Celluloid | 3105 Titles
The Judge (2014)
The New Avengers (1976)
| Cinematography by | Michael Reed, Ernest Steward, Henri Fiks, Gilbert Sarthre, Ian Wilson, James Allen, Jack Atcheler, Karol Ike, Dennis Miller | Editing by | Robert C. Dearberg, Ralph Sheldon, Alan Killick, Graeme Clifford, Eric Wrate, Eric Boyd-Perkins, Stephen Lawrence
Kolchak: The Night Stalker (1974)
| Cinematography by | Ronald W. Browne, Alric Edens, Donald Peterman, Eduardo Ricci | Editing by | Robert M. Leeds, John Elias, Anthony Redman, Larry Strong, Howard Terrill, Edward W. Williams, Ted Rich
The Night Strangler (1973)
The Night Stalker (1972)
Directed by | John Llewellyn Moxey | Cinematography by | Michel Hugo | Editing by | Desmond Marquette
The Harder They Come (1972)
Directed by | Perry Henzell | Cinematography by | Peter Jessop, David McDonald, Franklyn St. Juste | Editing by | Seicland Anderson, John Victor Smith, Richard White
Cameras | Canon Cameras
Black Sunday (1960)
The Contender (2000)
Dracula Untold (2014)
Directed by | Gary Shore | Cinematography by | John Schwartzman | Editing by | Richard Pearson
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Drive Thru (2007)
Directed by | Brendan Cowles, Shane Kuhn | Cinematography by | Vincent E. Toto | Editing by | Daniel R. Padgett
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens
’71 (2014)
Directed by | Yann Demange | Cinematography by | Tat Radcliffe | Editing by | Chris Wyatt
Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera
Il villaggio di cartone (2011)
Directed by | Ermanno Olmi | Cinematography by | Fabio Olmi | Editing by | Paolo Cottignola
Cameras | ARRI ARRIFLEX Series Cameras, ARRI Cameras
Keepsake (2008)
Directed by | Paul Moore | Cinematography by | Todd Gilpin | Editing by | Todd Gilpin
Cameras | Aaton XTR Prod Camera
Lenses | Cooke S4 Lenses
Everybody Loves Raymond (1996)
| Cinematography by | Mike Berlin, Alessio Gelsini Torresi, Mikel Neiers | Editing by | Patricia Barnett, George Escobar, Jerry Davis, Frank Mazzaro
Cameras | Panavision Cameras
Michael Collins (1996)
Directed by | Neil Jordan | Cinematography by | Chris Menges | Editing by | J. Patrick Duffner, Tony Lawson
The Rockford Files (1974)
| Cinematography by | Andrew Jackson, Lamar Boren, Leonard J. South | Editing by | George R. Rohrs, Diane Adler, Buford F. Hayes, Rod Stephens, John J. Dumas, I. Robert Levy, John Kaufman, Fred Baratta, Edward A. Biery, Jerry Dronsky, Gloryette Clark, Robert M. Leeds, Robert L. Kimble, Lawrence J. Vallario
Cameras | ARRIFLEX 35 BL3 Camera
Fury (2014)
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Jay Cassidy, Dody Dorn
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Tammy (2014)
Foxcatcher (2014)
Directed by | Bennett Miller | Cinematography by | Greig Fraser | Editing by | Jay Cassidy, Stuart Levy, Conor O'Neill
El día de la bestia (1995)
Directed by | Álex de la Iglesia | Cinematography by | Flavio Martínez Labiano | Editing by | Teresa Font
