Cameras » Panasonic Cameras

Panasonic AG-3DA1 Camera : 2Panasonic AG-AF100 Camera : 4Panasonic AG-DVX100 Camera : 14Panasonic AG-HSC1U Camera : 1Panasonic AG-HVX200 Camera : 25Panasonic AJ-HDC27 Camera : 2Panasonic AJ-HDC27 Varicam Camera : 6Panasonic AJ-HDX900 Camera : 1Panasonic AJ-HPX3700 Camera : 3Panasonic AJ-SDX900 Camera : 3Panasonic AU-EVA1 Camera : 1Panasonic Lumix DMC-G85 Camera : 1Panasonic Lumix DMC-GH2 Camera : 7Panasonic Lumix DMC-GH3 Camera : 1Panasonic Lumix DMC-GH4 Camera : 11Panasonic Lumix DMC-GH5 Camera : 6Panasonic NV-GS140 Camera : 1Panasonic VariCam 35 : 11Panasonic VariCam Camera : 7

Panasonic Cameras | 111 Titles

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Highly Ghosted (2018)

Television Episode, Web Series | 2D | UHD Project | Color | 2.76:1 |

Directed by | Rob Mulligan, Michael Boris | Cinematography by | Scott Migdol | Editing by | Chris Cope

Starring | Michael Boris, Scott Migdol, Natalie Hodges, Zairilla Bacon

Cameras | Blackmagic Pocket Cinema 4K Camera, Panasonic Lumix DMC-GH5 Camera

13 Reasons Why (2017)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9), 2.0:1 | 60 Minutes

| Cinematography by | Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams | Editing by | Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox

Starring | Dylan Minnette, Katherine Langford, Christian Navarro, Alisha Boe

Cameras | Panasonic VariCam 35

Lenses | Hawk V-Lite Vintage´74 Lens, Leitz Summilux-C Series Lenses

Atlantics (2019)

Motion Picture | 2D | Color | 1.66:1 | 106 Minutes

Directed by | Mati Diop | Cinematography by | Claire Mathon | Editing by | Aël Dallier Vega

Starring | Abdou Balde, Aminata Kane, Ibrahima Mbaye, Amadou Mbow

Cameras | Panasonic VariCam 35, Red Weapon Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses

Boxboarders! (2007)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) |

Directed by | Rob Hedden | Cinematography by | Matthew Williams | Editing by | David L. Bertman

Starring | James Immekus, Austin Basis, Michelle Alexis, Michelle Pierce

Cameras | Panasonic AJ-HDC27 Varicam Camera

Lenses | Canon Lenses

Skull (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Yusron Fuadi | Editing by | Yusron Fuadi

Starring | Eka Nusa Pertiwi, Yusron Fuadi, Guh S Mana, Haydar Salishz

Cameras | Blackmagic Cinema Camera, Blackmagic Pocket Cinema Camera, Panasonic Lumix DMC-GH3 Camera

Lenses | Nikon - Nikkor Lenses, Samyang VDSLR II Cine 85mm T1.5 Lens, Zeiss Distagon T* 25mm f2.0 ZE

Master of None (2015)

Television Series | 2D | 4K Project | Color | 2.39:1 | 30 Minutes

| Cinematography by | Mark Schwartzbard | Editing by | Jennifer Lilly, Suzy Elmiger, Daniel Haworth

Starring | Aziz Ansari, Eric Wareheim, Lena Waithe, Noël Wells

Cameras | Panasonic VariCam 35

Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Better Call Saul (2015)

Television Series | 2D | 4K Project | Black & White, Color | 1.78:1 (16x9) | 46 Minutes

Spud (2009)

Short Film | 2D | HD Project | Color | 2.35:1 | 27 Minutes

Directed by | Tyler Norman | Cinematography by | Richard Bluth | Editing by | Timothy Atwood, Tyler Norman

Starring | Dalton O'Dell, A.J. Walsh, Tristan Jarred, Sterling Beaumon

Cameras | Panasonic VariCam Camera, Sony HDR-FX1 Camera

Lenses | Fujinon Lenses

Narcos (2015)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9) | 49 Minutes

| Cinematography by | Adrian Teijido, Mauricio Vidal, Carmen Cabana, Juan Carlos Gil, Lula Carvalho, Luis David Sansans | Editing by | Matthew Colonna, Trevor Baker, Luis Carballar, Leo Trombetta, Nathan Gunn, Chris McCaleb, Ryan Jones, Jon Otazua, Victor Du Bois, Alex Marquez

Starring | Pedro Pascal, Wagner Moura, Boyd Holbrook, Alberto Ammann

Cameras | Panasonic Lumix DMC-GH4 Camera, Red Epic Dragon Camera

Lenses | Cooke S4/i Lenses, Hawk V-Lite Lenses, Zeiss Ultra Prime Lenses

Innerself (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Johnny Wu | Cinematography by | Peter Sampson | Editing by | Johnny Wu

Starring | Jason L. Wang, Mikhail Tot, Stephen Haas, Rosy Hong

Cameras | Panasonic Lumix DMC-GH5 Camera

Lenses | Meike 25mm T2.2, Panasonic Lumix G X Vario 12-35mm f2.8 Lens, Panasonic Lumix G X Vario 35-100mm f2.8 Lens

Allt sem fer upp (2018)

Motion Picture | 2D | 2K Project | Color | 1.78:1 (16x9) |

Directed by | Kristján Jónsson | Cinematography by | Kristján Jónsson | Editing by | Kristján Jónsson

Starring | Katrín Björg Hjálmarsdóttir, Sigurjón Jónsson, Magnus E. Halldorsson, Kristín Ísold Jóhannesdóttir

Cameras | Blackmagic Pocket Cinema Camera, Panasonic Lumix DMC-GH4 Camera

Lenses | Zeiss Lenses

Super Power Beat Down (2012)

Television Series, Web Series | 2D | HD Project | Color | 1.78:1 (16x9) |

| Cinematography by | Joey Rassool, Chase Langely, Aaron Schoenke, Maury Covington Jr. | Editing by | Aaron Schoenke, Nikolay Zamkovoy

Starring | Marisha Ray, Damian Beurer, Aaron Schoenke, Jennifer Wenger

Cameras | Canon EOS-7D Camera, Canon EOS-C300 Camera, Panasonic Lumix DMC-GH4 Camera, Sony NEX-FS700 Camera

Lenses | Canon EF Series Lenses, Panasonic Lenses, Sigma 18-35mm f1.8 DC HSM Lens, Sigma Lenses

The Grand Tour (2016)

Television Series | 2D | 4K Project | Color | 60 Minutes

| Cinematography by | Ben Joiner, Steve Lidgerwood | Editing by | Chris Denton, James Hart, Dan James, Adam Hutchings, Steve Flatt, Stephen Bainbridge, Chris Denton, Tom Rich, Mark Roverts

Starring | Jeremy Clarkson, James May, Richard Hammond, Abbie Eaton

Cameras | ARRI AMIRA Series Cameras, Panasonic Lumix DMC-GH4 Camera

Lenses | ARRI / Fujinon Lenses, Canon Lenses

Symphony in Blue (2017)

Motion Picture | 2D | Color | 70 Minutes

Directed by | Samuel Marko | Cinematography by | Davis Moore | Editing by | Samuel Marko

Starring | Samuel Marko, Hilarie Grace, Jack Shefrin, Pete Dickey

Cameras | Panasonic AG-HVX200 Camera

Death Note (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 101 Minutes

Directed by | Adam Wingard | Cinematography by | David Tattersall | Editing by | Louis Cioffi

Starring | Nat Wolff, LaKeith Stanfield, Margaret Qualley, Shea Whigham

Cameras | Panasonic VariCam 35, Panasonic VariCam Camera

Lenses | Fujinon Lenses, Fujinon Premier Lenses, P+S Technik Skater Scope T5.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

Pipe Dreams: Six of Them (2016)

Documentary | 2D | 2K Project, HD Project | Color | 1.33:1 (4x3) | 70 Minutes

Directed by | Kain Baigent | Editing by | David Baldini

Starring | Kain Baigent, Alan Cathcart, Michael Cole, Michael Dibb

Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero Camera, GoPro HD Hero2 Camera, Panasonic AG-HVX200 Camera

Postpartum (2016)

Short Film | 2D | 2K Project | Color | 2.39:1 | 24 Minutes

Directed by | Richard Bakewell, Lale Arpaci | Cinematography by | Chun Ming Huang

Starring | Danielle Harris, Jenny Curtis, Katie Beresford, Nicole Sterling

Cameras | Panasonic VariCam 35

Lenses | Schneider Lenses, Schneider Xenon FF Prime Lenses

Tú y yo (2014)

Documentary | 2D | 2K Project | Color | 1.85:1 | 87 Minutes

Directed by | Natalia Cabral, Oriol Estrada | Cinematography by | Oriol Estrada | Editing by | Oriol Estrada

Starring | Paula Lebrón, Francisca Pérez De Sosa

Cameras | Panasonic Lumix DMC-GH2 Camera

Jezus van de Javastraat (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 91 Minutes

Bad Santa 2 (2016)

Motion Picture | 2D | Color | 1.85:1 | 92 Minutes

Directed by | Mark Waters | Cinematography by | Theo van de Sande | Editing by | Travis Sittard

Starring | Billy Bob Thornton, Kathy Bates, Tony Cox, Christina Hendricks

Cameras | Panasonic VariCam 35

Lenses | Cooke Lenses

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