Video | 487 Titles
Deliver Us from Evil (2006)
Directed by | Amy Berg | Cinematography by | Jacob Kusk, Jens Schlosser | Editing by | Matthew Cooke
Cameras | Sony HVR-Z1E Camera
Just Go with It (2011)
Directed by | Dennis Dugan | Cinematography by | Theo van de Sande | Editing by | Tom Costain
Cameras | ARRIFLEX 435 ES Camera, Sony CineAlta F35 Camera
Lenses | Panavision Primo Anamorphic Lenses
District 9 (2009)
Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke
Cameras | Phantom HD Gold Camera, Red One Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera
Lenses | Angenieux Lenses, Cooke S4 Lenses
Max Payne (2008)
Directed by | John Moore | Cinematography by | Jonathan Sela | Editing by | Dan Zimmerman
Cameras | ARRIFLEX 435 Camera, Phantom HD Camera
Lenses | Cooke S4 Lenses
The Bourne Legacy (2012)
Directed by | Tony Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Get Smart (2008)
Directed by | Peter Segal | Cinematography by | Dean Semler | Editing by | Richard Pearson
Lenses | Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
ParaNorman (2012)
Directed by | Chris Butler, Sam Fell | Cinematography by | Tristan Oliver | Editing by | Christopher Murrie
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon Tilt-Shift Lenses, Cooke Varotal Lenses
American Splendor (2003)
Directed by | Shari Springer Berman, Robert Pulcini | Cinematography by | Terry Stacey | Editing by | Robert Pulcini
Lake Mungo (2008)
Pina (2011)
Directed by | Wim Wenders | Cinematography by | Hélène Louvart, Jörg Widmer | Editing by | Toni Froschhammer
Lenses | Zeiss DigiPrime Lenses
Akeelah and the Bee (2006)
Directed by | Doug Atchison | Cinematography by | M. David Mullen | Editing by | Glenn Farr
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Sony HDW-F900 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Slant Focus Lenses
Tiny Furniture (2010)
Directed by | Lena Dunham | Cinematography by | Jody Lee Lipes | Editing by | Lance Edmands
Cameras | Canon EOS-7D Camera
Margin Call (2011)
The Iceman (2012)
Directed by | Ariel Vromen | Cinematography by | Bobby Bukowski | Editing by | Danny Rafic
Cameras | ARRI ALEXA Plus Camera, Canon EOS-7D Camera
The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (2003)
Directed by | Errol Morris | Cinematography by | Robert Chappell, Peter Donahue | Editing by | Doug Abel, Chyld King, Karen Schmeer
Cameras | Sony HDW-F900 Camera
Ali (2001)
Directed by | Michael Mann | Cinematography by | Emmanuel Lubezki | Editing by | William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks
Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera
Paul Blart: Mall Cop (2009)
Directed by | Steve Carr | Cinematography by | Russ T. Alsobrook | Editing by | Jeff Freeman
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Shorts (2009)
Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Ethan Maniquis, Robert Rodriguez
Cameras | Panavision Genesis Camera
Crank: High Voltage (2009)
Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Brandon Trost | Editing by | Marc Jakubowicz, Fernando Villena
Gandu (2010)
Directed by | Qaushiq Mukherjee | Cinematography by | Qaushiq Mukherjee | Editing by | Manas Mittal, Qaushiq Mukherjee, Surojit Sen
Cameras | Canon EOS-7D Camera
