 | Cameras | ARRI ALEXA Mini LF Camera |
Search Results: Alexa | 1848 Titles
Lessons in Chemistry (2023)
Everything Everywhere All at Once (2022)
 | Directed by | Daniel Kwan, Daniel Scheinert Cinematography by ~ Larkin Seiple Cameras | ARRI ALEXA Mini Camera Lenses | Atlas Orion Anamorphic Series Lenses, Hawk V-Lite Lenses, Todd-AO Lenses, Zeiss Master Prime Lenses |
Rustin (2023)
 | Directed by | George C. Wolfe Cinematography by ~ Tobias A. Schliessler Cameras | ARRI ALEXA Mini LF Camera Lenses | ARRI Rental DNA LF Lenses |
The Holdovers (2023)
 | Directed by | Alexander Payne Cinematography by ~ Eigil Bryld Cameras | ARRI ALEXA Mini Camera Lenses | Panavision H Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses |
American Fiction (2023)
 | Directed by | Cord Jefferson Cinematography by ~ Cristina Dunlap Cameras | ARRI ALEXA Mini LF Camera Lenses | Tribe7 Blackwing7 Lenses |
Anatomy of a Fall (2023)
 | Directed by | Justine Triet Cinematography by ~ Simon Beaufils Cameras | ARRI ALEXA Mini LF Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses |
El Conde (2023)
 | Directed by | Pablo Larraín Cinematography by ~ Edward Lachman Cameras | ARRI ALEXA Mini LF Monochrome Camera Lenses | Zero Optik Baltar Series Lenses |
Napoleon (2023)
 | Directed by | Ridley Scott Cinematography by ~ Dariusz Wolski Cameras | ARRI ALEXA Mini LF Camera Lenses | Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses |
Io Capitano (2023)
 | Directed by | Matteo Garrone Cinematography by ~ Paolo Carnera Cameras | ARRI ALEXA Mini LF Camera Lenses | ARRI Signature Prime Lenses |
May December (2023)
 | Directed by | Todd Haynes Cinematography by ~ Christopher Blauvelt Cameras | ARRI Alexa 35 Camera Lenses | Kowa Cine Prominar Spherical Lenses |
The Teachers’ Lounge (2023)
 | Directed by | Ilker Çatak Cinematography by ~ Judith Kaufmann Cameras | ARRI ALEXA Mini Camera Lenses | Angenieux Optimo 45-120 mm T2.8 Lens |
Argentina, 1985 (2022)
 | Directed by | Santiago Mitre Cinematography by ~ Javier Julia Cameras | ARRI ALEXA Mini LF Camera Lenses | ARRI Signature Prime Lenses, Canon FD Series Lenses |
The Banshees of Inisherin (2022)
 | Directed by | Martin McDonagh Cinematography by ~ Ben Davis Cameras | ARRI ALEXA Mini LF Camera Lenses | ARRI Signature Prime Lenses |
Bardo: False Chronicle of a Handful of Truths (2022)
 | Directed by | Alejandro G. Iñárritu Cinematography by ~ Darius Khondji Cameras | ARRI ALEXA 65 Camera Lenses | Panavision Sphero 65 Series Lenses |
Causeway (2022)
 | Directed by | Lila Neugebauer Cinematography by ~ Diego García Cameras | ARRI ALEXA LF Camera Lenses | Panavision H Series Lenses |
Close (2022)
 | Directed by | Lukas Dhont Cinematography by ~ Frank van den Eeden Cameras | ARRI ALEXA Mini Camera Lenses | Leitz Summilux-C Series Lenses |
EO (2022)
 | Directed by | Jerzy Skolimowski Cinematography by ~ Michal Dymek Cameras | ARRI ALEXA Mini LF Camera Lenses | Canon K35 Prime Lenses, Leica R Series Lenses |
Empire of Light (2022)
 | Directed by | Sam Mendes Cinematography by ~ Roger Deakins Cameras | ARRI ALEXA LF Camera Lenses | ARRI Signature Prime Lenses, Cooke S7/i Lenses |
Glass Onion (2022)
 | Directed by | Rian Johnson Cinematography by ~ Steve Yedlin Cameras | ARRI ALEXA Mini LF Camera Lenses | Zeiss Supreme Prime Series Lenses |
Living (2022)
 | Directed by | Oliver Hermanus Cinematography by ~ Jamie Ramsay Cameras | ARRI ALEXA Mini Camera Lenses | Zeiss Supreme Prime Series Lenses |
