Film Print | 1319 Titles
The Last Samurai (2003)
Directed by | Edward Zwick | Cinematography by | John Toll | Editing by | Victor Du Bois, Steven Rosenblum
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Coming to America (1988)
Directed by | John Landis | Cinematography by | Woody Omens | Editing by | Malcolm Campbell, George Folsey Jr.
Cameras | Panavision Panaflex Gold Camera
Step Up 3D (2010)
Directed by | Jon M. Chu | Cinematography by | Ken Seng | Editing by | Andrew Marcus
Cameras | Sony CineAlta F23 Camera
The Rite (2011)
TRON (1982)
Directed by | Steven Lisberger | Cinematography by | Bruce Logan | Editing by | Jeff Gourson
Lenses | Panavision Lenses
Brightness (1987)
Directed by | Souleymane Cissé | Cinematography by | Jean-Noël Ferragut, Jean-Michel Humeau | Editing by | Dounamba Coulibaly, Andrée Davanture, Jenny Frenck, Nathalie Goepfert, Seipati Keita, Marie-Catherine Miqueau, Seipati N'Xumalo
Cameras | ARRIFLEX 35 BL4 Camera
D.O.A. (1988)
Directed by | Annabel Jankel, Rocky Morton | Cinematography by | Yuri Neyman | Editing by | Raja Gosnell, Michael R. Miller
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Zeiss Super Speed Lenses
The Bounty (1984)
Directed by | Roger Donaldson | Cinematography by | Arthur Ibbetson | Editing by | Tony Lawson
Cameras | J-D-C Camera, Joe Dunton Cameras
Super 8 (2011)
Directed by | J.J. Abrams | Cinematography by | Larry Fong | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
A Decade Under the Influence (2003)
Directed by | Ted Demme, Richard LaGravenese | Cinematography by | Tony C. Jannelli, Clyde W. Smith | Editing by | Meg Reticker
Cameras | Sony HDW-F900 Camera
Always (1989)
Directed by | Steven Spielberg | Cinematography by | Mikael Salomon | Editing by | Michael Kahn
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Happening (2008)
Directed by | M. Night Shyamalan | Cinematography by | Tak Fujimoto | Editing by | Conrad Buff IV
Cameras | Panavision Cameras
American Son (2008)
Directed by | Neil Abramson | Cinematography by | Kris Kachikis | Editing by | Karen Schmeer
Cameras | Panavision Panaflex Millennium XL Camera
The Godfather: Part II (1974) 
Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | Barry Malkin, Richard Marks, Peter Zinner
Cameras | Mitchell BNCR Camera
Lenses | Bausch & Lomb Super Baltar Lenses, Kowa Lenses
Wings (1927)
Directed by | William A. Wellman, Harry d'Abbadie d'Arrast | Cinematography by | Harry Perry | Editing by | E. Lloyd Sheldon, Lucien Hubbard
A Night in the Life of Jimmy Reardon (1988)
Directed by | William Richert | Cinematography by | John J. Connor | Editing by | Suzanne Fenn
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Three Fugitives (1989)
Directed by | Francis Veber | Cinematography by | Haskell Wexler | Editing by | Bruce Green
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
A Slipping-Down Life (1999)
Directed by | Toni Kalem | Cinematography by | Michael F. Barrow | Editing by | Hughes Winborne
Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera
The Painted Veil (2006)
Directed by | John Curran | Cinematography by | Stuart Dryburgh | Editing by | Alexandre de Franceschi
Cameras | Panavision Cameras
Lenses | Panavision Lenses
La délicatesse (2011)
Directed by | David Foenkinos, Stéphane Foenkinos | Cinematography by | Rémy Chevrin | Editing by | Virginie Bruant
Cameras | Aaton Penelope Camera
