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TODD-AO Audio Facility | 24 Titles

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The Prestige (2006)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 130 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Hugh Jackman, Scarlett Johansson, Michael Caine

Cameras | Panavision Panaflex Millennium XL2 Camera, Spacecam Aerial Cameras

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Star Wars: Episode I – The Phantom Menace (1999)

Motion Picture | 2D, 3D | Color | 1.90:1, 2.39:1 | 136 Minutes

Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, Paul Martin Smith

Starring | Ewan McGregor, Liam Neeson, Natalie Portman, Jake Lloyd

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses | Hawk C-Series Lenses

Cabaret (1972)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Directed by | Bob Fosse | Cinematography by | Geoffrey Unsworth | Editing by | David Bretherton

Starring | Liza Minnelli, Michael York, Helmut Griem, Joel Grey

Schindler’s List (1993)

Motion Picture | 2D | Film Project | Black & White, Color | 1.85:1 | 195 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Liam Neeson, Ralph Fiennes, Ben Kingsley, Caroline Goodall

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Chitty Chitty Bang Bang (1968)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 144 Minutes

Directed by | Ken Hughes | Cinematography by | Christopher Challis | Editing by | John Shirley

Starring | Dick Van Dyke, Sally Ann Howes, Lionel Jeffries, Benny Hill

Cameras | Super Panavision-70 Camera

End of Days (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 122 Minutes

Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Jeff Gullo, Steven Kemper

Starring | Arnold Schwarzenegger, Gabriel Byrne, Robin Tunney, Kevin Pollak

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Crash (2004)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Paul Haggis | Cinematography by | James M. Muro | Editing by | Hughes Winborne

Starring | Don Cheadle, Sandra Bullock, Thandiwe Newton, Karina Arroyave

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Super Speed Lenses

Last Vegas (2013)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Jon Turteltaub | Cinematography by | David Hennings | Editing by | David Rennie

Starring | Robert De Niro, Michael Douglas, Morgan Freeman, Kevin Kline

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Heat (2013)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Jay Deuby, Brent White

Starring | Sandra Bullock, Michael McDonald, Melissa McCarthy, Demián Bichir

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Road to Perdition (2002)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Jill Bilcock

Starring | Tom Hanks, Tyler Hoechlin, Rob Maxey, Liam Aiken

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

21 Grams (2003)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione

Starring | Sean Penn, Benicio Del Toro, Naomi Watts, Danny Huston

Cameras | Moviecam Superlight Camera

Lenses | Zeiss Ultra Prime Lenses

Monster (2003)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Patty Jenkins | Cinematography by | Steven Bernstein | Editing by | Arthur Coburn, Jane Kurson

Starring | Charlize Theron, Christina Ricci, Bruce Dern, Lee Tergesen

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Youth in Revolt (2009)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Miguel Arteta | Cinematography by | Chuy Chávez | Editing by | Andy Keir, Pamela Martin

Starring | Michael Cera, Portia Doubleday, Ray Liotta, Jean Smart

Cameras | Phantom HD Camera, Sony CineAlta F35 Camera

London Boulevard (2010)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | William Monahan | Cinematography by | Chris Menges | Editing by | Dody Dorn, Robb Sullivan

Starring | Colin Farrell, Keira Knightley, Ray Winstone, David Thewlis

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Crank: High Voltage (2009)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Brandon Trost | Editing by | Marc Jakubowicz, Fernando Villena

Starring | Jason Statham, Amy Smart, Clifton Collins Jr., Dwight Yoakam

Cameras | Canon VIXIA HF10 Camera, Canon XH A1 Camera, Sony PMW-EX1 Camera

About Schmidt (2002)

Motion Picture | 2D | Color | 1.85:1 | 125 Minutes

Directed by | Alexander Payne | Cinematography by | James Glennon | Editing by | Kevin Tent

Starring | Jack Nicholson, Hope Davis, Dermot Mulroney, Kathy Bates

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Primes Spherical Lenses

End of Watch (2012)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 109 Minutes

Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Dody Dorn

Starring | Jake Gyllenhaal, Michael Peña, Anna Kendrick, America Ferrera

Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon XA10 Camera, GoPro HD Hero Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses | Canon Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Saving Private Ryan (1998)

Motion Picture | 2D | Color | 1.85:1 | 169 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Hanks, Matt Damon, Tom Sizemore, Edward Burns

Cameras | Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

180º (2010)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Fernando Kalife | Cinematography by | Eduardo Flores Torres | Editing by | Joel T. Pashby, Hughes Winborne

Starring | Manuel Garcia-Rulfo, Elizabeth Valdez, Eduardo Blanco, Rodrigo Cachero

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Apollo 18 (2011)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3), 1.85:1 | 86 Minutes

Directed by | Gonzalo López-Gallego | Cinematography by | José David Montero | Editing by | Patrick Lussier

Starring | Warren Christie, Lloyd Owen, Ryan Robbins, Michael Kopsa

Cameras | ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera

Lenses | Panavision Primo Digital Lenses

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