 | Directed by | Matthew Bennett Cinematography by ~ Daniel McKeown Cameras | ARRI ALEXA Series Cameras, Canon Cameras |
Search Results: Alexa | 1848 Titles
Road to Ferrari (2013)
The Intern (2015)
 | Directed by | Nancy Meyers Cinematography by ~ Stephen Goldblatt Cameras | ARRI ALEXA XT Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |
Pan (2015)
Son of a Gun (2014)
 | Directed by | Julius Avery Cinematography by ~ Nigel Bluck Cameras | ARRI ALEXA XT Plus Camera Lenses | Panavision B Series Anamorphic Lenses, Panavision Lenses |
The Man from U.N.C.L.E. (2015)
 | Directed by | Guy Ritchie Cinematography by ~ John Mathieson Cameras | ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera Lenses | Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses |
Batman v Superman: Dawn of Justice (2016)
Jamesy Boy (2014)
 | Directed by | Trevor White Cinematography by ~ Robert Lam Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens |
The Forest (2016)
 | Directed by | Jason Zada Cinematography by ~ Mattias Troelstrup Cameras | ARRI ALEXA XT Plus Camera |
Trumbo (2015)
 | Directed by | Jay Roach Cinematography by ~ Jim Denault Cameras | ARRI ALEXA XT Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |
Brooklyn (2015)
 | Directed by | John Crowley Cinematography by ~ Yves Bélanger Cameras | ARRI ALEXA XT Camera Lenses | Leitz Summilux-C Series Lenses, Zeiss Master Prime Lenses |
Spotlight (2015)
 | Directed by | Tom McCarthy Cinematography by ~ Masanobu Takayanagi Cameras | ARRI ALEXA XT Camera Lenses | Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses |
Mustang (2015)
 | Directed by | Deniz Gamze Ergüven Cinematography by ~ David Chizallet, Ersin Gok Cameras | ARRI ALEXA Plus Camera Lenses | Zeiss Super Speed Lenses |
The 100 Year-Old Man Who Climbed Out the Window and Disappeared (2013)
 | Directed by | Felix Herngren Cinematography by ~ Göran Hallberg Cameras | ARRI ALEXA Camera |
Shok (2015)
 | Directed by | Jamie Donoughue Cinematography by ~ Philip Robertson Cameras | ARRI ALEXA Camera |
Alles wird gut (2015)
 | Directed by | Patrick Vollrath Cinematography by ~ Sebastian Thaler Cameras | ARRI ALEXA Studio Camera |
Più buio di mezzanotte (2014)
All I See Is You (2016)
 | Directed by | Marc Forster Cinematography by ~ Matthias Koenigswieser Cameras | ARRI ALEXA XT Camera Lenses | Panavision G Series Anamorphic Lenses |
A Monster Calls (2016)
 | Directed by | J.A. Bayona Cinematography by ~ Oscar Faura Cameras | ARRI ALEXA XT Camera Lenses | Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses |
The Finest Hours (2016)
 | Directed by | Craig Gillespie Cinematography by ~ Javier Aguirresarobe Cameras | ARRI ALEXA XT Plus Camera Lenses | Leitz Summilux-C Series Lenses |
Terminator Genisys (2015)
 | Directed by | Alan Taylor Cinematography by ~ Kramer Morgenthau Cameras | ARRI ALEXA XT Plus Camera Lenses | Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses |
