Celluloid | 3105 Titles
Midnight Cowboy (1969)
Fargo (1996)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Standard Speed Prime Lenses
Rio Grande (1950)
The Lavender Hill Mob (1951)
Grace of Monaco (2014)
Directed by | Olivier Dahan | Cinematography by | Eric Gautier | Editing by | Olivier Gajan
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses
Stolen Heaven (1938)
The Big Parade (1925)
Directed by | King Vidor, George W. Hill | Cinematography by | John Arnold, Charles Van Enger | Editing by | Hugh Wynn
Cameras | Akeley 35mm Ciné Camera
Sleep, My Love (1948)
A Fine Pair (1968)
A Double Life (1947)
Directed by | George Cukor | Cinematography by | Milton R. Krasner | Editing by | Robert Parrish
Cameras | Mitchell BNC Camera
Serpico (1973)
Directed by | Sidney Lumet | Cinematography by | Arthur J. Ornitz | Editing by | Dede Allen, Richard Marks
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Pursued (1947)
A Likely Story (1947)
How to Marry a Millionaire (1953)
Directed by | Jean Negulesco | Cinematography by | Joseph MacDonald | Editing by | Louis R. Loeffler
The Night of the Hunter (1955)
Arsenic and Old Lace (1944)
The Bostonians (1984)
Directed by | James Ivory | Cinematography by | Walter Lassally | Editing by | Mark Potter Jr., Katherine Wenning
Daughters Courageous (1939)
Directed by | Michael Curtiz | Cinematography by | James Wong Howe, Ernest Haller | Editing by | Ralph Dawson, W. Donn Hayes
The Seven Year Itch (1955)
Directed by | Billy Wilder | Cinematography by | Milton R. Krasner | Editing by | Hugh S. Fowler
Lenses | Bausch & Lomb Lenses





















































































