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Step Up (2006)

Motion Picture | 2D | Color | 2.35:1 | 104 Minutes

Step Up | ShotOnWhat?

Directed by | Anne Fletcher | Cinematography by | Michael Seresin | Editing by | Nancy Richardson

Starring | Channing Tatum, Jenna Dewan, Damaine Radcliff, De'Shawn Washington

Cameras | ARRICAM Studio (ST) Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Lincoln (2012)

Motion Picture | 2D | Color | 2.39:1 | 150 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Daniel Day-Lewis, Sally Field, David Strathairn, Joseph Gordon-Levitt

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Inner City Snow (2009)

Direct to Video | 2D | HD Project | Color | 138 Minutes

Directed by | Bryan Martin | Cinematography by | Chris Leplus, Victor Lou | Editing by | Bryan Martin

Starring | Richard Tyson, Debronna Mainor, Asia Hicks, Bennett Sanders

Cameras | Arritechno 35 Camera, Éclair EX16 Camera

Lenses | Canon Lenses

Transformers: Revenge of the Fallen (2009)

Motion Picture | 2D | 2K Project | Color | 1.44:1, 2.39:1 | 150 Minutes

Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Starring | Shia LaBeouf, Megan Fox, Josh Duhamel, Tyrese Gibson

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Far from Heaven (2002)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | James Lyons

Starring | Julianne Moore, Dennis Quaid, Dennis Haysbert, Patricia Clarkson

Cameras | Moviecam Compact Camera

Lenses | Cooke S4 Lenses, Cooke Speed Panchro Lenses

Like Crazy (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 86 Minutes

Like Crazy | ShotOnWhat?

Directed by | Drake Doremus | Cinematography by | John Guleserian | Editing by | Jonathan Alberts

Starring | Felicity Jones, Anton Yelchin, Jennifer Lawrence, Charlie Bewley

Cameras | Canon EOS-7D Camera

Lenses | Zeiss Ultra Prime Lenses

Captain America: The First Avenger (2011)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford

Starring | Chris Evans, Hugo Weaving, Samuel L. Jackson, Hayley Atwell

Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Friends with Kids (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9), 1.85:1 | 107 Minutes

Friends with Kids | ShotOnWhat?

Directed by | Jennifer Westfeldt | Cinematography by | William Rexer | Editing by | Tara Timpone

Starring | Jennifer Westfeldt, Adam Scott, Maya Rudolph, Chris O'Dowd

Cameras | ARRI ALEXA Camera

Lenses | Cooke S4 Lenses

Lost Highway (1997)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | David Lynch | Cinematography by | Peter Deming | Editing by | Mary Sweeney

Starring | Bill Pullman, Patricia Arquette, John Roselius, Louis Eppolito

Cameras | Mitchell Cameras, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Rush Hour 2 (2001)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Brett Ratner | Cinematography by | Matthew F. Leonetti | Editing by | Mark Helfrich, Robert K. Lambert

Starring | Jackie Chan, Chris Tucker, John Lone, Ziyi Zhang

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Heathers (1988)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Heathers | ShotOnWhat?

Directed by | Michael Lehmann | Cinematography by | Francis Kenny | Editing by | Norman Hollyn

Starring | Winona Ryder, Christian Slater, Shannen Doherty, Lisanne Falk

Let Me In (2010)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Let Me In | ShotOnWhat?

Directed by | Matt Reeves | Cinematography by | Greig Fraser | Editing by | Stan Salfas

Starring | Kodi Smit-McPhee, Chloë Grace Moretz, Richard Jenkins, Cara Buono

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

A Nightmare on Elm Street (2010)

Motion Picture | 2D | Color | 95 Minutes

A Nightmare on Elm Street | ShotOnWhat?

Directed by | Samuel Bayer | Cinematography by | Jeff Cutter | Editing by | Glen Scantlebury

Starring | Jackie Earle Haley, Rooney Mara, Kyle Gallner, Katie Cassidy

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Descendants (2011)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent

Starring | George Clooney, Shailene Woodley, Amara Miller, Nick Krause

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Hearat Shulayim (2011)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Joseph Cedar | Cinematography by | Yaron Scharf | Editing by | Einat Glaser-Zarhin

Starring | Shlomo Bar-Aba, Lior Ashkenazi, Aliza Rosen, Alma Zack

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera

Lenses | Canon Lenses, Cine Magic Cinewand Lenses, Zeiss Ultra Prime Lenses

Burn After Reading (2008)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Emmanuel Lubezki | Editing by | Ethan Coen, Joel Coen

Starring | Brad Pitt, Frances McDormand, George Clooney, John Malkovich

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

A Dangerous Method (2011)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders

Starring | Michael Fassbender, Keira Knightley, Viggo Mortensen, Vincent Cassel

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Cooke S4 Lenses

The Bourne Ultimatum (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Christopher Rouse

Starring | Matt Damon, Edgar Ramírez, Joan Allen, Julia Stiles

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Beasts of the Southern Wild (2012)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Benh Zeitlin | Cinematography by | Ben Richardson | Editing by | Crockett Doob, Affonso Gonçalves

Starring | Quvenzhané Wallis, Dwight Henry, Levy Easterly, Lowell Landes

Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Camera

Lenses | Zeiss Super Speed Lenses

The Happening (2008)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

The Happening | ShotOnWhat?

Directed by | M. Night Shyamalan | Cinematography by | Tak Fujimoto | Editing by | Conrad Buff IV

Starring | Mark Wahlberg, Zooey Deschanel, John Leguizamo, Ashlyn Sanchez

Cameras | Panavision Cameras

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