Codex Digital | 311 Titles
47 Ronin (2013)
Directed by | Carl Rinsch | Cinematography by | John Mathieson | Editing by | Stuart Baird
Cameras | ARRI ALEXA Camera
World War Z (2013)
Directed by | Marc Forster | Cinematography by | Ben Seresin, Robert Richardson | Editing by | Roger Barton, Matt Chesse
R.I.P.D. (2013)
Directed by | Robert Schwentke | Cinematography by | Alwin H. Küchler | Editing by | Mark Helfrich
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Gravity (2013)
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Mark Sanger
Cameras | ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses | ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Mad Max: Fury Road (2015)
Directed by | George Miller | Cinematography by | John Seale | Editing by | Margaret Sixel
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
The Five-Year Engagement (2012)
Directed by | Nicholas Stoller | Cinematography by | Javier Aguirresarobe | Editing by | William Kerr, Peck Prior
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Chernobyl Diaries (2012)
Directed by | Bradley Parker | Cinematography by | Morten Søborg | Editing by | Stan Salfas
Cameras | ARRI ALEXA Camera
Byzantium (2012)
Directed by | Neil Jordan | Cinematography by | Sean Bobbitt | Editing by | Tony Lawson
Cameras | ARRI ALEXA Plus Camera
Lenses | Zeiss Master Prime Lenses
Pina (2011)
Directed by | Wim Wenders | Cinematography by | Hélène Louvart, Jörg Widmer | Editing by | Toni Froschhammer
Lenses | Zeiss DigiPrime Lenses
Ruby Sparks (2012)
Directed by | Jonathan Dayton, Valerie Faris | Cinematography by | Matthew Libatique | Editing by | Pamela Martin
Lenses | Cooke Speed Panchro Lenses
Hope Springs (2012)
Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Steven Weisberg
Cameras | ARRI ALEXA Camera
Sparkle (2012)
Directed by | Salim Akil | Cinematography by | Anastas N. Michos | Editing by | Terilyn A. Shropshire
Cameras | ARRI ALEXA Plus Camera
Spy Kids: All the Time in the World in 4D (2011)
Directed by | Robert Rodriguez | Cinematography by | Jimmy Lindsey, Robert Rodriguez | Editing by | Dan Zimmerman
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses
Abraham Lincoln: Vampire Hunter (2012)
Amour (2012)
Directed by | Michael Haneke | Cinematography by | Darius Khondji | Editing by | Nadine Muse, Monika Willi
Cameras | ARRI ALEXA Camera
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
Alice in Wonderland (2010)
Directed by | Tim Burton | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon
Cameras | Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Lenses | Panavision Primo Anamorphic Lenses
What to Expect When You’re Expecting (2012)
Directed by | Kirk Jones | Cinematography by | Xavier Grobet | Editing by | Michael Berenbaum
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Campaign (2012)
Directed by | Jay Roach | Cinematography by | Jim Denault | Editing by | Craig Alpert, Jon Poll
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses
Real Steel (2011)
Directed by | Shawn Levy | Cinematography by | Mauro Fiore | Editing by | Dean Zimmerman
Cameras | Sony CineAlta F35 Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
Prom (2011)
Directed by | Joe Nussbaum | Cinematography by | Byron Shah | Editing by | Jeffrey M. Werner
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
