Celluloid | 3105 Titles
RED (2010)
Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Thom Noble
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses
Ping Pong Summer (2014)
Directed by | Michael Tully | Cinematography by | Wyatt Garfield | Editing by | Marc Vives
Cameras | ARRIFLEX 416 Camera
Lenses | Zeiss Ultra 16 Lenses
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
Directed by | Stanley Kubrick | Cinematography by | Gilbert Taylor | Editing by | Anthony Harvey
Cameras | Mitchell BNC Camera
The Butterfly Effect (2004)
Directed by | Eric Bress, J. Mackye Gruber | Cinematography by | Matthew F. Leonetti | Editing by | Peter Amundson
Breakfast at Tiffany’s (1961)
Directed by | Blake Edwards | Cinematography by | Franz Planer, Philip H. Lathrop | Editing by | Howard A. Smith
Coogan’s Bluff (1968)
Directed by | Don Siegel | Cinematography by | Bud Thackery, Robert Surtees | Editing by | Sam E. Waxman
Charlie’s Angels (1976)
| Cinematography by | Richard M. Rawlings Jr., Richard L. Rawlings, Donald H. Birnkrant, Dennis Dalzell, Archie R. Dalzell | Editing by | Joseph Dervin, Jack Harnish, Leon Carrere, Leonard Malek, John McSweeney Jr., Jim Faris, Dick Wormell, John F. Schreyer, Stanley Frazen, James Baiotto, Arnold Baker, Benjamin A. Weissman, Allan Jacobs, John Woodcock, George W. Brooks, John W. Wheeler
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Recien cazado (2009)
Directed by | Rene Bueno | Cinematography by | Alberto Lee | Editing by | Rene Bueno, Zeiddy Silva-Rios Viggiano
Cameras | ARRIFLEX Camera
Lenses | Zeiss Lenses
Survivors (2008)
| Cinematography by | Alan Almond, Graham Frake, Nigel Willoughby, Fabian Wagner, Tony Miller, Adam Suschitzky | Editing by | David Rees, David Barrett, Steve Singleton, Tim Marchant, Beverley Mills, Roy Sharman
Cameras | ARRIFLEX Camera, ARRIFLEX D-21 Camera
Lenses | ARRI Lenses
Silent Ones (2013)
Directed by | Ricky Rijneke | Cinematography by | Jean-Paul de Zaetijd, Gergely Pohárnok, Dirk Rijneke | Editing by | Nina Petrovna, Ricky Rijneke
Cameras | Aaton Penelope Camera
Lenses | Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Ultra Prime Distagon 12 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
Cloclo (2012)
Directed by | Florent-Emilio Siri | Cinematography by | Giovanni Fiore Coltellacci | Editing by | Olivier Gajan
600 kilos d’or pur (2010)
Guru (2007)
Directed by | Mani Ratnam | Cinematography by | Rajiv Menon | Editing by | A. Sreekar Prasad
Lenses | Angenieux Optimo Zoom Lenses
Sabrina (1954)
Rogues’ Regiment (1948)
Irma la Douce (1963)
Directed by | Billy Wilder | Cinematography by | Joseph LaShelle | Editing by | Daniel Mandell
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Rio Bravo (1959)
Directed by | Howard Hawks | Cinematography by | Russell Harlan | Editing by | Folmar Blangsted
Cameras | Mitchell BNC Camera
Beauty and the Beast (1946)
Directed by | Jean Cocteau, René Clément | Cinematography by | Henri Alekan | Editing by | Claude Ibéria
The Thin Man (1934)
