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Outdoor | 562 Titles

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Un amour de jeunesse (2011)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Mia Hansen-Løve | Cinematography by | Stéphane Fontaine | Editing by | Marion Monnier

Starring | Lola Créton, Sebastian Urzendowsky, Magne-Håvard Brekke, Valérie Bonneton

Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses

Sexy Beast (2000)

Motion Picture | 2D | Color | 2.39:1 | 89 Minutes

Directed by | Jonathan Glazer | Cinematography by | Ivan Bird | Editing by | John Scott, Sam Sneade

Starring | Ray Winstone, Ben Kingsley, Ian McShane, Amanda Redman

Cameras | ARRI ARRIFLEX Series Cameras

Lenses | ARRI Lenses

1492: Conquest of Paradise (1992)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 154 Minutes

Directed by | Ridley Scott | Cinematography by | Adrian Biddle | Editing by | William M. Anderson, Françoise Bonnot, Les Healey, Armen Minasian, Deborah Zeitman

Starring | Gérard Depardieu, Armand Assante, Sigourney Weaver, Loren Dean

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

xXx (2002)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

xXx | ShotOnWhat?

Directed by | Rob Cohen | Cinematography by | Dean Semler | Editing by | Chris Lebenzon, Joel Negron, Paul Rubell

Starring | Vin Diesel, Asia Argento, Marton Csokas, Samuel L. Jackson

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision ALZ3 270-840 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision CN400 400 mm T3.0 Lens, Panavision Primo Anamorphic Lenses

2 Days in Paris (2007)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Julie Delpy | Cinematography by | Lubomir Bakchev | Editing by | Julie Delpy

Starring | Julie Delpy, Adam Goldberg, Daniel Brühl, Marie Pillet

Cameras | Sony HDW-750 Camera

Dangerous Liaisons (1988)

Motion Picture | 2D | Color | 1.85:1 | 119 Minutes

Dangerous Liaisons | ShotOnWhat?

Directed by | Stephen Frears | Cinematography by | Philippe Rousselot | Editing by | Mick Audsley

Starring | Glenn Close, John Malkovich, Michelle Pfeiffer, Swoosie Kurtz

Cameras | Moviecam 3N Camera

Lenses | Angenieux Lenses, Zeiss Super Speed Lenses

Vito Bonafacci (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 97 Minutes

Directed by | John Martoccia | Cinematography by | Patrick Wells Valenti | Editing by | Ingmar Cederstrom, Patrick Wells Valenti

Starring | Paul Borghese, Tisha Tinsman, Emelise Aleandri, Maria Cofano

Cameras | Red One Camera

Lenses | Zeiss DigiPrime Lenses

Rain Man (1988)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 133 Minutes

Directed by | Barry Levinson | Cinematography by | John Seale | Editing by | Stu Linder

Starring | Dustin Hoffman, Tom Cruise, Valeria Golino, Gerald R. Molen

Cameras | Panavision Panaflex Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Controller (2008)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 100 Minutes

Directed by | Frank Michels | Cinematography by | Steve Wargo | Editing by | Frank Michels, Jeff Niemoeller

Starring | Bob Rue, Tank Jones, Lolita Sahwany, John Dobradenka

Cameras | Sony HDW-F900 Camera

Lenses | Canon HJ11ex4.7B 4.7-52 mm f1.9

Charlie Wilson’s War (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 102 Minutes

Directed by | Mike Nichols | Cinematography by | Stephen Goldblatt | Editing by | John Bloom, Antonia Van Drimmelen

Starring | Tom Hanks, Julia Roberts, Philip Seymour Hoffman, Amy Adams

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Die Hard 2 (1990)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 124 Minutes

Directed by | Renny Harlin | Cinematography by | Oliver Wood | Editing by | Stuart Baird, Robert A. Ferretti

Starring | Bruce Willis, William Atherton, Bonnie Bedelia, Reginald VelJohnson

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Photo-Sonics 35mm-4ER Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

One Day (2011)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Lone Scherfig | Cinematography by | Benoît Delhomme | Editing by | Barney Pilling

Starring | Anne Hathaway, Jim Sturgess, Patricia Clarkson, Tom Mison

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

The Expendables 2 (2012)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Simon West | Cinematography by | Shelly Johnson | Editing by | Todd E. Miller

Starring | Sylvester Stallone, Liam Hemsworth, Randy Couture, Jean-Claude Van Damme

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Harry Potter and the Sorcerer’s Stone (2001)

Motion Picture | 2D | Color | 2.39:1 | 152 Minutes

Directed by | Chris Columbus | Cinematography by | John Seale | Editing by | Richard Francis-Bruce

Starring | Daniel Radcliffe, Rupert Grint, Richard Harris, Maggie Smith

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

Alex Cross (2012)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Alex Cross | ShotOnWhat?

Directed by | Rob Cohen | Cinematography by | Ricardo Della Rosa | Editing by | Matthew Diezel, Thom Noble

Starring | Tyler Perry, Matthew Fox, Rachel Nichols, Edward Burns

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

51 Paintings (2012)

Motion Picture | 2D | Black & White, Color | 1.78:1 (16x9), 2.39:1 | 78 Minutes

Directed by | Shaun Wilson | Cinematography by | Shaun Wilson | Editing by | Tammy Honey

Starring | Zozie Brown, Beth Clarke, Kim Collmer, Amber Connor

Cameras | Canon EOS 550D Camera, Red One Camera

Lenses | Zeiss DigiPrime Lenses

Terminator 3: Rise of the Machines (2003)

Motion Picture | 2D | Color | 109 Minutes

Directed by | Jonathan Mostow | Cinematography by | Don Burgess | Editing by | Nicolas De Toth, Neil Travis

Starring | Arnold Schwarzenegger, Nick Stahl, Kristanna Loken, Claire Danes

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Saving Private Ryan (1998)

Motion Picture | 2D | Color | 1.85:1 | 169 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Hanks, Matt Damon, Tom Sizemore, Edward Burns

Cameras | Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

I Am Sam (2001)

Motion Picture | 2D | Color | 1.85:1 | 132 Minutes

Directed by | Jessie Nelson | Cinematography by | Elliot Davis | Editing by | Richard Chew

Starring | Sean Penn, Michelle Pfeiffer, Dakota Fanning, Dianne Wiest

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Lightweight Zoom Lenses, Panavision Primo Classic Spherical Lenses

G-Force (2009)

Motion Picture | 2D, 3D | Color | 1.85:1, 2.39:1 | 88 Minutes

G-Force | ShotOnWhat?

Directed by | Hoyt Yeatman | Cinematography by | Bojan Bazelli | Editing by | Mark Goldblatt, Jason Hellmann

Starring | Will Arnett, Penélope Cruz, Zach Galifianakis, Bill Nighy

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