Spherical Camera Aperture | 1217 Titles
The Motorcycle Diaries (2004)
Directed by | Walter Salles | Cinematography by | Eric Gautier | Editing by | Daniel Rezende
Cameras | Aaton 35-III Camera, Aaton XTR Prod Camera
Lenses | Angenieux Lenses, Canon Lenses, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses
Being John Malkovich (1999)
Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | Eric Zumbrunnen
Lenses | Cooke S4 Lenses
One Day (2011)
Directed by | Lone Scherfig | Cinematography by | Benoît Delhomme | Editing by | Barney Pilling
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses
The Expendables 2 (2012)
All About Steve (2009)
Directed by | Phil Traill | Cinematography by | Tim Suhrstedt | Editing by | Rod Dean, Virginia Katz
Cameras | Panavision Cameras
Vampires Suck (2010)
Directed by | Jason Friedberg, Aaron Seltzer | Cinematography by | Shawn Maurer | Editing by | Peck Prior
Cameras | Moviecam Compact Camera
The Cold Light of Day (2012)
Directed by | Mabrouk El Mechri | Cinematography by | Remi Adefarasin | Editing by | Valerio Bonelli
Cameras | ARRIFLEX 435 Camera
Harry Potter and the Sorcerer’s Stone (2001)
Directed by | Chris Columbus | Cinematography by | John Seale | Editing by | Richard Francis-Bruce
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Quills (2000)
Directed by | Philip Kaufman | Cinematography by | Rogier Stoffers | Editing by | Peter Boyle
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Kiss of Death (1997)
Directed by | Andrei Feher | Cinematography by | Massimo Zeri
Cameras | ARRI ARRIFLEX Series Cameras
Don’t Tell (2005)
Directed by | Cristina Comencini | Cinematography by | Fabio Cianchetti | Editing by | Cecilia Zanuso
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Steal Big Steal Little (1995)
Alien: Resurrection (1997)
Music and Lyrics (2007)
Directed by | Marc Lawrence | Cinematography by | Xavier Grobet | Editing by | Susan E. Morse
Cameras | ARRI Cameras
Lenses | Zeiss Lenses
Sweet and Lowdown (1999)
Directed by | Woody Allen | Cinematography by | Fei Zhao | Editing by | Alisa Lepselter
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Dumb & Dumber (1994)
Directed by | Peter Farrelly, Bobby Farrelly | Cinematography by | Mark Irwin | Editing by | Christopher Greenbury
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Amistad (1997)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Panaflex Platinum Camera
Lenses | Zeiss Super Speed Lenses
Jo sok (2005)
Directed by | Tung-Shing Yee | Cinematography by | Kwok-Man Keung | Editing by | Chi-Leung Kwong
Cameras | ARRIFLEX 535 B Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Abominable (2006)
Directed by | Ryan Schifrin | Cinematography by | Neal Fredericks | Editing by | Chris Conlee
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
44 Inch Chest (2009)
Directed by | Malcolm Venville | Cinematography by | Daniel Landin | Editing by | Rick Russell
Cameras | ARRICAM Lite (LT) Camera
