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Brainstorm Digital | 14 Titles

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Ad Astra (2019)

Motion Picture | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | James Gray | Cinematography by | Hoyte Van Hoytema | Editing by | John Axelrad, Lee Haugen

Starring | Brad Pitt, Tommy Lee Jones, Ruth Negga, Donald Sutherland

Cameras | Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses | CamTec Astra Master Prime Series Lenses, Zeiss Master Prime Lenses

Boy Erased (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 115 Minutes

Directed by | Joel Edgerton | Cinematography by | Eduard Grau | Editing by | Jay Rabinowitz

Starring | Lucas Hedges, Nicole Kidman, Joel Edgerton

Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera

Lenses | Zeiss Super Speed Lenses

The Lost City of Z (2016)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 141 Minutes

Directed by | James Gray | Cinematography by | Darius Khondji | Editing by | John Axelrad, Lee Haugen

Starring | Charlie Hunnam, Robert Pattinson, Sienna Miller

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Advanced Camera

Lenses | Angenieux HR Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Anamorphic Flare Lenses, Panavision E Series Anamorphic Lenses

Midsommar (2019)

Motion Picture | 2D | 4K Project | Color | 2.0:1 | 147 Minutes

Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston

Starring | Florence Pugh, Jack Reynor, Vilhelm Blomgren, William Jackson Harper

Cameras | Panavision Millennium DXL2 Camera

Lenses | Panavision Primo Artiste Lenses

The Lighthouse (2019)

Motion Picture | 2D | Film Project | Black & White | 109 Minutes

Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford

Starring | Robert Pattinson, Willem Dafoe, Valeriia Karaman, Logan Hawkes

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Bausch & Lomb Lenses, Pathé Lenses

Papillon (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 133 Minutes

Directed by | Michael Noer | Cinematography by | Hagen Bogdanski | Editing by | John Axelrad, Lee Haugen

Starring | Charlie Hunnam, Damijan Oklopdzic, Christopher Fairbank

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Zeiss Ultra Prime Lenses

The Greatest Showman (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 105 Minutes

Directed by | Michael Gracey | Cinematography by | Seamus McGarvey | Editing by | Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser

Starring | Hugh Jackman, Michelle Williams, Zac Efron

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses

Limitless (2015)

Television Series | 2D | Color | 1.78:1 (16x9) | 42 Minutes

| Cinematography by | Jimmy Lindsey, Robert Gantz, Larry Reibman, Derick V. Underschultz, Jonathan Sela | Editing by | Christopher S. Capp, Jonathan Angus, Mark Manos, Daniel Gabbe

Starring | Jake McDorman, Jennifer Carpenter, Hill Harper, Mary Elizabeth Mastrantonio

Julie & Julia (2009)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 118 Minutes

Directed by | Nora Ephron | Cinematography by | Stephen Goldblatt | Editing by | Richard Marks

Starring | Amy Adams, Meryl Streep, Chris Messina, Stanley Tucci

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Drop (2014)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Michaël R. Roskam | Cinematography by | Nicolas Karakatsanis | Editing by | Christopher Tellefsen

Starring | Tom Hardy, Noomi Rapace, James Gandolfini, Matthias Schoenaerts

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses | Leitz Summilux-C Series Lenses

Annie (2014)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Tia Nolan

Starring | Quvenzhané Wallis, Cameron Diaz, Jamie Foxx, Rose Byrne

Cameras | Sony PMW-F55 Camera

The Heat (2013)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Jay Deuby, Brent White

Starring | Sandra Bullock, Michael McDonald, Melissa McCarthy, Demián Bichir

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Boardwalk Empire (2010)

Television Series | 2D | Color | 1.78:1 (16x9) | 55 Minutes

Boardwalk Empire | ShotOnWhat?

| Cinematography by | William Coleman, David Franco, Jonathan Freeman, Kramer Morgenthau, Stuart Dryburgh, Eric Moynier | Editing by | Kate Sanford, Tim Streeto, Eric Lorenz, Sidney Wolinsky, Perri B. Frank

Starring | Steve Buscemi, Kelly Macdonald, Michael Shannon, Shea Whigham

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Extremely Loud & Incredibly Close (2011)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | Stephen Daldry | Cinematography by | Chris Menges | Editing by | Claire Simpson

Starring | Thomas Horn, Tom Hanks, Sandra Bullock, Max von Sydow

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

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