography by | Enrique Chediak | Editing by | Chris Gill

Starring | Jeremy Renner, Rose Byrne, Robert Carlyle, Harold Perrineau

Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera

Lenses | Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Good Will Hunting (1997)

Motion Picture | 2D | Color | 1.85:1 | 126 Minutes

Directed by | Gus Van Sant | Cinematography by | Jean-Yves Escoffier | Editing by | Pietro Scalia

Starring | Robin Williams, Matt Damon, Ben Affleck, Stellan Skarsgård

Cameras | Panavision Cameras

Lenses | Panavision Lenses

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