2.39:1 | 1565 Titles
All the Real Girls (2003)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Zene Baker, Steven Gonzales
Lawless (2012)
Directed by | John Hillcoat | Cinematography by | Benoît Delhomme | Editing by | Dylan Tichenor
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Identity (2003)
Moonlight Mile (2002)
Directed by | Brad Silberling | Cinematography by | Phedon Papamichael | Editing by | Lisa Zeno Churgin
Cameras | Panavision Panaflex Camera
8 Mile (2002)
Directed by | Curtis Hanson | Cinematography by | Rodrigo Prieto | Editing by | Craig Kitson, Jay Rabinowitz
Lenses | Zeiss Ultra Prime Lenses
The Barbarian Invasions (2003)
Directed by | Denys Arcand | Cinematography by | Guy Dufaux | Editing by | Isabelle Dedieu
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
The Golden Compass (2007)
Directed by | Chris Weitz | Cinematography by | Henry Braham | Editing by | Anne V. Coates, Peter Honess, Kevin Tent
Cameras | Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Anamorphic Lenses
The Good Shepherd (2006)
Directed by | Robert De Niro | Cinematography by | Robert Richardson | Editing by | Tariq Anwar
Cameras | Panavision Panaflex Platinum Camera
La Vida Loca: Based on a True Story (2012)
Directed by | Adrian Nava | Cinematography by | Adrian Nava | Editing by | Adrian Nava
Cameras | Canon EOS Rebel T3i camera
Lenses | Canon Lenses
Cold Mountain (2003)
Days of Thunder (1990)
Directed by | Tony Scott | Cinematography by | Ward Russell | Editing by | Robert C. Jones, Chris Lebenzon, Bert Lovitt, Michael Tronick, Stuart Waks, Billy Weber
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Harry Potter and the Prisoner of Azkaban (2004)
Directed by | Alfonso Cuarón | Cinematography by | Michael Seresin | Editing by | Steven Weisberg
Lenses | Cooke S4 Lenses
The Roommate (2011)
Directed by | Christian E. Christiansen | Cinematography by | Phil Parmet | Editing by | Randy Bricker
Cameras | Panavision Genesis Camera
Army of One (1993)
Directed by | Vic Armstrong | Cinematography by | Daniel L. Turrett | Editing by | Paul Morton
Cameras | Todd-AO CineSpace 70 Camera
Snabba cash II (2012)
Directed by | Babak Najafi | Cinematography by | Aril Wretblad | Editing by | Theis Schmidt
Cameras | ARRI ALEXA Camera
The Darkest Hour (2011)
Directed by | Chris Gorak | Cinematography by | Scott Kevan | Editing by | Priscilla Nedd-Friendly, Fernando Villena, Doobie White
Cameras | Sony CineAlta F35 Camera, Sony HDC-P1 Camera
Les infidèles (2012)
Directed by | Emmanuelle Bercot, Fred Cavayé, Alexandre Courtès, Jean Dujardin, Michel Hazanavicius, Jan Kounen, Eric Lartigau, Gilles Lellouche | Cinematography by | Guillaume Schiffman | Editing by | Anny Danché, Julien Leloup
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses
L.A. Confidential (1997)
Directed by | Curtis Hanson | Cinematography by | Dante Spinotti | Editing by | Peter Honess
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Veronica Guerin (2003)
Directed by | Joel Schumacher | Cinematography by | Brendan Galvin | Editing by | David Gamble
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Alex Rider: Operation Stormbreaker (2006)
Directed by | Geoffrey Sax | Cinematography by | Chris Seager | Editing by | Andrew MacRitchie
Cameras | ARRIFLEX 435 Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
