ARRI Cameras | 2118 Titles
Making Up! (1993)
Directed by | Katja von Garnier | Cinematography by | Torsten Breuer | Editing by | Katja von Garnier
Cameras | ARRIFLEX 16SR3 Camera
The Shawshank Redemption (1994)
Directed by | Frank Darabont | Cinematography by | Roger Deakins | Editing by | Richard Francis-Bruce
Cameras | ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera
Lenses | ARRI / Zeiss Lenses
Frida (2002)
Directed by | Julie Taymor | Cinematography by | Rodrigo Prieto | Editing by | Françoise Bonnot
Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses | Zeiss Ultra Prime Lenses
X-Men Origins: Wolverine (2009)
Directed by | Gavin Hood | Cinematography by | Donald McAlpine | Editing by | Nicolas De Toth, Megan Gill
33 Days (2012)
Directed by | Jamal Shoorje | Cinematography by | Turaj Mansuri | Editing by | Hassan Ayoubi
Cameras | ARRIFLEX Camera
Lenses | ARRI / Zeiss Lenses
Machine Gun Preacher (2011)
Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens
Green Lantern (2011)
Directed by | Martin Campbell | Cinematography by | Dion Beebe | Editing by | Stuart Baird
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
El Mariachi (1992)
Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | ARRIFLEX 16S Camera
House of Flying Daggers (2004)
Directed by | Yimou Zhang | Cinematography by | Xiaoding Zhao | Editing by | Long Cheng
Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera
Lenses | Cooke Lenses, Zeiss Lenses
Andre (1994)
Directed by | George Miller | Cinematography by | Thomas Burstyn | Editing by | Harry Hitner, Patrick Kennedy
Cameras | ARRIFLEX 535 Camera
Lenses | Clairmont Anamorphic Lenses
Limitless (2011)
Directed by | Neil Burger | Cinematography by | Jo Willems | Editing by | Tracy Adams, Naomi Geraghty
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses | Cooke S4 Lenses
April’s Fool (2001)
Directed by | Paul Geiger | Cinematography by | Jeff Barklage | Editing by | Paul Geiger
Cameras | ARRI Cameras
City Unplugged (1993)
Directed by | Ilkka Järvi-Laturi | Cinematography by | Rein Kotov | Editing by | Christopher Tellefsen
Cameras | ARRIFLEX Camera
Lenses | ARRI / Zeiss Lenses
Pars vite et reviens tard (2007)
Directed by | Régis Wargnier | Cinematography by | Laurent Dailland | Editing by | Yann Malcor
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Brokeback Mountain (2005)
Directed by | Ang Lee | Cinematography by | Rodrigo Prieto | Editing by | Geraldine Peroni, Dylan Tichenor
Lenses | Cooke S4 Lenses
Tower Heist (2011)
A Better Life (2011)
Directed by | Chris Weitz | Cinematography by | Javier Aguirresarobe | Editing by | Peter Lambert
Cameras | ARRICAM Lite (LT) Camera
2 Days in New York (2012)
Directed by | Julie Delpy | Cinematography by | Lubomir Bakchev | Editing by | Isabelle Devinck
Cameras | ARRI ALEXA Camera, Sony HDW-750 Camera
Oldeuboi (2003)
Directed by | Chan-wook Park | Cinematography by | Chung-hoon Chung | Editing by | Sang-beom Kim
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Madea’s Witness Protection (2012)
Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy
Cameras | ARRI ALEXA Camera
Lenses | Panavision Primo Anamorphic Lenses
