Video | 466 Titles
Justin Bieber: Never Say Never (2011)
Directed by | Jon M. Chu | Cinematography by | Reed Smoot | Editing by | Jay Cassidy, Jillian Moul, Avi Youabian
Zookeeper (2011)
Directed by | Frank Coraci | Cinematography by | Michael Barrett | Editing by | Scott Hill
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
An Intimate Friendship (2000)
Directed by | Angela Evers Hughey | Cinematography by | Jessica Gallant | Editing by | Sharri Weinberg
Cameras | Canon XL1 Camera
Skyhook (2012)
Directed by | Drew Hall | Cinematography by | Jeff Worley | Editing by | Denny Wilkins
Cameras | Canon EOS Rebel T2i Camera
Sin City (2005)
Directed by | Frank Miller, Robert Rodriguez, Quentin Tarantino | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | Sony HDC-F950 Camera, Sony Other Camera
Hanna (2011)
Directed by | Joe Wright | Cinematography by | Alwin H. Küchler | Editing by | Paul Tothill
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera
[Rec] 2 (2009)
![[Rec] 2 | ShotOnWhat?](/images/1245112-small.jpg "Details for [Rec] 2")
Directed by | Jaume Balagueró, Paco Plaza | Cinematography by | Pablo Rosso | Editing by | David Gallart
Cameras | Panasonic Cameras, Sony HDW-750 Camera
Lenses | Canon HJ11ex4.7B 4.7-52 mm f1.9
Amanda Knox: Murder on Trial in Italy (2011)
Directed by | Robert Dornhelm | Cinematography by | Gian Enrico Bianchi
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
Collateral (2004)
Directed by | Michael Mann | Cinematography by | Dion Beebe, Paul Cameron | Editing by | Jim Miller, Paul Rubell
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
AfterThought (2007)
Directed by | Douglas Elford-Argent | Cinematography by | Marc Menet | Editing by | Wendy Elford-Argent
Cameras | Sony HDW-F900 Camera
Monsters (2004)
Directed by | Robert Morgan | Cinematography by | Marcus Waterloo | Editing by | Nicolas Chaudeurge
Cameras | Sony HDW-750 Camera
Triangle (2009)
Directed by | Christopher Smith | Cinematography by | Robert Humphreys | Editing by | Stuart Gazzard
Cameras | Panavision Genesis Camera
21 (2008)
Directed by | Robert Luketic | Cinematography by | Russell Carpenter | Editing by | Elliot Graham
Cameras | Pan-Arri 435 Camera, Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Red State (2011)
Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Kevin Smith
Cameras | Canon EOS-7D Camera, Red One MX Camera
La guerre est déclarée (2011)
Directed by | Valérie Donzelli | Cinematography by | Sébastien Buchmann | Editing by | Pauline Gaillard
Cameras | Canon EOS-5D Mark II Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Date Night (2010)
Directed by | Shawn Levy | Cinematography by | Dean Semler | Editing by | Dean Zimmerman
Cameras | Panavision Genesis Camera
Boxers and Ballerinas (2004)
Directed by | Mike Cahill, Brit Marling | Cinematography by | Mike Cahill, Brit Marling | Editing by | Mike Cahill, Brit Marling
Cameras | Sony DSR-PD150 Camera
Easy A (2010)
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Susan Littenberg
Cameras | Panavision Genesis Camera
The Final Destination (2009)
Directed by | David R. Ellis | Cinematography by | Glen MacPherson | Editing by | Mark Stevens
Cameras | Sony CineAlta F23 Camera, Sony HDC-F950 Camera
The Falls (2003)
Directed by | Paul DeNigris | Cinematography by | Chris Santucci | Editing by | Paul DeNigris
Cameras | Canon XL1 Camera
Lenses | Canon Lenses
