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ARRI Cameras | 2118 Titles

ARRI Cameras 3.78/5 9 Votes

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Ange et Gabrielle (2015)

Motion Picture | 2D | Color | 91 Minutes

Directed by | Anne Giafferi | Cinematography by | Stéphane Cami | Editing by | Christine Lucas Navarro

Starring | Isabelle Carré, Patrick Bruel, Alice de Lencquesaing, Thomas Solivérès

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

The Transporter Refueled (2015)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Camille Delamarre | Cinematography by | Christophe Collette, Vincent Richard | Editing by | Julien Rey

Starring | Ed Skrein, Loan Chabanol, Ray Stevenson, Lenn Kudrjawizki

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Recien cazado (2009)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Rene Bueno | Cinematography by | Alberto Lee | Editing by | Rene Bueno, Zeiddy Silva-Rios Viggiano

Starring | Jaime Camil, Gabriela Vergara, Ruben Zamora, Dino García

Cameras | ARRIFLEX Camera

Lenses | Zeiss Lenses

World Without End (2012)

Miniseries | 2D | Color | 374 Minutes

| Cinematography by | Denis Crossan | Editing by | István Király, Susan Maggi

Starring | Ben Chaplin, Charlotte Riley, Nora von Waldstätten, Oliver Jackson-Cohen

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Survivors (2008)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Alan Almond, Graham Frake, Nigel Willoughby, Fabian Wagner, Tony Miller, Adam Suschitzky | Editing by | David Rees, David Barrett, Steve Singleton, Tim Marchant, Beverley Mills, Roy Sharman

Starring | Julie Graham, Max Beesley, Paterson Joseph, Zoë Tapper

Cameras | ARRIFLEX Camera, ARRIFLEX D-21 Camera

Lenses | ARRI Lenses

La liste de mes envies (2014)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | Didier Le Pêcheur | Cinematography by | Myriam Vinocour | Editing by | Christine Lucas Navarro

Starring | Mathilde Seigner, Marc Lavoine, Virginie Hocq, Frédérique Bel

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Le ciel du centaure (2015)

Motion Picture | 2D | Color |

Directed by | Hugo Santiago | Cinematography by | Gustavo Biazzi | Editing by | Alejo Moguillansky

Starring | Malik Zidi, Romina Paula, Roly Serrano, Carlos Perciavalle

Cameras | ARRI ALEXA Camera, ARRI ALEXA Series Cameras

Lenses | Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens

Mais qui a re-tué Pamela Rose? (2012)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Olivier Baroux, Kad Merad | Cinematography by | Régis Blondeau | Editing by | Elodie Codaccioni

Starring | Kad Merad, Olivier Baroux, Omar Sy, Laurent Lafitte

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

L’homme qui rit (2012)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Jean-Pierre Améris | Cinematography by | Gérard Simon | Editing by | Philippe Bourgueil

Starring | Gérard Depardieu, Marc-André Grondin, Emmanuelle Seigner, Christa Théret

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Cloclo (2012)

Motion Picture | 2D | Color | 2.39:1 | 148 Minutes

Directed by | Florent-Emilio Siri | Cinematography by | Giovanni Fiore Coltellacci | Editing by | Olivier Gajan

Starring | Jérémie Renier, Benoît Magimel, Monica Scattini, Sabrina Seyvecou

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

600 kilos d’or pur (2010)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Éric Besnard | Cinematography by | Jean-Marie Dreujou | Editing by | Christophe Pinel

Starring | Clovis Cornillac, Audrey Dana, Patrick Chesnais, Claudio Santamaria

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Broj 55 (2014)

Motion Picture | 2D | Color | 90 Minutes

Directed by | Kristijan Milic | Cinematography by | Mirko Pivcevic | Editing by | Branko Schmidt, Veljko Segaric

Starring | Goran Bogdan, Alan Katic, Marko Cindric, Drazen Mikulic

Cameras | ARRI ALEXA Series Cameras

Fargo (1996)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | William H. Macy, Frances McDormand, Steve Buscemi, Peter Stormare

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Standard Speed Prime Lenses

Grace of Monaco (2014)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Olivier Dahan | Cinematography by | Eric Gautier | Editing by | Olivier Gajan

Starring | Nicole Kidman, Tim Roth, André Penvern, Frank Langella

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses

Penny Dreadful (2014)

Television Series | 2D | Color | 60 Minutes

| Cinematography by | John Conroy, Owen McPolin, Nigel Willoughby, P.J. Dillon, Xavi Giménez | Editing by | Michele Conroy, Christopher Donaldson, Geoff Ashenhurst, Aaron Marshall, Jaume Martí, Bernat Vilaplana, Gareth C. Scales

Starring | Josh Hartnett, Timothy Dalton, Eva Green, Reeve Carney

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Lenses, Cooke S4 Lenses

Enter the Dragon (1973)

Motion Picture | 2D | Color | 102 Minutes

Directed by | Robert Clouse | Cinematography by | Gil Hubbs | Editing by | Kurt Hirschler, George Watters, Peter Cheung

Starring | Bruce Lee, John Saxon, Jim Kelly, Ahna Capri

Cameras | ARRIFLEX 35 IIC Camera

Lenses | Angenieux Lenses

Hercules (2014)

Motion Picture | 3D | Color | 98 Minutes

Directed by | Brett Ratner | Cinematography by | Dante Spinotti | Editing by | Mark Helfrich, Julia Wong

Starring | Dwayne Johnson, John Hurt, Ian McShane, Joseph Fiennes

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Water Diviner (2014)

Motion Picture | 2D | Color | 111 Minutes

Directed by | Russell Crowe | Cinematography by | Andrew Lesnie | Editing by | Matt Villa

Starring | Russell Crowe, Olga Kurylenko, Jai Courtney, Isabel Lucas

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision Primo Anamorphic Lenses

The Hunger Games: Mockingjay – Part 2 (2015)

Motion Picture | 3D | Color | 2.39:1 | 137 Minutes

Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell, Mark Yoshikawa

Starring | Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Drop (2014)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Michaël R. Roskam | Cinematography by | Nicolas Karakatsanis | Editing by | Christopher Tellefsen

Starring | Tom Hardy, Noomi Rapace, James Gandolfini, Matthias Schoenaerts

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses | Leitz Summilux-C Series Lenses

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