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Dolby Digital | 2307 Titles

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Les émotifs anonymes (2010)

Motion Picture | 2D | Color | 2.39:1 | 80 Minutes

Directed by | Jean-Pierre Améris | Cinematography by | Gérard Simon | Editing by | Philippe Bourgueil

Starring | Benoît Poelvoorde, Isabelle Carré, Lorella Cravotta, Lise Lamétrie

Cameras | Moviecam Compact MK2 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Crouching Tiger, Hidden Dragon (2000)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Ang Lee | Cinematography by | Peter Pau | Editing by | Tim Squyres

Starring | Yun-Fat Chow, Michelle Yeoh, Ziyi Zhang, Chang Chen

Cameras | ARRIFLEX 435 ES Camera

Lenses | Zeiss Lenses

The Fan (1996)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Claire Simpson, Christian Wagner

Starring | Robert De Niro, Wesley Snipes, Ellen Barkin, John Leguizamo

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Drive (2011)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Nicolas Winding Refn | Cinematography by | Newton Thomas Sigel | Editing by | Matthew Newman

Starring | Ryan Gosling, Carey Mulligan, Bryan Cranston, Albert Brooks

Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark II Camera, Iconix HD-RH1 Camera, Weisscam HS-2 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Master Prime Lenses

Violent Cop (2000)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Wai-Man Cheng | Cinematography by | Yuen Man Fung | Editing by | Angie Lam

Starring | Anthony Chau-Sang Wong, Michael Wong, Yiu-Cheung Lai, Astrid Chi Ching Chan

Cameras | ARRIFLEX 535 B Camera

Lenses | Angenieux Lenses, ARRI / Zeiss Lenses

The Fighter (2010)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | David O. Russell | Cinematography by | Hoyte Van Hoytema | Editing by | Pamela Martin

Starring | Mark Wahlberg, Christian Bale, Amy Adams, Melissa Leo

Cameras | Aaton Penelope Camera, Sony BVP-900 Camera, Sony BVP-950 Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Takers (2010)

Motion Picture | 2D | Color | 2.35:1 | 107 Minutes

Takers | ShotOnWhat?

Directed by | John Luessenhop | Cinematography by | Michael Barrett | Editing by | Armen Minasian

Starring | Chris Brown, Hayden Christensen, Matt Dillon, Michael Ealy

Cameras | ARRIFLEX 435 ES Camera, Panavision Genesis Camera

Lenses | Panavision Primo Anamorphic Lenses

Cowboys & Aliens (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 119 Minutes

Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental, Jim May

Starring | Daniel Craig, Harrison Ford, Olivia Wilde, Abigail Spencer

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Kinsey (2004)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 118 Minutes

Directed by | Bill Condon | Cinematography by | Frederick Elmes | Editing by | Virginia Katz

Starring | Liam Neeson, Laura Linney, Chris O'Donnell, Peter Sarsgaard

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Letters from Iwo Jima (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 141 Minutes

Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach

Starring | Ken Watanabe, Kazunari Ninomiya, Tsuyoshi Ihara, Ryo Kase

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Youth Without Youth (2007)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Mihai Malaimare Jr. | Editing by | Walter Murch

Starring | Tim Roth, Alexandra Maria Lara, Bruno Ganz, André Hennicke

Cameras | Sony HDW-F900 Camera

Lenses | Zeiss DigiPrime Lenses

Playing by Heart (1998)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Willard Carroll | Cinematography by | Vilmos Zsigmond | Editing by | Pietro Scalia

Starring | Gillian Anderson, Ellen Burstyn, Sean Connery, Anthony Edwards

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

Encounters at the End of the World (2007)

Documentary | 2D | HD Project | Color | 1.85:1 | 99 Minutes

Directed by | Werner Herzog | Cinematography by | Peter Zeitlinger | Editing by | Joe Bini

Starring | Werner Herzog, Scott Rowland, Stefan Pashov, Doug MacAyeal

Cameras | Sony HVR-Z1E Camera

The Score (2001)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

The Score | ShotOnWhat?

Directed by | Frank Oz | Cinematography by | Rob Hahn | Editing by | Richard Pearson

Starring | Robert De Niro, Edward Norton, Marlon Brando, Angela Bassett

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Amazing Spider-Man (2012)

Motion Picture | 3D | Color | 2.39:1 | 136 Minutes

Directed by | Marc Webb | Cinematography by | John Schwartzman | Editing by | Alan Edward Bell, Michael McCusker, Pietro Scalia

Starring | Andrew Garfield, Emma Stone, Rhys Ifans, Irrfan Khan

Cameras | Red Epic Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Girl with the Dragon Tattoo (2011)

Motion Picture | 2D | Color | 2.39:1 | 158 Minutes

Directed by | David Fincher | Cinematography by | Jeff Cronenweth | Editing by | Kirk Baxter, Angus Wall

Starring | Daniel Craig, Rooney Mara, Christopher Plummer, Stellan Skarsgård

Cameras | Red Epic Camera, Red One MX Camera

Lenses | Zeiss Master Prime Lenses

Coco Before Chanel (2009)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Anne Fontaine | Cinematography by | Christophe Beaucarne | Editing by | Luc Barnier

Starring | Audrey Tautou, Benoît Poelvoorde, Alessandro Nivola, Marie Gillain

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

A History of Violence (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 96 Minutes

Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders

Starring | Viggo Mortensen, Maria Bello, Ed Harris, William Hurt

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Shawshank Redemption (1994)

Motion Picture | 2D | Color | 1.85:1 | 142 Minutes

Directed by | Frank Darabont | Cinematography by | Roger Deakins | Editing by | Richard Francis-Bruce

Starring | Tim Robbins, Morgan Freeman, Bob Gunton, William Sadler

Cameras | ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera

Lenses | ARRI / Zeiss Lenses

Dead Presidents (1995)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

Directed by | Albert Hughes, Allen Hughes | Cinematography by | Lisa Rinzler | Editing by | Dan Lebental

Starring | Larenz Tate, Keith David, Chris Tucker, Freddy Rodríguez

Cameras | Panavision Panaflex Gold II Camera

Lenses | Canon Lenses, Panavision Primo Primes Spherical Lenses

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