 | Directed by | Babak Anvari Cinematography by ~ Kit Fraser Cameras | ARRI ALEXA Mini Camera Lenses | Leitz Summilux-C Series Lenses |
Search Results: Alexa | 1848 Titles
Wounds (2019)
Shoplifters (2018)
 | Directed by | Hirokazu Koreeda Cinematography by ~ Ryûto Kondô Cameras | ARRI ALEXA Mini Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 535 B Camera Lenses | Angenieux Optimo Zoom Lenses, Canon K35 Prime Lenses, Fujinon Alura Lenses, Fujinon Lenses, Leitz Summicron-C Series Lenses, Zeiss Ultra Prime Lenses |
1917 (2019)
 | Directed by | Sam Mendes Cinematography by ~ Roger Deakins Cameras | ARRI ALEXA Mini LF Camera Lenses | ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens |
A Beautiful Day in the Neighborhood (2019)
 | Directed by | Marielle Heller Cinematography by ~ Jody Lee Lipes Cameras | ARRI ALEXA Mini Camera, ARRIFLEX 416 Camera, Ikegami Cameras, Ikegami HL-79EAL Camera Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Zeiss Master Prime Lenses |
Bombshell (2019)
 | Directed by | Jay Roach Cinematography by ~ Barry Ackroyd Cameras | ARRI ALEXA Mini Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses |
Booksmart (2019)
 | Directed by | Olivia Wilde Cinematography by ~ Jason McCormick Cameras | ARRI ALEXA Mini Camera Lenses | Panavision T Series Anamorphic Lenses |
Cats (2019)
 | Directed by | Tom Hooper Cinematography by ~ Christopher Ross Cameras | ARRI ALEXA 65 Camera Lenses | ARRI Rental Prime DNA Lenses, Hasselblad Lenses, Tokina Vista Cinema Prime Lenses |
Moonlight (2016)
 | Directed by | Barry Jenkins Cinematography by ~ James Laxton Cameras | ARRI ALEXA XT Plus Camera Lenses | Angenieux Optimo Anamorphic Lenses, Hawk V-Lite Lenses, Kowa Cine Prominar Anamorphic Lenses |
21 Bridges (2019)
 | Directed by | Brian Kirk Cinematography by ~ Paul Cameron Cameras | ARRI ALEXA XT M Camera, Sony CineAlta VENICE Camera |
The Night of the Virgin (2016)
 | Directed by | Roberto San Sebastián Cinematography by ~ Adrián Hernández Cameras | ARRI ALEXA Camera, Sony PXW-FS7 Camera Lenses | Zeiss Super Speeds Mk I 50 mm T1.4 Lens, Zeiss Super Speeds Mk I Lenses |
Doctor Sleep (2019)
 | Directed by | Mike Flanagan Cinematography by ~ Michael Fimognari Cameras | ARRI ALEXA 65 Camera Lenses | Hasselblad Lenses |
Ready or Not (2019)
 | Directed by | Matt Bettinelli-Olpin, Tyler Gillett Cinematography by ~ Brett Jutkiewicz Cameras | ARRI ALEXA Mini Camera Lenses | Cooke 5/i Lenses |
Parasite (2019)
 | Directed by | Bong Joon Ho Cinematography by ~ Kyung-pyo Hong Cameras | ARRI ALEXA 65 Camera Lenses | ARRI Rental Prime DNA Lenses, Hasselblad Lenses |
Edie (2017)
 | Directed by | Simon Hunter Cinematography by ~ August Jakobsson Cameras | ARRI ALEXA Mini Camera Lenses | Zeiss Master Prime Lenses |
The Irishman (2019)
 | Directed by | Martin Scorsese Cinematography by ~ Rodrigo Prieto Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras |
Gretel & Hansel (2020)
 | Directed by | Oz Perkins Cinematography by ~ Galo Olivares Cameras | ARRI ALEXA Mini Camera |
Les Misérables (2019)
 | Directed by | Ladj Ly Cinematography by ~ Julien Poupard Cameras | ARRI ALEXA Mini Camera Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens |
Blood and Money (2020)
 | Directed by | John Barr Cinematography by ~ John Barr Cameras | ARRI ALEXA Mini Camera |
The Handmaiden (2016)
 | Directed by | Park Chan-wook Cinematography by ~ Chung-hoon Chung Cameras | ARRI ALEXA XT Camera Lenses | Angenieux Optimo Anamorphic Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Vintage ´74 |
