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ARRI ALEXA Series Cameras : 910ARRI AMIRA Series Cameras : 14ARRI ARRIFLEX Series Cameras : 756ARRICAM Lite (LT) Camera : 411ARRICAM Studio (ST) Camera : 271ARRIFLEX 765 Camera : 8ARRIFLEX Camera : 66ARRIFLEX D-20 Camera : 6ARRIFLEX D-21 Camera : 22Arritechno 35 Camera : 1

ARRI Cameras | 2118 Titles

ARRI Cameras 3.78/5 9 Votes

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Thor: Ragnarok (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 130 Minutes

Directed by | Taika Waititi | Cinematography by | Javier Aguirresarobe | Editing by | Zene Baker, Joel Negron

Starring | Chris Hemsworth, Tom Hiddleston, Cate Blanchett

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

12 Strong (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 130 Minutes

Directed by | Nicolai Fuglsig | Cinematography by | Rasmus Videbæk | Editing by | Lisa Lassek

Starring | Chris Hemsworth, Michael Shannon, Michael Peña

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, Red Epic Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Assassination Nation (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 108 Minutes

Directed by | Sam Levinson | Cinematography by | Marcell Rév | Editing by | Ron Patane

Starring | Odessa Young, Abra, Suki Waterhouse

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Lost River (2014)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Ryan Gosling | Cinematography by | Benoît Debie | Editing by | Nico Leunen, Valdís Óskarsdóttir

Starring | Christina Hendricks, Iain De Caestecker, Matt Smith, Saoirse Ronan

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Red Epic Camera

Lenses | Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Spring Breakers (2012)

Motion Picture | 2D | Color | 2.35:1 | 94 Minutes

Directed by | Harmony Korine | Cinematography by | Benoît Debie | Editing by | Douglas Crise

Starring | Vanessa Hudgens, Selena Gomez, Ashley Benson, Rachel Korine

Cameras | ARRICAM Lite (LT) Camera

John Dies at the End (2012)

Short Film | 2D, 3D | 3.4K Project | Color | 99 Minutes

Directed by | Don Coscarelli | Cinematography by | Mike Gioulakis

Starring | Chase Williamson, Rob Mayes, Paul Giamatti

Cameras | Aaton XTR Plus Camera, ARRI ALEXA XT M Camera

1923 (2022)

Television Series | 2D | Color | 60 Minutes

| Cinematography by | Corrin Hodgson, Ben Richardson, Robert McLachlan | Editing by | Chad Galster, Byron Smith, Christopher Gay, Brooke Rupe, Todd Desrosiers

Starring | Harrison Ford, Helen Mirren, Brandon Sklenar

Cameras | ARRI Alexa 35 Camera, ARRI ALEXA Mini Camera

Lenses | Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Leitz Summilux-C Series Lenses

Barbie (2023)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.0:1 | 114 Minutes

Directed by | Greta Gerwig | Cinematography by | Rodrigo Prieto | Editing by | Nick Houy

Starring | Margot Robbie, Ryan Gosling, Issa Rae

Cameras | ARRI ALEXA 65 Camera

Lenses | Panavision Lenses, Panavision System 65 Lenses

Lessons in Chemistry (2023)

TV Mini Series | 2D | Color |

| Cinematography by | Zack Galler, Jason Oldak | Editing by | Matthew Barbato, Geraud Brisson, Laura Zempel, Jack Cunningham, Daniel Martens, Lilly Wild

Starring | Brie Larson, Lewis Pullman, Aja Naomi King

Cameras | ARRI ALEXA Mini LF Camera

The Beekeeper (2024)

Motion Picture | 2D | 4K Project | Color | 105 Minutes

Directed by | David Ayer | Cinematography by | Gabriel Beristain | Editing by | Geoffrey O'Brien

Starring | Jason Statham, Emmy Raver-Lampman, Bobby Naderi

Cameras | ARRI Alexa 35 Camera

The Mission (1986)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 125 Minutes

Directed by | Roland Joffé | Cinematography by | Chris Menges | Editing by | Jim Clark

Starring | Robert De Niro, Jeremy Irons, Ray McAnally, Aidan Quinn

Cameras | ARRIFLEX 35 BL Camera

Lenses | Cooke Xtal Express Lenses

The Holdovers (2023)

Motion Picture | 2D | 2K Project | Color | 1.66:1 | 133 Minutes

Directed by | Alexander Payne | Cinematography by | Eigil Bryld | Editing by | Kevin Tent

Starring | Paul Giamatti, Da'Vine Joy Randolph, Dominic Sessa

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision H Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

The Meg (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 113 Minutes

Directed by | Jon Turteltaub | Cinematography by | Tom Stern | Editing by | Steven Kemper, Kelly Matsumoto

Starring | Jason Statham, Bingbing Li, Rainn Wilson

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Angenieux Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Society of the Snow (2023)

Motion Picture | 2D | 4K Project | Color | 2.55:1 | 144 Minutes

Directed by | J.A. Bayona | Cinematography by | Pedro Luque | Editing by | Andrés Gil, Jaume Martí

Starring | Enzo Vogrincic, Agustín Pardella, Matías Recalt

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses, Laowa 24 mm f/14 2X Macro Probe Lens, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

Dune (2021)

Motion Picture | 2D, 3D | 4K Project | Color | 1.43:1, 1.90:1, 2.39:1 | 155 Minutes

Directed by | Denis Villeneuve | Cinematography by | Greig Fraser | Editing by | Joe Walker

Starring | Timothée Chalamet, Rebecca Ferguson, Zendaya

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | Panavision H Series Lenses, Panavision Ultra Vista Series Lenses

Mid90s (2018)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 85 Minutes

Directed by | Jonah Hill | Cinematography by | Christopher Blauvelt | Editing by | Nick Houy

Starring | Sunny Suljic, Katherine Waterston, Lucas Hedges

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Super Speed Lenses

Creed II (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 130 Minutes

Directed by | Steven Caple Jr. | Cinematography by | Kramer Morgenthau | Editing by | Dana E. Glauberman, Saira Haider, Paul Harb

Starring | Michael B. Jordan, Sylvester Stallone, Tessa Thompson

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Panavision Lenses, Zeiss Master Prime Lenses

Overlord (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Julius Avery | Cinematography by | Laurie Rose, Fabian Wagner | Editing by | Matt Evans

Starring | Jovan Adepo, Wyatt Russell, Mathilde Ollivier

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Panavision T Series Anamorphic Lenses

Paddington 2 (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Paul King | Cinematography by | Erik Wilson | Editing by | Jonathan Amos, Mark Everson

Starring | Ben Whishaw, Hugh Grant, Hugh Bonneville

Cameras | ARRI ALEXA Series Cameras

The Hummingbird Project (2018)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 111 Minutes

Directed by | Kim Nguyen | Cinematography by | Nicolas Bolduc | Editing by | Nicolas Chaudeurge, Arthur Tarnowski

Starring | Jesse Eisenberg, Alexander Skarsgård, Salma Hayek

Cameras | ARRI ALEXA Mini Camera

Lenses | Hawk V-Lite Lenses

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