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ARRI ALEXA Series Cameras | 910 Titles

ARRI ALEXA Series Cameras 4.75/5 8 Votes

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El hombre de las mil caras (2016)

Motion Picture | 2D | Color | 123 Minutes

Directed by | Alberto Rodríguez | Cinematography by | Alex Catalán | Editing by | José M. G. Moyano

Starring | Jose Coronado, Eduard Fernández, Miquel García Borda, Santiago Molero

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Canon CN-E 30-300 mm T2.95 Lens, Zeiss Master Prime Lenses

Exposed (2016)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Gee Malik Linton | Cinematography by | Trevor Forrest | Editing by | Melody London

Starring | Ana de Armas, Keanu Reeves, Christopher McDonald, Mira Sorvino

Cameras | ARRI ALEXA Camera

Arrival (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Denis Villeneuve | Cinematography by | Bradford Young | Editing by | Joe Walker

Starring | Amy Adams, Jeremy Renner, Forest Whitaker

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses | CamTec Vintage Series Ultra Prime Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses

The Boy (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 97 Minutes

Directed by | William Brent Bell | Cinematography by | Daniel Pearl | Editing by | Brian Berdan

Starring | Lauren Cohan, Rupert Evans, James Russell, Jim Norton

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Hawk Vantage One Lenses

Tenemos que hablar (2016)

Motion Picture | 2D | Color | 91 Minutes

Directed by | David Serrano | Cinematography by | Juan Carlos Gómez | Editing by | Alberto de Toro

Starring | Belén Cuesta, Carla Diego, Verónica Forqué, Luis Jaspe

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Cooke S4/i Lenses

Miss Sloane (2016)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 132 Minutes

Directed by | John Madden | Cinematography by | Sebastian Blenkov | Editing by | Alexander Berner

Starring | Jessica Chastain, Mark Strong, Gugu Mbatha-Raw

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Cooke S4/i Lenses

All I See Is You (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Marc Forster | Cinematography by | Matthias Koenigswieser | Editing by | Hughes Winborne

Starring | Blake Lively, Jason Clarke, Ahna O'Reilly

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision G Series Anamorphic Lenses

Jason Bourne (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse

Starring | Matt Damon, Tommy Lee Jones, Alicia Vikander, Vincent Cassel

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Risen (2016)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Kevin Reynolds | Cinematography by | Lorenzo Senatore | Editing by | Steve Mirkovich

Starring | Joseph Fiennes, Tom Felton, Peter Firth, Cliff Curtis

Cameras | ARRI ALEXA Camera

Zoolander 2 (2016)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Zoolander 2 | ShotOnWhat?

Directed by | Ben Stiller | Cinematography by | Dan Mindel | Editing by | Greg Hayden

Starring | Ben Stiller, Owen Wilson, Penélope Cruz, Will Ferrell

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Two Lovers and a Bear (2016)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Kim Nguyen | Cinematography by | Nicolas Bolduc | Editing by | Richard Comeau

Starring | Dane DeHaan, Tatiana Maslany, Joel Gagne, Gordon Pinsent

Cameras | ARRI ALEXA XT Camera

Florence Foster Jenkins (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 111 Minutes

Directed by | Stephen Frears | Cinematography by | Danny Cohen | Editing by | Valerio Bonelli

Starring | Meryl Streep, Hugh Grant, Simon Helberg, Rebecca Ferguson

Cameras | ARRI ALEXA XT Camera

A Cure for Wellness (2016)

Motion Picture | 2D | 2K Project | Color | 1.66:1, 1.78:1 (16x9) | 146 Minutes

Directed by | Gore Verbinski | Cinematography by | Bojan Bazelli | Editing by | Pete Beaudreau, Lance Pereira

Starring | Dane DeHaan, Jason Isaacs, Mia Goth

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses | Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Batman v Superman: Dawn of Justice (2016)

Motion Picture | 2D, 3D | 4K Project | Color | 1.44:1, 1.78:1 (16x9), 2.39:1 | 151 Minutes

Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | David Brenner

Starring | Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg

Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Designated Survivor (2016)

Television Series | 2D | Color | 60 Minutes

| Cinematography by | Jeffrey C. Mygatt, Michael Storey, Adam Suschitzky, Cort Fey, Colin Hoult, Darran Tiernan, M. David Mullen, David A. Harp, Michael McMurray | Editing by | Damien Smith, Charissa Sanjarernsuithikul, Ned Bastille, Pamela Malouf, David Beatty, John L. Roberts, Michael Schweitzer, James Coblentz, Monty DeGraff, Jennifer Van Goethem, Roy C. Poole, Bryan Darling

Starring | Kiefer Sutherland, Adan Canto, Italia Ricci, Kal Penn

Cameras | ARRI ALEXA LF Camera

Glamour Dolls (2016)

Motion Picture | 2D | Color | 2.35:1 | 95 Minutes

Directed by | John De Luca | Cinematography by | Graham Martyr | Editing by | Dominick Gallagher, Paul Lumsden

Starring |

Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark II Camera, Red One MX Camera

Lenses | Zeiss Lenses, Zeiss Super Speed Lenses

Eddie the Eagle (2015)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Dexter Fletcher | Cinematography by | George Richmond | Editing by | Martin Walsh

Starring | Taron Egerton, Hugh Jackman, Tom Costello, Jo Hartley

Cameras | ARRI ALEXA XT Camera, IO Industries Flare 2KSDI Camera, Red Epic Dragon Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

How to Be Single (2016)

Motion Picture | 2D | Color | 110 Minutes

Directed by | Christian Ditter | Cinematography by | Christian Rein | Editing by | Tia Nolan

Starring | Dakota Johnson, Rebel Wilson, Leslie Mann, Alison Brie

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Dirty Grandpa (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | Dan Mazer | Cinematography by | Eric Alan Edwards | Editing by | Anne McCabe

Starring | Robert De Niro, Zac Efron, Zoey Deutch, Aubrey Plaza

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Cooke S4 Lenses

Manchester by the Sea (2016)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 137 Minutes

Directed by | Kenneth Lonergan | Cinematography by | Jody Lee Lipes | Editing by | Jennifer Lame

Starring | Casey Affleck, Michelle Williams, Kyle Chandler, Lucas Hedges

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Lenses, Canon K35 Prime Lenses

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