ARRI ALEXA Series Cameras | 910 Titles
American Honey (2016)
Directed by | Andrea Arnold | Cinematography by | Robbie Ryan | Editing by | Joe Bini
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera
Ice (2016)
| Cinematography by | Robert Aschmann, Christos Bitsakos, Maz Makhani | Editing by | Lisa Binkley, Stein Myhrstad, Jamie Alain, Daria Ellerman, Luis Carballar, William Paley, Adina Moore
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic 44-440 mm A2S T4.5 Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens, Zeiss Master Prime Lenses
The Jungle Book (2016)
Directed by | Jon Favreau | Cinematography by | Bill Pope | Editing by | Adam Gerstel, Mark Livolsi
Cameras | ARRI ALEXA XT M Camera
Queen of the South (2016)
| Cinematography by | Abraham Martinez, John Brawley, Cameron Duncan, Alejandro Martínez | Editing by | Matthew Philip Smith, Priscilla Nedd-Friendly, Briana London, Juan Carlos Garza, Philip Carr Neel, Nicole Brik, Amy M. Fleming, Betsy C. Thompson, Harvey Rosenstock, Benjamin Howdeshell
Cameras | ARRI ALEXA Mini Camera, Blackmagic Design Cameras
Lenses | Panavision PVintage 100 mm T1.6 Lens, Panavision PVintage 14 mm T1.9 Lens, Panavision PVintage 17 mm T1.9 Lens, Panavision PVintage 24 mm T1.2 Lens, Panavision PVintage 29 mm T1.2 Lens, Panavision PVintage 35 mm T1.6 Lens, Panavision PVintage 40 mm T1.3 Lens, Panavision PVintage 50 mm T1.0 Lens, Panavision PVintage 75 mm T1.6 Lens
Term Life (2016)
Directed by | Peter Billingsley | Cinematography by | Roberto Schaefer | Editing by | Dan Lebental, Kevin Stermer
Cameras | ARRI ALEXA Camera, Red Epic Dragon Camera
Everybody Wants Some!! (2016)
Directed by | Richard Linklater | Cinematography by | Shane F. Kelly | Editing by | Sandra Adair
Cameras | ARRI ALEXA Camera
The Veil (2016)
Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens
The BFG (2016)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | ARRI ALEXA XT Series Cameras
Legends of the Hidden Temple: The Movie (2016)
Directed by | Joe Menendez | Cinematography by | Tom Harting | Editing by | Damon Fecht
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera
Lenses | Panavision Lenses, Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens
Swiss Army Man (2016)
Directed by | Daniel Kwan, Daniel Scheinert | Cinematography by | Larkin Seiple | Editing by | Matthew Hannam
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Phantom Flex4K Camera, Red Epic Dragon Camera, Sony PMW-EX3 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke Anamorphic Lenses, Cooke S4/i Lenses, Cooke Xtal Express Lenses, Zeiss Super Speed Lenses
Yarden (2016)
Directed by | Måns Månsson | Cinematography by | Ita Zbroniec-Zajt | Editing by | George Cragg
Cameras | ARRI ALEXA Camera
Hands of Stone (2016)
Directed by | Jonathan Jakubowicz | Cinematography by | M.I. Littin-Menz | Editing by | Ethan Maniquis
Cameras | ARRI ALEXA Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Castle (2009)
| Cinematography by | Bill Roe, Daryn Okada, James L. Carter, Stephen Collins, Dave Perkal, Steve Mason, Roger Simonsz, Michael Slovis | Editing by | Warren Bowman, David Latham, Marta Evry, Orlando Machado Jr., Neil Felder, Dennis Virkler, Edward A. Warschilka, Sue Blainey, Amy McGrath, Jeff Freeman, Mark Manos, Jack Colwell, John Axness, Philip Fowler, Byron Smith
The Forest (2016)
Directed by | Jason Zada | Cinematography by | Mattias Troelstrup | Editing by | Jim Flynn
Cameras | ARRI ALEXA XT Plus Camera
Everybody Happy (2016)
Directed by | Nic Balthazar | Cinematography by | Robrecht Heyvaert | Editing by | Philippe Ravoet
Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Camera, ARRI AMIRA Camera, Blackmagic Pocket Cinema Camera
Lenses | ARRI Lenses, Canon Lenses
The Night of the Virgin (2016)
Directed by | Roberto San Sebastián | Cinematography by | Adrián Hernández | Editing by | Ibon Belandia
Cameras | ARRI ALEXA Camera, Sony PXW-FS7 Camera
Passengers (2016)
Directed by | Morten Tyldum | Cinematography by | Rodrigo Prieto | Editing by | Maryann Brandon
Cameras | ARRI ALEXA 65 Camera
Lenses | Panavision Primo 70 Lenses
Captain America: Civil War (2016)
Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt
Cameras | ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses
Neighbors 2: Sorority Rising (2016)
Directed by | Nicholas Stoller | Cinematography by | Brandon Trost | Editing by | Zene Baker, Michael A. Webber
Cameras | ARRI ALEXA XT Plus Camera
Triple 9 (2016)
Directed by | John Hillcoat | Cinematography by | Nicolas Karakatsanis | Editing by | Dylan Tichenor
