 | Directed by | Todd Phillips Cinematography by ~ Lawrence Sher Cameras | ARRI ALEXA XT Camera |
Search Results: Alexa | 1848 Titles
War Dogs (2016)
Morris from America (2016)
 | Directed by | Chad Hartigan Cinematography by ~ Sean McElwee Cameras | ARRI ALEXA Camera, Red Epic Camera Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens |
Hands of Stone (2016)
 | Directed by | Jonathan Jakubowicz Cinematography by ~ M.I. Littin-Menz Cameras | ARRI ALEXA Camera Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses |
Kraftidioten (2014)
 | Directed by | Hans Petter Moland Cinematography by ~ Philip Øgaard Cameras | ARRI ALEXA Camera |
The Hollars (2016)
 | Directed by | John Krasinski Cinematography by ~ Eric Alan Edwards Cameras | ARRI ALEXA Plus 4:3 Camera Lenses | Angenieux HR Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses |
L’homme au piano (0)
 | Directed by | Chauncey Alan Cinematography by ~ Gina Ferrer Cameras | ARRI ALEXA Camera, ARRI AMIRA Camera |
Collateral Beauty (2016)
 | Directed by | David Frankel Cinematography by ~ Maryse Alberti Cameras | ARRI ALEXA XT Plus Camera Lenses | ARRI / Zeiss Master Anamorphic Lenses |
Una Famiglia (2017)
Get Out (2017)
 | Directed by | Jordan Peele Cinematography by ~ Toby Oliver Cameras | ARRI ALEXA Mini Camera Lenses | Angenieux Optimo Zoom Lenses |
Three Night Stand (2013)
 | Directed by | Pat Kiely Cinematography by ~ Robert Vroom Cameras | ARRI ALEXA FR Camera Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens |
Escape Room (2019)
The Last Black Man in San Francisco (2019)
 | Directed by | Joe Talbot Cinematography by ~ Adam Newport-Berra Cameras | ARRI ALEXA Mini Camera |
Second Act (2018)
 | Directed by | Peter Segal Cinematography by ~ Ueli Steiger Cameras | ARRI ALEXA Mini Camera Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI Ultra Wide Zoom 9.5-18mm T2.9 Lens |
Measure of a Man (2018)
Passengers (2016)
 | Directed by | Morten Tyldum Cinematography by ~ Rodrigo Prieto Cameras | ARRI ALEXA 65 Camera Lenses | Panavision Primo 70 Lenses |
War for the Planet of the Apes (2017)
 | Directed by | Matt Reeves Cinematography by ~ Michael Seresin Cameras | ARRI ALEXA 65 Camera Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses |
Live by Night (2016)
 | Directed by | Ben Affleck Cinematography by ~ Robert Richardson Cameras | ARRI ALEXA 65 Camera Lenses | Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses |
Queen of the South (2016)
Avengers: Infinity War (2018)
 | Directed by | Anthony Russo, Joe Russo Cinematography by ~ Trent Opaloch Cameras | ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera Lenses | Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses |
