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Search Results: Alexa | 1848 Titles
Deadpool (2016)
 | Directed by | Tim Miller Cinematography by ~ Ken Seng Cameras | ARRI ALEXA XT Plus Camera Lenses | Panavision Primo Primes Spherical Lenses |
La isla mínima (2014)
 | Directed by | Alberto Rodríguez Cinematography by ~ Alex Catalán Cameras | ARRI ALEXA XT Camera Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 45-250 mm T2.8 Lens |
The Witch (2015)
 | Directed by | Robert Eggers Cinematography by ~ Jarin Blaschke Cameras | ARRI ALEXA Plus 4:3 Camera Lenses | Bausch & Lomb Super Baltar Lenses, Cooke Speed Panchro Lenses, Panavision Super Speed Lenses |
Kilo Two Bravo (2014)
 | Directed by | Paul Katis Cinematography by ~ Chris Goodger Cameras | ARRI ALEXA XT Camera, Blackmagic Cinema Camera Lenses | Angenieux Lenses, Red Pro Prime Lenses |
Rogue One: A Star Wars Story (2016)
 | Directed by | Gareth Edwards Cinematography by ~ Greig Fraser Cameras | ARRI ALEXA 65 Camera Lenses | Panavision APO Panatar Lenses |
The 5th Wave (2016)
 | Directed by | J Blakeson Cinematography by ~ Enrique Chediak Cameras | ARRI ALEXA XT Plus Camera Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses |
Everybody Wants Some!! (2016)
 | Directed by | Richard Linklater Cinematography by ~ Shane F. Kelly Cameras | ARRI ALEXA Camera |
God’s Not Dead 2 (2016)
 | Directed by | Harold Cronk Cinematography by ~ Brian Shanley Cameras | ARRI ALEXA Camera, Red Epic Camera |
The Jungle Book (2016)
 | Directed by | Jon Favreau Cinematography by ~ Bill Pope Cameras | ARRI ALEXA XT M Camera Lenses | Panavision Primo Primes Spherical Lenses |
Criminal (2016)
 | Directed by | Ariel Vromen Cinematography by ~ Dana Gonzales Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses |
Dirty Grandpa (2016)
 | Directed by | Dan Mazer Cinematography by ~ Eric Alan Edwards Cameras | ARRI ALEXA XT Plus Camera Lenses | Cooke S4 Lenses |
Neighbors 2: Sorority Rising (2016)
 | Directed by | Nicholas Stoller Cinematography by ~ Brandon Trost Cameras | ARRI ALEXA XT Plus Camera Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses |
Risen (2016)
 | Directed by | Kevin Reynolds Cinematography by ~ Lorenzo Senatore Cameras | ARRI ALEXA Camera |
Exposed (2016)
 | Directed by | Gee Malik Linton Cinematography by ~ Trevor Forrest Cameras | ARRI ALEXA Camera |
The Brothers Grimsby (2016)
 | Directed by | Louis Leterrier Cinematography by ~ Oliver Wood Cameras | ARRI ALEXA XT Camera, Panasonic Lumix DMC-GH2 Camera |
The American Side (2016)
 | Directed by | Jenna Ricker Cinematography by ~ Frank Barrera Cameras | ARRI ALEXA Camera |
Term Life (2016)
 | Directed by | Peter Billingsley Cinematography by ~ Roberto Schaefer Cameras | ARRI ALEXA Camera, Red Epic Dragon Camera |
Mängelexemplar (2016)
 | Directed by | Laura Lackmann Cinematography by ~ Sten Mende Cameras | ARRI ALEXA Plus Camera, Red Epic Dragon Camera Lenses | Cooke Lenses, Cooke S4 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses |
American Honey (2016)
 | Directed by | Andrea Arnold Cinematography by ~ Robbie Ryan Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera |
