2.39:1 | 1565 Titles
Babylon (2022)
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross
Lenses | Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic/i Zoom Lenses, Zeiss Super Speed Lenses
Nimona (2023)
American Fiction (2023)
Directed by | Cord Jefferson | Cinematography by | Cristina Dunlap | Editing by | Hilda Rasula
Cameras | ARRI ALEXA Mini LF Camera
Lenses | Tribe7 Blackwing7 Lenses
All Quiet on the Western Front (2022)
Directed by | Edward Berger | Cinematography by | James Friend | Editing by | Sven Budelmann
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera, Red Monstro 8K Camera, Sony CineAlta VENICE Camera
Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Tribe7 Blackwing7 Lenses, Zeiss Compact Prime CP.3 Lenses
Indiana Jones and the Dial of Destiny (2023)
Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Andrew Buckland, Michael McCusker, Dirk Westervelt
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera
I, Tonya (2017)
Directed by | Craig Gillespie | Cinematography by | Nicolas Karakatsanis | Editing by | Tatiana S. Riegel
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Leitz Summilux-C Series Lenses
The After (2023)
Kis Uykusu (2014)
Directed by | Nuri Bilge Ceylan | Cinematography by | Gökhan Tiryaki | Editing by | Nuri Bilge Ceylan, Bora Göksingöl
Cameras | Sony CineAlta F65 Camera
Lenses | Zeiss Master Prime Lenses
Pulp Fiction (1994)
Directed by | Quentin Tarantino | Cinematography by | Andrzej Sekula | Editing by | Sally Menke
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
Poltergeist (1982)
Directed by | Tobe Hooper | Cinematography by | Matthew F. Leonetti | Editing by | Michael Kahn
Cameras | Ultracam 35 Camera
The Passion of the Christ (2004)
Directed by | Mel Gibson | Cinematography by | Caleb Deschanel | Editing by | Steve Mirkovich, John Wright
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Unbreakable (2000)
Directed by | M. Night Shyamalan | Cinematography by | Eduardo Serra | Editing by | Dylan Tichenor
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Italian Job (2003)
Directed by | F. Gary Gray | Cinematography by | Wally Pfister | Editing by | Richard Francis-Bruce, Christopher Rouse
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
The Goonies (1985)
Directed by | Richard Donner | Cinematography by | Nick McLean | Editing by | Michael Kahn, Steven Spielberg
Cameras | ARRIFLEX 35 III Camera
Amélie (2001)
Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid
Lenses | Zeiss Ultra Prime Lenses
The Revenant (2015)
Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera
Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
The Deer Hunter (1978)
Directed by | Michael Cimino | Cinematography by | Vilmos Zsigmond | Editing by | Peter Zinner
Cameras | Panavision Panaflex Camera
Zoolander (2001)
Directed by | Ben Stiller | Cinematography by | Barry Peterson | Editing by | Greg Hayden
Cameras | Panavision Panaflex Platinum Camera