Panasonic Cameras | 111 Titles
Rester vertical (2016)
Directed by | Alain Guiraudie | Cinematography by | Claire Mathon | Editing by | Jean-Christophe Hym
Cameras | Panasonic VariCam 35, Red Epic Dragon Camera
The Brothers Grimsby (2016)
Directed by | Louis Leterrier | Cinematography by | Oliver Wood | Editing by | Jonathan Amos, Evan Henke, Debra Neil-Fisher, James Thomas
Murderball (2005)
Directed by | Henry Alex Rubin, Dana Adam Shapiro | Cinematography by | Henry Alex Rubin | Editing by | Conor O'Neill, Geoffrey Richman
Cameras | Panasonic AG-DVX100 Camera
Iraq in Fragments (2006)
Directed by | James Longley | Cinematography by | James Longley | Editing by | James Longley, Billy McMillin, Fiona Otway
Cameras | Panasonic AG-DVX100 Camera
Sari’s Mother (2006)
Directed by | James Longley | Cinematography by | James Longley | Editing by | James Longley, Fiona Otway
Cameras | Panasonic AG-DVX100 Camera
No End in Sight (2007)
Directed by | Charles Ferguson | Cinematography by | Antonio Rossi | Editing by | Chad Beck, Cindy Lee
Oliver! (1968) 
Directed by | Carol Reed | Cinematography by | Oswald Morris | Editing by | Ralph Kemplen
Cameras | Panasonic Cameras
Premaya Nam (2017)
Directed by | Kalpana Ariyawansa, Vindana Ariyawansa | Cinematography by | Jaan Shenberger | Editing by | Kalpana Ariyawansa, Jaan Shenberger
Cameras | Panasonic Lumix DMC-GH2 Camera, Sony PMW-F3 Camera
Lenses | Nikon AF NIKKOR 80-200 mm f2.8 ED Lens, Nikon Micro-NIKKOR 55 mm f3.5 Lens, Panasonic Lumix G Vario 14-42mm f3.5 Lens, Sony Prime 35 mm T2.0 PL Lens, Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Tokina AT-X Pro FX 16-28 mm f2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Vivitar Series 1 28-105 mm f2.8-3.8 Macro Zoom Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Makro-Planar 100 mm T2.1 CF Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens
Angry Video Game Nerd: The Movie (2014)
Directed by | Kevin Finn, James Rolfe | Cinematography by | Jason Brewer | Editing by | Paul Fontaine, Michael Licisyn
Sarah Landon and the Paranormal Hour (2007)
Directed by | Lisa Comrie | Cinematography by | Andrew Kuepper | Editing by | Andrew Cohen
Cameras | Panasonic AG-HVX200 Camera
Chasing Ice (2012)
Dirty Wars (2013)
Directed by | Rick Rowley | Cinematography by | Rick Rowley | Editing by | David Riker, Rick Rowley
Cameras | Canon EOS-5D Mark II Camera, Panasonic Cameras
The Apostate: Call of the Revenant (2015)
Directed by | Andy Dodd | Cinematography by | Andy Dodd, Catherine Kerr-Phillips | Editing by | Andy Dodd
Cameras | Panasonic Lumix DMC-GH2 Camera
Frankie in Blunderland (2011)
Directed by | Caleb Emerson | Cinematography by | Caleb Emerson | Editing by | Caleb Emerson
Cameras | Canon Cameras, Panasonic Cameras
2 Guns (2013)
Terminal (2007)
Directed by | Fernando Beltran y Puga | Cinematography by | Angel Barroeta | Editing by | Jason Cross
Cameras | Panasonic AG-HVX200 Camera, Panasonic Cameras
Upstream Color (2013)
Directed by | Shane Carruth | Cinematography by | Shane Carruth | Editing by | Shane Carruth, David Lowery
Cameras | Panasonic Lumix DMC-GH2 Camera
Route 30 (2007)
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Cameras | Panasonic AG-HVX200 Camera
Superhero Me (2013)
Directed by | David Bradburn | Cinematography by | Caleb Burdeau | Editing by | David Bradburn, Caleb Burdeau
Cameras | Panasonic Lumix DMC-GH2 Camera
Lenses | Fujinon Lenses
Five Broken Cameras (2011)
Directed by | Emad Burnat, Guy Davidi | Cinematography by | Emad Burnat | Editing by | Guy Davidi, Véronique Lagoarde-Ségot
Cameras | JVC GR-D54E Camera, Panasonic AG-HVX200 Camera, Panasonic NV-GS140 Camera, Sony DCR-PC110 Camera, Sony DSR-PDX10P Camera
