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Celluloid | 3105 Titles

Celluloid 3.60/5 10 Votes

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Million Dollar Arm (2014)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Craig Gillespie | Cinematography by | Gyula Pados | Editing by | Tatiana S. Riegel

Starring | Jon Hamm, Aasif Mandvi, Alan Arkin, Suraj Sharma

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Léon: The Professional (1994)

Motion Picture | 2D | Color | 2.35:1 | 110 Minutes

Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra

Starring | Jean Reno, Gary Oldman, Natalie Portman, Danny Aiello

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux HR Zoom Lenses, Technovision Lenses

To Kill a Bird of Prey (1983)

Motion Picture | 2D | Color | 104 Minutes

Directed by | Iosif Demian | Cinematography by | Alexandru David

Starring | George Negoescu, Dorel Visan, Ioana Bulca, Petre Simionescu

Cameras | Mitchell R35R Camera

Lenses | Bausch & Lomb Super Baltar Lenses

Baloane de curcubeu (1982)

Motion Picture | 2D | Color | 132 Minutes

Directed by | Iosif Demian | Cinematography by | Valentin Popescu

Starring | Anton Aftenie, Marcela Andrei, László Botka, Magda Catone

Cameras | ARRIFLEX 35 IIC Camera

Lenses | Cooke Speed Panchro Lenses

Crash (2004)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Paul Haggis | Cinematography by | James M. Muro | Editing by | Hughes Winborne

Starring | Don Cheadle, Sandra Bullock, Thandiwe Newton, Karina Arroyave

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Super Speed Lenses

The Artist (2011)

Motion Picture | 2D | 2K Project | Black & White | 2.39:1 | 100 Minutes

Directed by | Michel Hazanavicius | Cinematography by | Guillaume Schiffman | Editing by | Anne-Sophie Bion, Michel Hazanavicius

Starring | Jean Dujardin, Bérénice Bejo, John Goodman, James Cromwell

Cameras | ARRIFLEX 435 ES Camera

Lenses | Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses

Star Trek II: The Wrath of Khan (1982)

Motion Picture | 2D | Color | 2.20:1, 2.35:1 | 113 Minutes

Directed by | Nicholas Meyer | Cinematography by | Gayne Rescher | Editing by | William Paul Dornisch

Starring | William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan

Cameras | Dykstraflex Camera, Panavision Cameras

Primer (2004)

Motion Picture | 2D | Color | 1.85:1 | 77 Minutes

Directed by | Shane Carruth | Cinematography by | Troy Dick | Editing by | Shane Carruth

Starring | Shane Carruth, David Sullivan, Casey Gooden, Anand Upadhyaya

Cameras | ARRIFLEX 16SR Camera

Philomena (2013)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Stephen Frears | Cinematography by | Robbie Ryan | Editing by | Valerio Bonelli

Starring | Judi Dench, Steve Coogan, Sophie Kennedy Clark, Mare Winningham

Cameras | ARRI ALEXA Camera

Transcendence (2014)

Motion Picture | 2D, 3D | Color | 2.39:1 | 119 Minutes

Directed by | Wally Pfister | Cinematography by | Jess Hall | Editing by | David Rosenbloom

Starring | Johnny Depp, Rebecca Hall, Morgan Freeman, Cillian Murphy

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Tôkyô kazoku (2013)

Motion Picture | 2D | Color | 1.85:1 | 146 Minutes

Directed by | Yôji Yamada | Cinematography by | Mafumi Chikamori | Editing by | Iwao Ishii

Starring | Isao Hashizume, Kazuko Yoshiyuki, Masahiko Nishimura, Yui Natsukawa

Cameras | ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

La grande bellezza (2013)

Motion Picture | 2D | Color | 2.39:1 | 141 Minutes

Directed by | Paolo Sorrentino | Cinematography by | Luca Bigazzi | Editing by | Cristiano Travaglioli

Starring | Toni Servillo, Carlo Verdone, Sabrina Ferilli, Carlo Buccirosso

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses

The Grandmaster (2013)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Kar-Wai Wong | Cinematography by | Philippe Le Sourd | Editing by | William Chang, Hung Poon

Starring | Tony Chiu-Wai Leung, Ziyi Zhang, Jin Zhang, Chang Chen

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Le premier homme (2011)

Motion Picture | 2D | Color | 1.85:1 | 101 Minutes

Directed by | Gianni Amelio | Cinematography by | Yves Cape | Editing by | Carlo Simeoni

Starring | Michel Crémadès, Jacques Gamblin, Mickaël Batret, Jean Benoit Souilh

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Casse-tête chinois (2013)

Motion Picture | 2D | Color | 1.85:1 | 117 Minutes

Directed by | Cédric Klapisch | Cinematography by | Natasha Braier | Editing by | Anne-Sophie Bion

Starring | Romain Duris, Audrey Tautou, Cécile de France, Kelly Reilly

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke 5/i Lenses, Cooke S4 Lenses

Le dernier des injustes (2013)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 220 Minutes

Directed by | Claude Lanzmann | Cinematography by | Caroline Champetier, William Lubtchansky | Editing by | Chantal Hymans

Starring | Benjamin Murmelstein, Claude Lanzmann

Cameras | Aaton Penelope Camera, Aaton Xterà Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens

Möbius (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Eric Rochant | Cinematography by | Pierre Novion | Editing by | Pascale Fenouillet

Starring | Jean Dujardin, Cécile de France, Tim Roth, Émilie Dequenne

Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Belle et Sébastien (2013)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Nicolas Vanier | Cinematography by | Éric Guichard | Editing by | Stéphanie Pedelacq, Raphaele Urtin

Starring | Félix Bossuet, Tchéky Karyo, Margaux Chatelier, Dimitri Storoge

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

20 ans d’écart (2013)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | David Moreau | Cinematography by | Laurent Tangy | Editing by | Cyril Besnard

Starring | Virginie Efira, Pierre Niney, Charles Berling, Gilles Cohen

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Quartet (2012)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | Dustin Hoffman | Cinematography by | John de Borman | Editing by | Barney Pilling

Starring | Maggie Smith, Michael Gambon, Billy Connolly, Tom Courtenay

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses

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