2.39:1 | 1410 Titles
The Tailor of Panama (2001)
Directed by | John Boorman | Cinematography by | Philippe Rousselot | Editing by | Ron Davis
Cameras | Panavision Panaflex Platinum Camera
Ghost Rider (2007)
Directed by | Mark Steven Johnson | Cinematography by | Russell Boyd | Editing by | Richard Francis-Bruce
Cameras | Panavision Cameras
Gosford Park (2001)
Directed by | Robert Altman | Cinematography by | Andrew Dunn | Editing by | Tim Squyres
Cameras | Panavision Panaflex Platinum Camera
Ying xiong (2002)
Directed by | Yimou Zhang | Cinematography by | Christopher Doyle | Editing by | Angie Lam, Vincent Lee, Ru Zhai
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses | Angenieux Lenses, Cooke Lenses
Atlas Shrugged: Part I (2011)
Directed by | Paul Johansson | Cinematography by | Ross Berryman | Editing by | Jim Flynn, Sherril Schlesinger
Cameras | Red One MX Camera
An Education (2009)
Directed by | Lone Scherfig | Cinematography by | John de Borman | Editing by | Barney Pilling
Cameras | ARRIFLEX 235 Camera
Lenses | Cooke Speed Panchro Lenses
The Affair of the Necklace (2001)
Directed by | Charles Shyer | Cinematography by | Ashley Rowe | Editing by | David Moritz
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lara Croft Tomb Raider: The Cradle of Life (2003)
Directed by | Jan de Bont | Cinematography by | David Tattersall | Editing by | Michael Kahn
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Dreamgirls (2006)
Fred Claus (2007)
Directed by | David Dobkin | Cinematography by | Remi Adefarasin | Editing by | Mark Livolsi
Lenses | Zeiss Ultra Prime Lenses
Amarufi: Megami no hôshû (2009)
Directed by | Hiroshi Nishitani | Cinematography by | Hideo Yamamoto | Editing by | Masaaki Yamamoto
August Rush (2007)
Directed by | Kirsten Sheridan | Cinematography by | John Mathieson | Editing by | William Steinkamp
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Great Debaters (2007)
Directed by | Denzel Washington | Cinematography by | Philippe Rousselot | Editing by | John Breinholt, Hughes Winborne
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Moulin Rouge! (2001)
Directed by | Baz Luhrmann | Cinematography by | Donald McAlpine | Editing by | Jill Bilcock
Cameras | Panavision Panaflex Millennium Camera
Acolytes (2008)
Directed by | Jon Hewitt | Cinematography by | Mark Pugh | Editing by | Simon Martin
Cameras | Thomson Viper Camera
The Core (2003)
Directed by | Jon Amiel | Cinematography by | John Lindley | Editing by | Terry Rawlings
Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by | Rob Marshall | Cinematography by | Dariusz Wolski | Editing by | David Brenner, Wyatt Smith
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Against the Ropes (2004)
Directed by | Charles S. Dutton | Cinematography by | Jack N. Green | Editing by | Eric L. Beason
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Barney’s Version (2010)
Directed by | Richard J. Lewis | Cinematography by | Guy Dufaux | Editing by | Susan Shipton
Cameras | ARRIFLEX Camera
This Means War (2012)
Directed by | McG | Cinematography by | Russell Carpenter | Editing by | Nicolas De Toth
Cameras | Panavision Panaflex Millennium XL Camera
