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Mr. X | 14 Titles

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Ad Astra (2019)

Motion Picture | 4K Project | Color | 2.39:1 | 123 Minutes

Directed by | James Gray | Cinematography by | Hoyte Van Hoytema | Editing by | John Axelrad, Lee Haugen

Starring | Brad Pitt, Tommy Lee Jones, Ruth Negga, Donald Sutherland

Cameras | Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses | CamTec Lenses, Zeiss Master Prime Lenses

Shazam! (2019)

Motion Picture | 3D | Color | 2.39:1 | 132 Minutes

Directed by | David F. Sandberg | Cinematography by | Maxime Alexandre | Editing by | Michel Aller

Starring | Zachary Levi, Mark Strong, Asher Angel, Jack Dylan Grazer

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Zeiss Master Prime Lenses

Vice (2018)

Motion Picture | 2D | Color | 2.39:1 | 132 Minutes

Directed by | Adam McKay | Cinematography by | Greig Fraser | Editing by | Hank Corwin

Starring | Christian Bale, Amy Adams, Steve Carell, Sam Rockwell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses | Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

Ride Along 2 (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | Tim Story | Cinematography by | Mitchell Amundsen | Editing by | Peter S. Elliot

Starring | Ice Cube, Kevin Hart, Tika Sumpter, Benjamin Bratt

Cameras | Red Epic Dragon Camera

Lenses | Panavision Primo 70 Lenses

Crimson Peak (2015)

Motion Picture | 2D | Color | 1.85:1 | 119 Minutes

Directed by | Guillermo del Toro | Cinematography by | Dan Laustsen | Editing by | Bernat Vilaplana

Starring | Mia Wasikowska, Jessica Chastain, Tom Hiddleston, Charlie Hunnam

Cameras | ARRI ALEXA XT Camera

Ben-Hur (2016)

Motion Picture | 3D | Color | 2.39:1 | 123 Minutes

Directed by | Timur Bekmambetov | Cinematography by | Oliver Wood | Editing by | Dody Dorn, Richard Francis-Bruce

Starring | Jack Huston, Toby Kebbell, Rodrigo Santoro, Nazanin Boniadi

Cameras | ARRI ALEXA Series Cameras, GoPro (Woodman Labs) Cameras, Red Digital Cinema Cameras

Get on Up (2014)

Motion Picture | 2D | Color | 1.85:1 | 139 Minutes

Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Michael McCusker

Starring | Chadwick Boseman, Nelsan Ellis, Dan Aykroyd, Viola Davis

Cameras | ARRI ALEXA Camera, Canon EOS Rebel T3i camera, Canon EOS-C500 Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses

Pompeii (2014)

Motion Picture | 3D | Color | 2.39:1 | 105 Minutes

Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Michele Conroy

Starring | Kit Harington, Emily Browning, Kiefer Sutherland, Adewale Akinnuoye-Agbaje

Cameras | Red Epic Camera

The Mortal Instruments: City of Bones (2013)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

The Mortal Instruments: City of Bones | ShotOnWhat?

Directed by | Harald Zwart | Cinematography by | Geir Hartly Andreassen | Editing by | Jacqueline Carmody

Starring | Lily Collins, Jamie Campbell Bower, Robert Sheehan, Jemima West

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses

Carrie (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Carrie | ShotOnWhat?

Directed by | Kimberly Peirce | Cinematography by | Steve Yedlin | Editing by | Lee Percy, Nancy Richardson

Starring | Chloë Grace Moretz, Julianne Moore, Gabriella Wilde, Portia Doubleday

Cameras | ARRI ALEXA Camera

Mama (2013)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Mama | ShotOnWhat?

Directed by | Andy Muschietti | Cinematography by | Antonio Riestra | Editing by | Michele Conroy

Starring | Jessica Chastain, Nikolaj Coster-Waldau, Megan Charpentier, Isabelle Nélisse

Cameras | ARRI ALEXA Camera

Lenses | Cooke S4 Lenses

A Dangerous Method (2011)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders

Starring | Michael Fassbender, Keira Knightley, Viggo Mortensen, Vincent Cassel

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Cooke S4 Lenses

Taking Woodstock (2009)

Motion Picture | 2D | Color | 1.85:1 | 120 Minutes

Directed by | Ang Lee | Cinematography by | Eric Gautier | Editing by | Tim Squyres

Starring | Demetri Martin, Henry Goodman, Edward Hibbert, Imelda Staunton

Cameras | Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera, Bolex Cameras, Eclair Cameras

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

A History of Violence (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 96 Minutes

Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders

Starring | Viggo Mortensen, Maria Bello, Ed Harris, William Hurt

Cameras | Panavision Cameras

Lenses | Panavision Lenses

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