Distributed Aspect Ratio » 2.39:1

2.39:1 | 1565 Titles

2.39:1 3.44/5 9 Votes

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Babylon (2022)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 189 Minutes

Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross

Starring | Brad Pitt, Margot Robbie, Jean Smart

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera

Lenses | Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic/i Zoom Lenses, Zeiss Super Speed Lenses

Nimona (2023)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Nick Bruno, Troy Quane | Editing by | Erin Crackel, Randy Trager

Starring | Chloë Grace Moretz, Riz Ahmed, Eugene Lee Yang

American Fiction (2023)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Cord Jefferson | Cinematography by | Cristina Dunlap | Editing by | Hilda Rasula

Starring | Jeffrey Wright, Tracee Ellis Ross, John Ortiz

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Tribe7 Blackwing7 Lenses

All Quiet on the Western Front (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 148 Minutes

Directed by | Edward Berger | Cinematography by | James Friend | Editing by | Sven Budelmann

Starring | Felix Kammerer, Albrecht Schuch, Aaron Hilmer

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera, Red Monstro 8K Camera, Sony CineAlta VENICE Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Tribe7 Blackwing7 Lenses, Zeiss Compact Prime CP.3 Lenses

Indiana Jones and the Dial of Destiny (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 154 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Andrew Buckland, Michael McCusker, Dirk Westervelt

Starring | Harrison Ford, Phoebe Waller-Bridge, Antonio Banderas

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

I, Tonya (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 119 Minutes

Directed by | Craig Gillespie | Cinematography by | Nicolas Karakatsanis | Editing by | Tatiana S. Riegel

Starring | Margot Robbie, Sebastian Stan, Allison Janney

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses | Leitz Summilux-C Series Lenses

The After (2023)

Short Film | 2D | Color | 2.39:1 | 19 Minutes

Directed by | Misan Harriman | Cinematography by | Si Bell | Editing by | Aggela Despotidou

Starring | David Oyelowo, Jessica Plummer, Amelie Dokubo

Kis Uykusu (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 196 Minutes

Directed by | Nuri Bilge Ceylan | Cinematography by | Gökhan Tiryaki | Editing by | Nuri Bilge Ceylan, Bora Göksingöl

Starring | Haluk Bilginer, Melisa Sözen, Demet Akbag, Ayberk Pekcan

Cameras | Sony CineAlta F65 Camera

Lenses | Zeiss Master Prime Lenses

Pulp Fiction (1994)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 154 Minutes

Directed by | Quentin Tarantino | Cinematography by | Andrzej Sekula | Editing by | Sally Menke

Starring | John Travolta, Uma Thurman, Samuel L. Jackson, Bruce Willis

Cameras | Panavision Cameras, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses

Poltergeist (1982)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 114 Minutes

Directed by | Tobe Hooper | Cinematography by | Matthew F. Leonetti | Editing by | Michael Kahn

Starring | JoBeth Williams, Heather O'Rourke, Craig T. Nelson, Beatrice Straight

Cameras | Ultracam 35 Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

The Passion of the Christ (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 127 Minutes

Directed by | Mel Gibson | Cinematography by | Caleb Deschanel | Editing by | Steve Mirkovich, John Wright

Starring | Jim Caviezel, Monica Bellucci, Maia Morgenstern, Christo Jivkov

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Unbreakable (2000)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 106 Minutes

Directed by | M. Night Shyamalan | Cinematography by | Eduardo Serra | Editing by | Dylan Tichenor

Starring | Bruce Willis, Samuel L. Jackson, Robin Wright, Spencer Treat Clark

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Italian Job (2003)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 111 Minutes

Directed by | F. Gary Gray | Cinematography by | Wally Pfister | Editing by | Richard Francis-Bruce, Christopher Rouse

Starring | Donald Sutherland, Mark Wahlberg, Edward Norton, Charlize Theron

Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

The Goonies (1985)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 114 Minutes

Directed by | Richard Donner | Cinematography by | Nick McLean | Editing by | Michael Kahn, Steven Spielberg

Starring | Sean Astin, Josh Brolin, Jeff Cohen, Corey Feldman

Cameras | ARRIFLEX 35 III Camera

Amélie (2001)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 122 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid

Starring | Audrey Tautou, Mathieu Kassovitz, Rufus

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera, Iwerks Cameras

Lenses | Zeiss Ultra Prime Lenses

The Revenant (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 156 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione

Starring | Leonardo DiCaprio, Tom Hardy, Will Poulter

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

The Deer Hunter (1978)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 183 Minutes

Directed by | Michael Cimino | Cinematography by | Vilmos Zsigmond | Editing by | Peter Zinner

Starring | Robert De Niro, Christopher Walken, John Cazale

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Lenses

Zoolander (2001)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 90 Minutes

Directed by | Ben Stiller | Cinematography by | Barry Peterson | Editing by | Greg Hayden

Starring | Ben Stiller, Owen Wilson, Christine Taylor

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Spider-Man: Across the Spider-Verse (2023)

Motion Picture | 2D | 2K Project | Color | 2.39:1, 2.55:1 | 140 Minutes

Directed by | Joaquim Dos Santos, Kemp Powers, Justin K. Thompson | Editing by | Mike Andrews

Starring | Shameik Moore, Hailee Steinfeld, Brian Tyree Henry

A Blood Throne (2020)

Short Film | 2D | 4K Project | Color | 2.39:1 | 40 Minutes

Directed by | Xavier Garcia | Cinematography by | Jonathan Garcia | Editing by | Xavier Garcia

Starring | Pierre Rumpf, Arissa Page, Danny Irizarry

Cameras | Panasonic Lumix DMC-GH5 Camera

Lenses | SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens

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