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Panasonic Cameras | 119 Titles

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The Protectors (2020)

Motion Picture | 4K Project | Color | 90 Minutes

Directed by | Ben Hughes | Cinematography by | Ben Hughes

Starring | Chris Abbey Jr., Gabriel Kamas, Chris Massoglia

Cameras | Panasonic Lumix DMC-GH4 Camera

Ambuli (2012)

Motion Picture | 3D | HD Project | Color | 2.39:1 | 139 Minutes

Directed by | Haresh Narayan, K. Hari Shankar | Cinematography by | Sathish G. | Editing by | K. Hari Shankar

Starring | Gokulnath, Parthiban, Srijith P.S., Ajai R.

Cameras | Panasonic AG-3DA1 Camera

Lenses | Panasonic Lenses

Sharkasaurus (2014)

Short Film | 2D | Color | 10 Minutes

Directed by | Spencer Estabrooks | Cinematography by | Joshua Whitford | Editing by | Spencer Estabrooks

Starring | Michael Shepherd, Julie Orton, Edwin Perez

Cameras | Panasonic Lumix DMC-GH4 Camera

Noctambulous (2011)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 79 Minutes

Directed by | Kelvin C. Bias | Cinematography by | Robson Garcia Jr. | Editing by | Ann Foo

Starring | Kelvin C. Bias, Megan Corry, Erin Sullivan, William Linton

Cameras | Canon EOS-7D Camera, Panasonic AG-HVX200 Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon L Series Lenses

Supernatural (2005)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Serge Ladouceur, Bradley S. Creasser, Aaron Schneider | Editing by | Don Koch, Nicole Baer, James Pickel, Tom McQuade, Anthony Pinker, John Fitzpatrick, David Ekstrom, Paul Karasick, Bruce Gorman, Martin Skibosh

Starring | Jared Padalecki, Jensen Ackles, Jim Beaver, Misha Collins

Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX D-21 Camera, Canon EOS-5D Mark II Camera, Panasonic AG-HVX200 Camera, Red One Camera

Lenses | Clairmont Anamorphic Lenses, Cooke S4 Lenses

It’s Always Sunny in Philadelphia (2005)

Television Series | 2D | Color | 1.33:1 (4x3) | 22 Minutes

| Cinematography by | Peter Smokler, John Tanzer, Eric Zimmerman | Editing by | Josh Drisko, Tim Roche, Robert Bramwell, Sung-Jin Lee, Patrick Walsh, Trevor Penna

Starring | Charlie Day, Glenn Howerton, Rob McElhenney, Kaitlin Olson

Cameras | Panasonic AG-DVX100 Camera

Cookie Sykes Goes (2019)

Web Series | 2D | 2K Project | Color | 1.90:1 |

| Cinematography by | Tom Sykes | Editing by | Tom Sykes

Starring | Cookie Sykes, Sophie

Cameras | Panasonic Lumix DMC-GH4 Camera

Lenses | Panasonic Lumix G Vario 14-42mm f3.5 Lens

Orange Is the New Black (2013)

Television Series | 2D | 2K Project, 4K Project | Color | 1.78:1 (16x9) | 59 Minutes

| Cinematography by | Ludovic Littee, Vanja Cernjul, Yaron Orbach, Manuel Billeter, Michael Trim, David M. Dunlap, Wylda Bayron, Andrew Voegeli, William Newell | Editing by | Bill Turro, Shannon Mitchell, Michael Stern, Amy M. Fleming, Tim Boettcher, W. Kale Whorton, Jennifer Hatton, James A. Brewer, Liza Cardinale, Rockie Stephens

Starring | Taylor Schilling, Danielle Brooks, Taryn Manning, Emma Myles

Cameras | ARRI ALEXA Camera, Panasonic VariCam 35

Lenses | Cooke 5/i Lenses

Monstrosity (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 62 Minutes

Directed by | Josef Lichtenberger | Cinematography by | Josef Lichtenberger

Starring | Mathias Baldauf, Andreas Baumgartner, Stefan Baumgartner, Thomas Friedl

Cameras | Panasonic Lumix DMC-GH4 Camera

Lenses | Sigma 18-35mm f1.8 DC HSM Lens

Highly Ghosted (2018)

Television Episode, Web Series | 2D | UHD Project | Color | 2.76:1 |

Directed by | Rob Mulligan, Michael Boris | Cinematography by | Scott Migdol | Editing by | Chris Cope

Starring | Michael Boris, Scott Migdol, Natalie Hodges, Zairilla Bacon

Cameras | Blackmagic Pocket Cinema 4K Camera, Panasonic Lumix DMC-GH5 Camera

13 Reasons Why (2017)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9), 2.0:1 | 60 Minutes

| Cinematography by | Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams | Editing by | Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox

Starring | Dylan Minnette, Katherine Langford, Christian Navarro, Alisha Boe

Cameras | Panasonic VariCam 35

Lenses | Hawk V-Lite Vintage´74 Lens, Leitz Summilux-C Series Lenses

Atlantics (2019)

Motion Picture | 2D | Color | 1.66:1 | 106 Minutes

Directed by | Mati Diop | Cinematography by | Claire Mathon | Editing by | Aël Dallier Vega

Starring | Abdou Balde, Aminata Kane, Ibrahima Mbaye, Amadou Mbow

Cameras | Panasonic VariCam 35, Red Weapon Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses

Boxboarders! (2007)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) |

Directed by | Rob Hedden | Cinematography by | Matthew Williams | Editing by | David L. Bertman

Starring | James Immekus, Austin Basis, Michelle Alexis, Michelle Pierce

Cameras | Panasonic AJ-HDC27 Varicam Camera

Lenses | Canon Lenses

Skull (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Yusron Fuadi | Editing by | Yusron Fuadi

Starring | Eka Nusa Pertiwi, Yusron Fuadi, Guh S Mana, Haydar Salishz

Cameras | Blackmagic Cinema Camera, Blackmagic Pocket Cinema Camera, Panasonic Lumix DMC-GH3 Camera

Lenses | Nikon - Nikkor Lenses, Samyang VDSLR II Cine 85 mm T1.5 Lens, Zeiss Distagon T* 25mm f2.0 ZE

Master of None (2015)

Television Series | 2D | 4K Project | Color | 2.39:1 | 30 Minutes

| Cinematography by | Mark Schwartzbard | Editing by | Jennifer Lilly, Suzy Elmiger, Daniel Haworth

Starring | Aziz Ansari, Eric Wareheim, Lena Waithe, Noël Wells

Cameras | Panasonic VariCam 35

Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Better Call Saul (2015)

Television Series | 2D | 4K Project | Black & White, Color | 1.78:1 (16x9) | 46 Minutes

Spud (2009)

Short Film | 2D | HD Project | Color | 2.35:1 | 27 Minutes

Directed by | Tyler Norman | Cinematography by | Richard Bluth | Editing by | Timothy Atwood, Tyler Norman

Starring | Dalton O'Dell, A.J. Walsh, Tristan Jarred, Sterling Beaumon

Cameras | Panasonic VariCam Camera, Sony HDR-FX1 Camera

Lenses | Fujinon Lenses

Narcos (2015)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9) | 49 Minutes

| Cinematography by | Adrian Teijido, Mauricio Vidal, Carmen Cabana, Juan Carlos Gil, Lula Carvalho, Luis David Sansans | Editing by | Matthew Colonna, Trevor Baker, Luis Carballar, Leo Trombetta, Nathan Gunn, Chris McCaleb, Ryan Jones, Jon Otazua, Victor Du Bois, Alex Marquez

Starring | Pedro Pascal, Wagner Moura, Boyd Holbrook, Alberto Ammann

Cameras | Panasonic Lumix DMC-GH4 Camera, Red Epic Dragon Camera

Lenses | Cooke S4/i Lenses, Hawk V-Lite Lenses, Zeiss Ultra Prime Lenses

Innerself (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Johnny Wu | Cinematography by | Peter Sampson | Editing by | Johnny Wu

Starring | Jason L. Wang, Mikhail Tot, Stephen Haas, Rosy Hong

Cameras | Panasonic Lumix DMC-GH5 Camera

Lenses | Meike 25mm T2.2, Panasonic Lumix G X Vario 12-35mm f2.8 Lens, Panasonic Lumix G X Vario 35-100mm f2.8 Lens

Allt sem fer upp (2018)

Motion Picture | 2D | 2K Project | Color | 1.78:1 (16x9) |

Directed by | Kristján Jónsson | Cinematography by | Kristján Jónsson | Editing by | Kristján Jónsson

Starring | Katrín Björg Hjálmarsdóttir, Sigurjón Jónsson, Magnus E. Halldorsson, Kristín Ísold Jóhannesdóttir

Cameras | Blackmagic Pocket Cinema Camera, Panasonic Lumix DMC-GH4 Camera

Lenses | Zeiss Lenses

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