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ARRI Cameras | 2118 Titles

ARRI Cameras 3.78/5 9 Votes

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Rosewater (2014)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Jon Stewart | Cinematography by | Bobby Bukowski | Editing by | Jay Rabinowitz

Starring | Gael García Bernal, Kim Bodnia, Dimitri Leonidas, Haluk Bilginer

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Ida (2013)

Motion Picture | 2D | Black & White | 1.33:1 (4x3) | 82 Minutes

Directed by | Pawel Pawlikowski | Cinematography by | Ryszard Lenczewski, Lukasz Zal | Editing by | Jaroslaw Kaminski

Starring | Agata Kulesza, Agata Trzebuchowska, Dawid Ogrodnik, Jerzy Trela

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Zeiss Ultra Prime Lenses

Le temps des aveux (2014)

Motion Picture | 2D | Color | 95 Minutes

Directed by | Régis Wargnier | Cinematography by | Renaud Chassaing | Editing by | Véronique Lange, Yann Malcor

Starring | Raphaël Personnaz, Phoeung Kompheak, Olivier Gourmet, Thanet Thorn

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Get on Up (2014)

Motion Picture | 2D | Color | 1.85:1 | 139 Minutes

Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Michael McCusker

Starring | Chadwick Boseman, Nelsan Ellis, Dan Aykroyd, Viola Davis

Cameras | ARRI ALEXA Camera, Canon EOS Rebel T3i camera, Canon EOS-C500 Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses

Calvary (2014)

Motion Picture | 2D | Color | 102 Minutes

Directed by | John Michael McDonagh | Cinematography by | Larry Smith | Editing by | Chris Gill

Starring | Brendan Gleeson, Chris O'Dowd, Kelly Reilly, Aidan Gillen

Cameras | ARRI ALEXA Series Cameras

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo Zoom Lenses

Cake (2014)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Daniel Barnz | Cinematography by | Rachel Morrison | Editing by | Kristina Boden, Michelle Harrison

Starring | Jennifer Aniston, Adriana Barraza, Anna Kendrick, Sam Worthington

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Big Eyes (2014)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Tim Burton | Cinematography by | Bruno Delbonnel | Editing by | JC Bond

Starring | Amy Adams, Christoph Waltz, Danny Huston, Krysten Ritter

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

American Sniper (2014)

Motion Picture | 2D | Color | 133 Minutes

Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach

Starring | Bradley Cooper, Sienna Miller, Kyle Gallner, Cole Konis

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Omar (2013)

Motion Picture | 2D | Color | 96 Minutes

Directed by | Hany Abu-Assad | Cinematography by | Ehab Assal | Editing by | Martin Brinkler, Eyas Salman

Starring | Adam Bakri, Leem Lubany, Eyad Hourani, Samer Bisharat

Cameras | ARRI ALEXA Camera

A Most Wanted Man (2014)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Anton Corbijn | Cinematography by | Benoît Delhomme | Editing by | Claire Simpson

Starring | Philip Seymour Hoffman, Rachel McAdams, Daniel Brühl, Robin Wright

Cameras | ARRI ALEXA M Camera

Lenses | Zeiss Super Speed Lenses

A Most Violent Year (2014)

Motion Picture | 2D | Color | 125 Minutes

Directed by | J.C. Chandor | Cinematography by | Bradford Young | Editing by | Ron Patane

Starring | Oscar Isaac, Jessica Chastain, David Oyelowo, Alessandro Nivola

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses

RED (2010)

Motion Picture | 2D | Color | 111 Minutes

Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Thom Noble

Starring | Bruce Willis, Helen Mirren, Morgan Freeman, Mary-Louise Parker

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses

Ping Pong Summer (2014)

Motion Picture | 2D | Color | 92 Minutes

Directed by | Michael Tully | Cinematography by | Wyatt Garfield | Editing by | Marc Vives

Starring | Marcello Conte, Judah Friedlander, Amy Sedaris, Lea Thompson

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Ultra 16 Lenses

Mr. Turner (2014)

Motion Picture | 2D | Color | 150 Minutes

Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jon Gregory

Starring | Timothy Spall, Paul Jesson, Dorothy Atkinson, Marion Bailey

Cameras | ARRI ALEXA Plus Camera, Canon EOS-C500 Camera

Lenses | Cooke Speed Panchro Lenses

Respire (2014)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

Directed by | Mélanie Laurent | Cinematography by | Arnaud Potier | Editing by | Guerric Catala

Starring | Joséphine Japy, Lou de Laâge, Isabelle Carré, Claire Keim

Cameras | ARRI ALEXA Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Canon K35 Prime Lenses

Les souvenirs (2014)

Motion Picture | 2D | Color | 92 Minutes

Directed by | Jean-Paul Rouve | Cinematography by | Christophe Offenstein | Editing by | Christel Dewynter

Starring | Michel Blanc, Annie Cordy, Mathieu Spinosi, Chantal Lauby

Cameras | ARRI ALEXA Series Cameras

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

La belle saison (2015)

Motion Picture | 2D | Color | 105 Minutes

Directed by | Catherine Corsini | Cinematography by | Jeanne Lapoirie | Editing by | Frédéric Baillehaiche

Starring | Cécile de France, Izïa Higelin, Noémie Lvovsky, Jean-Henri Compère

Cameras | ARRI ALEXA Series Cameras

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

L’effet aquatique (2016)

Motion Picture | 2D | Color | 83 Minutes

Directed by | Sólveig Anspach, Jean-Luc Gaget | Cinematography by | Isabelle Razavet | Editing by | Anne Riegel

Starring | Samir Guesmi, Florence Loiret Caille, Didda Jónsdóttir, Philippe Rebbot

Cameras | ARRI ALEXA Series Cameras

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Et ta soeur (2015)

Motion Picture | 2D | Color | 95 Minutes

Directed by | Marion Vernoux | Cinematography by | Nicolas Gaurin | Editing by | Guerric Catala

Starring | Virginie Efira, Géraldine Nakache, Grégoire Ludig, Mélanie Malhère

Cameras | ARRI AMIRA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses

La dernière leçon (2015)

Motion Picture | 2D | Color | 105 Minutes

Directed by | Pascale Pouzadoux | Cinematography by | Nicolas Brunet | Editing by | Sylvie Gadmer

Starring | Marthe Villalonga, Sandrine Bonnaire, Antoine Duléry, Gilles Cohen

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens

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