ARRI Cameras | 2118 Titles
Foxcatcher (2014)
Directed by | Bennett Miller | Cinematography by | Greig Fraser | Editing by | Jay Cassidy, Stuart Levy, Conor O'Neill
Last Passenger (2013)
Directed by | Omid Nooshin | Cinematography by | Angus Hudson | Editing by | Joe Walker
Cameras | ARRI ALEXA Plus Camera
Fuga de cerebros 2 (2011)
Directed by | Carlos Therón | Cinematography by | Antonio J. García | Editing by | Verónica Callón
Cameras | ARRI ALEXA Camera
Lenses | Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Compact Prime Lenses
Impávido (2012)
Directed by | Carlos Therón | Cinematography by | Antonio J. García | Editing by | Carlos Therón
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
The Giver (2014)
Directed by | Phillip Noyce | Cinematography by | Ross Emery | Editing by | Barry Alexander Brown
Cameras | ARRI ALEXA XT Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Lucy (2014)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Julien Rey
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens
The SpongeBob Movie: Sponge Out of Water (2015)
Directed by | Paul Tibbitt, Mike Mitchell | Cinematography by | Phil Meheux | Editing by | David Ian Salter
Cameras | ARRI ALEXA Camera
Million Dollar Arm (2014)
Directed by | Craig Gillespie | Cinematography by | Gyula Pados | Editing by | Tatiana S. Riegel
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses
Léon: The Professional (1994)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux HR Zoom Lenses, Technovision Lenses
Baloane de curcubeu (1982)
Directed by | Iosif Demian | Cinematography by | Valentin Popescu
Cameras | ARRIFLEX 35 IIC Camera
Lenses | Cooke Speed Panchro Lenses
Fargo (2014)
| Cinematography by | Dana Gonzales, Craig Wrobleski, Matthew J. Lloyd | Editing by | Regis Kimble, Skip Macdonald, Bridget Durnford, Curtis Thurber, Henk Van Eeghen, Andrew Seklir
Cameras | ARRI ALEXA Plus Camera
Selfie (2014)
Directed by | Cristina Jacob | Cinematography by | Viorel Sergovici | Editing by | Ovidiu Vacaru
Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark III Camera, GoPro HD Hero3 Camera, Red One MX Camera
The Heart Machine (2014)
Directed by | Zachary Wigon | Cinematography by | Robert Leitzell | Editing by | Ron Dulin, Louise Ford
Cameras | ARRI ALEXA Camera
Lenses | Cooke Varotal Lenses, Zeiss Lenses
Horrible Bosses 2 (2014)
Directed by | Sean Anders | Cinematography by | Julio Macat | Editing by | Eric Kissack
Cameras | ARRI ALEXA XT Camera
Lenses | Leitz Summilux-C Series Lenses
All About E (2015)
Directed by | Louise Wadley | Cinematography by | Justine Kerrigan | Editing by | Rowena Crowe
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
The Artist (2011) 
Directed by | Michel Hazanavicius | Cinematography by | Guillaume Schiffman | Editing by | Anne-Sophie Bion, Michel Hazanavicius
Cameras | ARRIFLEX 435 ES Camera
3 Days to Kill (2014)
Directed by | McG | Cinematography by | Thierry Arbogast | Editing by | Audrey Simonaud
Lenses | Technovision Lenses, Zeiss Super Speed Lenses
App (2013)
Directed by | Bobby Boermans | Cinematography by | Ezra Reverda | Editing by | Brian Ent
Cameras | ARRI ALEXA Plus Camera
Lenses | Zeiss Ultra Prime Lenses
A Long Way Down (2014)
Directed by | Pascal Chaumeil | Cinematography by | Ben Davis | Editing by | Chris Gill, Barney Pilling
Cameras | ARRI ALEXA Camera
Charlie Countryman (2013)
Directed by | Fredrik Bond | Cinematography by | Roman Vasyanov | Editing by | Hughes Winborne
Cameras | ARRI ALEXA Camera
