Spherical Camera Aperture | 1217 Titles
Jin ling shi san chai (2011)
Directed by | Yimou Zhang | Cinematography by | Xiaoding Zhao | Editing by | Peicong Meng
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
The Eagle (2011)
Directed by | Kevin Macdonald | Cinematography by | Anthony Dod Mantle | Editing by | Justine Wright
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Neighboring Sounds (2012)
Directed by | Kleber Mendonça Filho | Cinematography by | Pedro Sotero, Fabricio Tadeu | Editing by | João Maria, Kleber Mendonça Filho
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses
Anacondas: The Hunt for the Blood Orchid (2004)
Directed by | Dwight H. Little | Cinematography by | Stephen F. Windon | Editing by | Marcus D'Arcy, Mark Warner
Lenses | Zeiss Ultra Prime Lenses
The Young Victoria (2009)
Directed by | Jean-Marc Vallée | Cinematography by | Hagen Bogdanski | Editing by | Jill Bilcock, Matt Garner
Lenses | Zeiss Ultra Prime Lenses
You Can Count on Me (2000)
Directed by | Kenneth Lonergan | Cinematography by | Stephen Kazmierski | Editing by | Anne McCabe
Cameras | Panavision Cameras
Lenses | Panavision Lenses
All I Wanna Do (1998)
Directed by | Sarah Kernochan | Cinematography by | Tony C. Jannelli | Editing by | Anita Brandt Burgoyne, Peter C. Frank
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Wind That Shakes the Barley (2006)
Directed by | Ken Loach | Cinematography by | Barry Ackroyd | Editing by | Jonathan Morris
Lenses | Zeiss Ultra Prime Lenses
A Little Bit of Heaven (2011)
Directed by | Nicole Kassell | Cinematography by | Russell Carpenter | Editing by | Stephen A. Rotter
Pan’s Labyrinth (2006)
Directed by | Guillermo del Toro | Cinematography by | Guillermo Navarro | Editing by | Bernat Vilaplana
Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera
Revolutionary Road (2008)
Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Tariq Anwar
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
Around the World in 80 Days (2004)
Directed by | Frank Coraci | Cinematography by | Phil Meheux | Editing by | Tom Lewis
Cameras | Panavision Panaflex Gold II Camera
Vanilla Sky (2001)
Directed by | Cameron Crowe | Cinematography by | John Toll | Editing by | Joe Hutshing, Mark Livolsi
Cameras | Panavision Panaflex Gold Camera
The Hurricane (1999)
Directed by | Norman Jewison | Cinematography by | Roger Deakins | Editing by | Stephen E. Rivkin
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Lenses | Cooke S4 Lenses
Catchfire (1990)
Directed by | Dennis Hopper, Alan Smithee | Cinematography by | Edward Lachman | Editing by | David Rawlins
Cameras | Cinerama Camera, Moviecam Cameras
A Dog of Flanders (1999)
Directed by | Kevin Brodie | Cinematography by | Walther van den Ende | Editing by | Annamaria Szanto
Cameras | ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera
Men in Black II (2002)
Directed by | Barry Sonnenfeld | Cinematography by | Greg Gardiner | Editing by | Richard Pearson, Steven Weisberg
Dead Again (1991)
Directed by | Kenneth Branagh | Cinematography by | Matthew F. Leonetti | Editing by | Peter E. Berger
Cameras | Ultracam 35 Camera
Lenses | Cooke Lenses
Elizabeth (1998)
Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
10 Things I Hate About You (1999)
Directed by | Gil Junger | Cinematography by | Mark Irwin | Editing by | O. Nicholas Brown
Cameras | Moviecam Compact Camera
