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Codex Digital | 250 Titles

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Cats (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Tom Hooper | Cinematography by | Christopher Ross | Editing by | Melanie Oliver

Starring | Jennifer Hudson, Judi Dench, Taylor Swift, Robbie Fairchild

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses, Hasselblad Lenses, Tokina Vista Cinema Prime Lenses

1917 (2019)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 119 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Lee Smith

Starring | Dean-Charles Chapman, George MacKay, Daniel Mays, Colin Firth

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens

Bardo: False Chronicle of a Handful of Truths (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 159 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Darius Khondji | Editing by | Alejandro G. Iñárritu, Monica Salazar

Starring | Daniel Giménez Cacho, Griselda Siciliani, Ximena Lamadrid

Cameras | ARRI ALEXA 65 Camera

Lenses | Panavision Sphero 65 Series Lenses

The Banshees of Inisherin (2022)

Motion Picture | 2D | 4K Project | Color | 114 Minutes

Directed by | Martin McDonagh | Cinematography by | Ben Davis | Editing by | Mikkel E.G. Nielsen

Starring | Colin Farrell, Brendan Gleeson, Kerry Condon

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

RRR (2022)

Movie | 2D | 4K Project | Black & White, Color | 1.85:1, 1.90:1, 2.39:1 | 187 Minutes

Directed by | S.S. Rajamouli | Cinematography by | KK Senthil Kumar | Editing by | A. Sreekar Prasad

Starring | N.T. Rama Rao Jr., Ram Charan, Ajay Devgn

Cameras | ARRI ALEXA LF Camera

Lenses | ARRI Signature Prime Lenses

Lupin (2021)

Television Series | 2D | 4K Project | Color | 2.0:1 | 45 Minutes

The Fabelmans (2022)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 151 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Michelle Williams, Gabriel LaBelle, Paul Dano

Cameras | ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Living (2022)

Motion Picture | 2D | 2K Project | Color | 102 Minutes

Directed by | Oliver Hermanus | Cinematography by | Jamie Ramsay | Editing by | Chris Wyatt

Starring | Bill Nighy, Aimee Lou Wood, Alex Sharp

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Supreme Prime Series Lenses

Glass Onion (2022)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 139 Minutes

Glass Onion | ShotOnWhat?

Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay

Starring | Daniel Craig, Edward Norton, Kate Hudson

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Zeiss Supreme Prime Series Lenses

Tár (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 158 Minutes

Directed by | Todd Field | Cinematography by | Florian Hoffmeister | Editing by | Monika Willi

Starring | Cate Blanchett, Noémie Merlant, Nina Hoss

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

Empire of Light (2022)

Movie | 2D | 4K Project | Color | 2.39:1 | 115 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Lee Smith

Starring | Olivia Colman, Micheal Ward, Colin Firth

Cameras | ARRI ALEXA LF Camera

Lenses | ARRI Signature Prime Lenses, Cooke S7/i Lenses

El Conde (2023)

Motion Picture | 2D | 4K Project | Black & White | 2.0:1 | 110 Minutes

Directed by | Pablo Larraín | Cinematography by | Edward Lachman | Editing by | Sofía Subercaseaux

Starring | Jaime Vadell, Gloria Münchmeyer, Alfredo Castro

Cameras | ARRI ALEXA Mini LF Monochrome Camera

Lenses | Zero Optik Baltar Series Lenses

Anatomy of a Fall (2023)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 151 Minutes

Directed by | Justine Triet | Cinematography by | Simon Beaufils | Editing by | Laurent Sénéchal

Starring | Sandra Hüller, Swann Arlaud, Milo Machado Graner

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses

May December (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 117 Minutes

Directed by | Todd Haynes | Cinematography by | Christopher Blauvelt | Editing by | Affonso Gonçalves

Starring | Natalie Portman, Chris Tenzis, Charles Melton

Cameras | ARRI Alexa 35 Camera

Lenses | Kowa Cine Prominar Spherical Lenses

Barbie (2023)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.0:1 | 114 Minutes

Directed by | Greta Gerwig | Cinematography by | Rodrigo Prieto | Editing by | Nick Houy

Starring | Margot Robbie, Ryan Gosling, Issa Rae

Cameras | ARRI ALEXA 65 Camera

Lenses | Panavision Lenses, Panavision System 65 Lenses

All Quiet on the Western Front (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 148 Minutes

Directed by | Edward Berger | Cinematography by | James Friend | Editing by | Sven Budelmann

Starring | Felix Kammerer, Albrecht Schuch, Aaron Hilmer

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera, Red Monstro 8K Camera, Sony CineAlta VENICE Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Tribe7 Blackwing7 Lenses, Zeiss Compact Prime CP.3 Lenses

Io Capitano (2023)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Matteo Garrone | Cinematography by | Paolo Carnera | Editing by | Marco Spoletini

Starring | Seydou Sarr, Moustapha Fall, Issaka Sawadogo

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

Indiana Jones and the Dial of Destiny (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 154 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Andrew Buckland, Michael McCusker, Dirk Westervelt

Starring | Harrison Ford, Phoebe Waller-Bridge, Antonio Banderas

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Holdovers (2023)

Motion Picture | 2D | 2K Project | Color | 1.66:1 | 133 Minutes

Directed by | Alexander Payne | Cinematography by | Eigil Bryld | Editing by | Kevin Tent

Starring | Paul Giamatti, Da'Vine Joy Randolph, Dominic Sessa

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Rounded Corners (2019)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9), 1.85:1 | 87 Minutes

Directed by | Paul Check

Starring | Marie Check, Tinuke Adetunji, Paul Check, James Zeiss

Cameras | Panasonic VariCam 35

Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens

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