Dolby | 2925 Titles
The League of Extraordinary Gentlemen (2003)
Directed by | Stephen Norrington | Cinematography by | Dan Laustsen | Editing by | Paul Rubell
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Training Day (2001)
Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | Conrad Buff IV
Lenses | Hawk C-Series Lenses
28 Days (2000)
Directed by | Betty Thomas | Cinematography by | Declan Quinn | Editing by | Peter Teschner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
An Inconvenient Truth (2006)
Directed by | Davis Guggenheim | Cinematography by | Davis Guggenheim, Robert Richman | Editing by | Jay Cassidy, Dan Swietlik
Cameras | Sony HDC-F950 Camera
Bernie (2011)
Directed by | Richard Linklater | Cinematography by | Dick Pope | Editing by | Sandra Adair
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Vampire Effect (2003)
Directed by | Dante Lam | Cinematography by | Man Po Cheung | Editing by | Ki-Hop Chan
Lenses | Angenieux Lenses, Zeiss Lenses
Punch-Drunk Love (2002)
Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Leslie Jones
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
A Serious Man (2009)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
The Uninvited (2009)
Directed by | Charles Guard, Thomas Guard | Cinematography by | Daniel Landin | Editing by | Jim Page, Christian Wagner
Cameras | Panavision Cameras
The Truman Show (1998)
Directed by | Peter Weir | Cinematography by | Peter Biziou | Editing by | William M. Anderson, Lee Smith
Cameras | Panavision Panaflex Platinum Camera
Carlito’s Way (1993)
Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Kristina Boden, Bill Pankow
Cameras | Panavision Panaflex Gold II Camera
Sommersturm (2004)
Directed by | Marco Kreuzpaintner | Cinematography by | Daniel Gottschalk | Editing by | Hansjörg Weißbrich
Cameras | ARRI Cameras
Rush Hour (1998)
Directed by | Brett Ratner | Cinematography by | Adam Greenberg | Editing by | Mark Helfrich
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Dust to Glory (2005)
Directed by | Dana Brown | Cinematography by | Kevin Ward | Editing by | Dana Brown, Scott Waugh
Cameras | Panasonic AG-DVX100 Camera
Seven Pounds (2008)
Directed by | Gabriele Muccino | Cinematography by | Philippe Le Sourd | Editing by | Hughes Winborne
Cameras | Panavision Cameras
Pirate Radio (2009)
Directed by | Richard Curtis | Cinematography by | Danny Cohen | Editing by | Emma E. Hickox
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Biutiful (2010)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione
Lenses | Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
A Lot Like Love (2005)
Directed by | Nigel Cole | Cinematography by | John de Borman | Editing by | Susan Littenberg
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Kids Are All Right (2010)
Directed by | Lisa Cholodenko | Cinematography by | Igor Jadue-Lillo | Editing by | Jeffrey M. Werner
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL4s Camera
Lenses | Zeiss Ultra Prime Lenses
Peter Pan (2003)
Directed by | P.J. Hogan | Cinematography by | Donald McAlpine | Editing by | Garth Craven, Michael Kahn
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
