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Celluloid | 3105 Titles

Celluloid 3.60/5 10 Votes

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Requiem pour une tueuse (2011)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

Directed by | Jérôme Le Gris | Cinematography by | Antoine Monod | Editing by | Claire Fieschi

Starring | Mélanie Laurent, Clovis Cornillac, Tchéky Karyo, Xavier Gallais

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Je n’ai rien oublié (2010)

Motion Picture | 2D | Color | 2.39:1 | 93 Minutes

Directed by | Bruno Chiche | Cinematography by | Thomas Hardmeier | Editing by | Marion Monnier

Starring | Gérard Depardieu, Alexandra Maria Lara, Françoise Fabian, Niels Arestrup

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Cooke S4 Lenses

La brindille (2011)

Motion Picture | 2D | Color | 1.85:1 | 81 Minutes

Directed by | Emmanuelle Millet | Cinematography by | Antoine Héberlé | Editing by | Emmanuelle Castro, Anny Danché

Starring | Christa Théret, Johan Libéreau, Maud Wyler, Anne Le Ny

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses

Les hommes libres (2011)

Motion Picture | 2D | Color | 2.39:1 | 99 Minutes

Directed by | Ismaël Ferroukhi | Cinematography by | Jérôme Alméras | Editing by | Annette Dutertre

Starring | Tahar Rahim, Michael Lonsdale, Mahmud Shalaby, Lubna Azabal

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

On ne choisit pas sa famille (2011)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Christian Clavier | Cinematography by | Pascal Ridao | Editing by | Christophe Pinel

Starring | Christian Clavier, Jean Reno, Muriel Robin, Héléna Noguerra

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Un baiser papillon (2011)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Karine Silla | Cinematography by | Thomas Hardmeier | Editing by | Anny Danché

Starring | Valeria Golino, Elsa Zylberstein, Vincent Perez, Jalil Lespert

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses

Paris-Manhattan (2012)

Motion Picture | 2D | Color | 2.39:1 | 77 Minutes

Directed by | Sophie Lellouche | Cinematography by | Laurent Machuel | Editing by | Monica Coleman

Starring | Alice Taglioni, Patrick Bruel, Marine Delterme, Michel Aumont

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

La fille du puisatier (2011)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Daniel Auteuil | Cinematography by | Jean-François Robin | Editing by | Joëlle Hache

Starring | Daniel Auteuil, Astrid Bergès-Frisbey, Nicolas Duvauchelle, Jean-Pierre Darroussin

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens

Sur la piste du Marsupilami (2012)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Alain Chabat | Cinematography by | Laurent Dailland | Editing by | Maryline Monthieux

Starring | Jamel Debbouze, Alain Chabat, Fred Testot, Lambert Wilson

Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Switch (2011)

Motion Picture | 2D | Color | 2.39:1 | 8 Minutes

Directed by | Thomas Hefferon | Cinematography by | Jj Rolfe | Editing by | Eamonn Cleary

Starring | Barry Barnes, Lesley Conroy, Sean Buzz Doyle, Jane McGrath

Cameras | Aaton 35-III Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses

Going Postal (2010)

Miniseries | 2D | Black & White, Color | 1.78:1 (16x9) | 185 Minutes

| Cinematography by | Gavin Finney | Editing by | Alex Mackie

Starring | Steve Pemberton, Tamsin Greig, Madhav Sharma, Jimmy Yuill

Cameras | ARRIFLEX D-21 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Skate or Die (2008)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Miguel Courtois

Starring | Mickey Mahut, Idriss Diop, Elsa Pataky, Philippe Bas

Cameras | ARRIFLEX 16SR2 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Le fils à Jo (2011)

Motion Picture | 2D | 97 Minutes

Le fils à Jo | ShotOnWhat?

Directed by | Philippe Guillard | Cinematography by | Ludovic Colbeau-Justin | Editing by | Elodie Codaccioni, Sandro Lavezzi

Starring | Gérard Lanvin, Olivier Marchal, Vincent Moscato, Jérémie Duvall

Cameras | ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Margaret (2009)

Television Movie | 2D | Color | 113 Minutes

Directed by | James Kent | Cinematography by | David Odd | Editing by | William Diver

Starring | Roger Allam, Roger Ashton-Griffiths, Charlotte Asprey, Elizabeth Bennett

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI / Zeiss Lenses, Zeiss Ultra Prime Lenses

Braquo (2009)

Television Series | 2D | Color | 1.78:1 (16x9) | 52 Minutes

Lore (2012)

Motion Picture | 2D | Color | 109 Minutes

Lore | ShotOnWhat?

Directed by | Cate Shortland | Cinematography by | Adam Arkapaw | Editing by | Veronika Jenet

Starring | Saskia Rosendahl, Kai-Peter Malina, Nele Trebs, Ursina Lardi

Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Plus Camera

Lenses | Canon Lenses, Zeiss Ultra 16 Lenses

American Hustle (2013)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 138 Minutes

Directed by | David O. Russell | Cinematography by | Linus Sandgren | Editing by | Alan Baumgarten, Jay Cassidy, Crispin Struthers

Starring | Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Canon K35 Prime Lenses, Zeiss Standard Speed Prime Lenses

Fashion Victim (2009)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Gérard Jugnot | Cinematography by | Gérard Simon | Editing by | Catherine Kelber

Starring | Gérard Jugnot, Bernard Le Coq, Juan Diego, Assaad Bouab

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Series Lenses

Do Começo ao Fim (2009)

Motion Picture | 2D | Color | 2.35:1 | 94 Minutes

Directed by | Aluizio Abranches | Cinematography by | Ueli Steiger | Editing by | Fábio S. Limma

Starring | Júlia Lemmertz, Fábio Assunção, Jean Pierre Noher, Louise Cardoso

Cameras | Aaton Cameras

Lenses | Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens, Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

Nosso Lar (2010)

Motion Picture | 2D | Color | 2.35:1 | 103 Minutes

Directed by | Wagner de Assis | Cinematography by | Ueli Steiger | Editing by | Marcelo Moraes

Starring | Renato Prieto, Fernando Alves Pinto, Rosanne Mulholland, Inez Viana

Cameras | Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses | Angenieux Lenses, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

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