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Dolby Digital | 2307 Titles

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Frida (2002)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 123 Minutes

Directed by | Julie Taymor | Cinematography by | Rodrigo Prieto | Editing by | Françoise Bonnot

Starring | Salma Hayek, Alfred Molina, Geoffrey Rush, Mía Maestro

Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses | Zeiss Ultra Prime Lenses

X-Men Origins: Wolverine (2009)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

X-Men Origins: Wolverine | ShotOnWhat?

Directed by | Gavin Hood | Cinematography by | Donald McAlpine | Editing by | Nicolas De Toth, Megan Gill

Starring | Hugh Jackman, Liev Schreiber, Ryan Reynolds, Danny Huston

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

30 Days of Night (2007)

Motion Picture | 2D | Color | 2.39:1 | 113 Minutes

Directed by | David Slade | Cinematography by | Jo Willems | Editing by | Art Jones

Starring | Josh Hartnett, Melissa George, Danny Huston, Ben Foster

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Dredd (2012)

Motion Picture | 3D | Color | 2.35:1 | 95 Minutes

Dredd | ShotOnWhat?

Directed by | Pete Travis | Cinematography by | Anthony Dod Mantle | Editing by | Mark Eckersley

Starring | Karl Urban, Olivia Thirlby, Lena Headey, Rachel Wood

Cameras | Phantom Flex Camera, Red One MX Camera, Silicon Imaging SI-2K Camera

Lenses | Zeiss Ultra Prime Lenses

Green Lantern (2011)

Motion Picture | 3D | Color | 2.35:1 | 114 Minutes

Green Lantern | ShotOnWhat?

Directed by | Martin Campbell | Cinematography by | Dion Beebe | Editing by | Stuart Baird

Starring | Ryan Reynolds, Blake Lively, Peter Sarsgaard, Mark Strong

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

The Beaver (2011)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

The Beaver | ShotOnWhat?

Directed by | Jodie Foster | Cinematography by | Hagen Bogdanski | Editing by | Lynzee Klingman

Starring | Mel Gibson, Jodie Foster, Anton Yelchin, Cherry Jones

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision G Series Anamorphic Lenses

Duplicity (2009)

Motion Picture | 2D | Color | 2.35:1 | 125 Minutes

Duplicity | ShotOnWhat?

Directed by | Tony Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy

Starring | Julia Roberts, Clive Owen, Tom Wilkinson, Paul Giamatti

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

House of Flying Daggers (2004)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

Directed by | Yimou Zhang | Cinematography by | Xiaoding Zhao | Editing by | Long Cheng

Starring | Ziyi Zhang, Takeshi Kaneshiro, Andy Lau, Dandan Song

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses | Cooke Lenses, Zeiss Lenses

Limitless (2011)

Motion Picture | 2D | Color | 2.35:1 | 105 Minutes

Limitless | ShotOnWhat?

Directed by | Neil Burger | Cinematography by | Jo Willems | Editing by | Tracy Adams, Naomi Geraghty

Starring | Bradley Cooper, Anna Friel, Abbie Cornish, Robert De Niro

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera

Lenses | Cooke S4 Lenses

X: First Class (2011)

Motion Picture | 2D | Color | 2.35:1 | 131 Minutes

X: First Class | ShotOnWhat?

Directed by | Matthew Vaughn | Cinematography by | John Mathieson | Editing by | Eddie Hamilton, Lee Smith

Starring | James McAvoy, Michael Fassbender, Jennifer Lawrence, Kevin Bacon

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Pars vite et reviens tard (2007)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Régis Wargnier | Cinematography by | Laurent Dailland | Editing by | Yann Malcor

Starring | José Garcia, Lucas Belvaux, Marie Gillain, Olivier Gourmet

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Brokeback Mountain (2005)

Motion Picture | 2D | Color | 1.85:1 | 134 Minutes

Directed by | Ang Lee | Cinematography by | Rodrigo Prieto | Editing by | Geraldine Peroni, Dylan Tichenor

Starring | Jake Gyllenhaal, Heath Ledger, Michelle Williams, Randy Quaid

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

Tower Heist (2011)

Motion Picture | 2D | Color | 2.35:1 | 104 Minutes

Tower Heist | ShotOnWhat?

Directed by | Brett Ratner | Cinematography by | Dante Spinotti | Editing by | Mark Helfrich

Starring | Eddie Murphy, Ben Stiller, Casey Affleck, Alan Alda

Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Hawk V-Lite Lenses, Panavision G Series Anamorphic Lenses

A Better Life (2011)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Chris Weitz | Cinematography by | Javier Aguirresarobe | Editing by | Peter Lambert

Starring | Demián Bichir, José Julián, Eddie 'Piolin' Sotelo, Joaquín Cosio

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Casa de mi Padre (2012)

Motion Picture | 2D | Color | 2.35:1 | 84 Minutes

Casa de mi Padre | ShotOnWhat?

Directed by | Matt Piedmont | Cinematography by | Ramsey Nickell | Editing by | David Trachtenberg

Starring | Will Ferrell, Gael García Bernal, Diego Luna, Nick Offerman

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision C Series Anamorphic Lenses

La conquête (2011)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Xavier Durringer | Cinematography by | Gilles Porte | Editing by | Catherine Schwartz

Starring | Denis Podalydès, Florence Pernel, Bernard Le Coq, Michèle Moretti

Cameras | Moviecam Compact Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

2 Days in New York (2012)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

2 Days in New York | ShotOnWhat?

Directed by | Julie Delpy | Cinematography by | Lubomir Bakchev | Editing by | Isabelle Devinck

Starring | Julie Delpy, Chris Rock, Albert Delpy, Alexia Landeau

Cameras | ARRI ALEXA Camera, Sony HDW-750 Camera

Lenses | Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens

Le code a changé (2009)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra

Starring | Karin Viard, Dany Boon, Marina Foïs, Patrick Bruel

Cameras | Moviecam Compact MK2 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Madea’s Witness Protection (2012)

Motion Picture | 2D | Color | 1.85:1 | 114 Minutes

Madea’s Witness Protection | ShotOnWhat?

Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy

Starring | Tyler Perry, Eugene Levy, Denise Richards, Tom Arnold

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Anamorphic Lenses

À moi seule (2012)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

À moi seule | ShotOnWhat?

Directed by | Frédéric Videau | Cinematography by | Marc Tevanian | Editing by | François Quiqueré

Starring | Agathe Bonitzer, Reda Kateb, Hélène Fillières, Noémie Lvovsky

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Anamorphic Lenses

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