 | Cameras | ARRI ALEXA Mini Camera Lenses | Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Vintage ´74, Hawk Vantage One Lenses |
Search Results: Alexa | 1848 Titles
Promising Young Woman (2020)
 | Directed by | Emerald Fennell Cinematography by ~ Benjamin Kracun Cameras | ARRI ALEXA Mini Camera Lenses | Panavision G Series Anamorphic Lenses |
Song lang (2018)
 | Directed by | Leon Le Cinematography by ~ Bob Nguyen Cameras | ARRI ALEXA Series Cameras |
Christine (2016)
 | Directed by | Antonio Campos Cinematography by ~ Joe Anderson Cameras | ARRI ALEXA Camera |
Drive My Car (2021)
 | Directed by | Ryûsuke Hamaguchi Cinematography by ~ Hidetoshi Shinomiya Cameras | ARRI ALEXA Mini Camera Lenses | Zeiss Lenses |
Operation Portugal (2021)
 | Directed by | Frank Cimière Cinematography by ~ Matthieu-David Cournot Cameras | ARRI ALEXA Mini Camera Lenses | Cooke S4 Lenses |
The Narrator (2018)
 | Directed by | Nicholas Connor Cinematography by ~ Skye Fisher, Will Jensen Cameras | ARRI ALEXA Camera Lenses | Zeiss Lenses |
Johnny (2021)
 | Directed by | John Charles Gerald Cinematography by ~ John Charles Gerald Cameras | ARRI ALEXA Camera, Blackmagic URSA Camera Lenses | Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Lenses, Zeiss Compact Prime Lenses |
An Enchanted (2019)
 | Directed by | Christian Cashmir Cameras | ARRI ALEXA Mini Camera Lenses | Canon CN-E Series Lenses, Fujinon XK Cabrio 20-120mm T3.5 Lens |
Barbie (2023)
 | Directed by | Greta Gerwig Cinematography by ~ Rodrigo Prieto Cameras | ARRI ALEXA 65 Camera Lenses | Panavision Lenses, Panavision System 65 Lenses |
"Shift Drinks" Fried Chicken (2018)
 | Directed by | Ken MacLaughlin Cinematography by ~ Frederic Blake |
"Shift Drinks" Food Scavenger (2019)
| | Directed by | Ken MacLaughlin Cinematography by ~ Frederic Blake |
"Shift Drinks" Foodgasm (2019)
| | Directed by | Ken MacLaughlin Cinematography by ~ Blake Studwell |
"Shift Drinks" Uber Slow (2019)
| | Directed by | Ken MacLaughlin |
"Shift Drinks" Employee Restroom (2020)
| | Directed by | Dominick Racano Cinematography by ~ Blake Studwell |
Magnetic Beats (2021)
Blonde (2022)
 | Directed by | Andrew Dominik Cinematography by ~ Chayse Irvin Cameras | ARRI ALEXA XT Monochrome Camera, Sony CineAlta VENICE Camera Lenses | ARRI Rental HEROES LOOK Lens, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses |
Nomadland (2020)
 | Directed by | Chloé Zhao Cinematography by ~ Joshua James Richards Cameras | ARRI ALEXA Mini Camera, ARRI AMIRA Camera Lenses | Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses |
Sonic the Hedgehog 2 (2022)
 | Directed by | Jeff Fowler Cinematography by ~ Brandon Trost Cameras | ARRI ALEXA Mini LF Camera Lenses | Panavision T Series Anamorphic Lenses |
Mission: Impossible – Dead Reckoning Part One (2023)
 | Directed by | Christopher McQuarrie Cinematography by ~ Fraser Taggart Cameras | ARRI ALEXA Mini LF Camera, Sony CineAlta VENICE Camera, Z CAM E2-F6 Camera Lenses | Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses |
